25.12.2013 Aufrufe

Tagungsort Grand Hotel Heiligendamm

Tagungsort Grand Hotel Heiligendamm

Tagungsort Grand Hotel Heiligendamm

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Cornwall which remain successful seaside resorts<br />

because they blend holidaymaking and<br />

tourism and tourist architecture with other<br />

<br />

And there are sometimes tendencies to tidy up<br />

rists.<br />

That is a mistake. Tourists enjoy looking<br />

<br />

people are doing.<br />

There’s also a role for public art. The British<br />

artist called Damian Hurst has created this<br />

<br />

the harbour arm in Devon seaside resort of<br />

Ilfracombe. Public art can be very powerful in<br />

bringing, in helping to characterize a resort.<br />

But the public art can sometimes be very small<br />

scale as well. Another British artist, Tracy<br />

Emin, and a tiny little bronze cast of a child’s<br />

shoe in Folkston in the south-east of England.<br />

There are also stories of success in the sense<br />

of buildings being restored. This image shows<br />

the restored and iconic 1930s Jubilee Pool in<br />

<br />

Brighton, Embassy Court, has been restored<br />

and saved from dereliction. The same is true<br />

of the De La Warr Pavilion in Bexhill which<br />

has been restored and reopened as a multipurpose<br />

arts centre but primarily as a gallery<br />

for visual arts.<br />

There are also new buildings. One of the<br />

challenges is to get the balance right between<br />

constructing new buildings and reusing old<br />

buildings. Two English examples of new architecture<br />

for the arts and cultural industries<br />

are the Turner Contemporary in Margate, and<br />

the Jerwood Gallery in Hastings. In both cases<br />

there was intense local argument about<br />

the proposals and some vocal opposition. For<br />

instance, there was opposition about the Jerwood<br />

as some local people believed the gallery<br />

was a metropolitan imposition, removing<br />

what they saw as their own space and land. So<br />

another related challenge is to develop me-<br />

<br />

proposals for new building and local people;<br />

ideally local people need to be actively involved<br />

from an early stage.<br />

<br />

what’s happening in present day Brighton by<br />

showing a series of photographs taken just a<br />

week or two ago. Some aspects of presentday<br />

seaside Brighton work very well. The<br />

seafront is well used by cyclists, people promenading,<br />

people walking, people running. A<br />

new children’s paddling pool is working well.<br />

A derelict Victorian bandstand has been restored<br />

by the council and is now one of the<br />

most popular features on the seafront, a free<br />

feature with a band playing on it and a café<br />

underneath. The bandstand is an important<br />

part of the seafront: Victorian Oriental architecture<br />

reused for modern purposes. And<br />

the same is true of a 1950s bathing station,<br />

where people changed before going onto the<br />

beach or into the sea, which has been turned<br />

into a popular restaurant. The combination of<br />

people and new and renewed architecture and,<br />

of course, lovely weather, makes for a buzzy,<br />

successful seafront where people look and are<br />

looked at. Even Brighton’s Regency terraces<br />

can be remembered and made into tourist<br />

attractions by what in Britain are called blue<br />

plaques acknowledging famous people who<br />

have lived there. And just this last weekend we<br />

ended the 47th season of the Brighton Festival<br />

which is a week-long arts festival. So festivals<br />

can be helpful as well in attracting people to<br />

the seaside and its architecture.<br />

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