Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
Erfolgreiche ePaper selbst erstellen
Machen Sie aus Ihren PDF Publikationen ein blätterbares Flipbook mit unserer einzigartigen Google optimierten e-Paper Software.
Cornwall which remain successful seaside resorts<br />
because they blend holidaymaking and<br />
tourism and tourist architecture with other<br />
<br />
And there are sometimes tendencies to tidy up<br />
rists.<br />
That is a mistake. Tourists enjoy looking<br />
<br />
people are doing.<br />
There’s also a role for public art. The British<br />
artist called Damian Hurst has created this<br />
<br />
the harbour arm in Devon seaside resort of<br />
Ilfracombe. Public art can be very powerful in<br />
bringing, in helping to characterize a resort.<br />
But the public art can sometimes be very small<br />
scale as well. Another British artist, Tracy<br />
Emin, and a tiny little bronze cast of a child’s<br />
shoe in Folkston in the south-east of England.<br />
There are also stories of success in the sense<br />
of buildings being restored. This image shows<br />
the restored and iconic 1930s Jubilee Pool in<br />
<br />
Brighton, Embassy Court, has been restored<br />
and saved from dereliction. The same is true<br />
of the De La Warr Pavilion in Bexhill which<br />
has been restored and reopened as a multipurpose<br />
arts centre but primarily as a gallery<br />
for visual arts.<br />
There are also new buildings. One of the<br />
challenges is to get the balance right between<br />
constructing new buildings and reusing old<br />
buildings. Two English examples of new architecture<br />
for the arts and cultural industries<br />
are the Turner Contemporary in Margate, and<br />
the Jerwood Gallery in Hastings. In both cases<br />
there was intense local argument about<br />
the proposals and some vocal opposition. For<br />
instance, there was opposition about the Jerwood<br />
as some local people believed the gallery<br />
was a metropolitan imposition, removing<br />
what they saw as their own space and land. So<br />
another related challenge is to develop me-<br />
<br />
proposals for new building and local people;<br />
ideally local people need to be actively involved<br />
from an early stage.<br />
<br />
what’s happening in present day Brighton by<br />
showing a series of photographs taken just a<br />
week or two ago. Some aspects of presentday<br />
seaside Brighton work very well. The<br />
seafront is well used by cyclists, people promenading,<br />
people walking, people running. A<br />
new children’s paddling pool is working well.<br />
A derelict Victorian bandstand has been restored<br />
by the council and is now one of the<br />
most popular features on the seafront, a free<br />
feature with a band playing on it and a café<br />
underneath. The bandstand is an important<br />
part of the seafront: Victorian Oriental architecture<br />
reused for modern purposes. And<br />
the same is true of a 1950s bathing station,<br />
where people changed before going onto the<br />
beach or into the sea, which has been turned<br />
into a popular restaurant. The combination of<br />
people and new and renewed architecture and,<br />
of course, lovely weather, makes for a buzzy,<br />
successful seafront where people look and are<br />
looked at. Even Brighton’s Regency terraces<br />
can be remembered and made into tourist<br />
attractions by what in Britain are called blue<br />
plaques acknowledging famous people who<br />
have lived there. And just this last weekend we<br />
ended the 47th season of the Brighton Festival<br />
which is a week-long arts festival. So festivals<br />
can be helpful as well in attracting people to<br />
the seaside and its architecture.<br />
28