Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
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makes you think of the Bayeux Tapestry or it<br />
makes you think of Erik Satie as a composer,<br />
as an artist. And therefore you link different<br />
types of heritage together and by linking traditions;<br />
you light up vocations and you create<br />
creativity. That’s a very bad sentence I’ve just<br />
made. Now these are the examples that we see<br />
<br />
show is that what you saw here is exactly the<br />
<br />
well. Therefore the identity of a location can<br />
also be used as a regional identity. And that today,<br />
thinking in terms of region is a necessity.<br />
<br />
the skill of a top chef is that for every recipe<br />
beyond the originality of the mix, he manages<br />
dient.<br />
So that when you collaborate, when you<br />
work together, that is the idea behind it. You<br />
don’t need to market just one dish. You can<br />
market many dishes and at the same time cater<br />
for different tastes.<br />
I shall now pass on to the second part, where<br />
I shall speak about innovative marketing and<br />
marketing for innovation. I’m going to try<br />
not to be too long with this and to point out<br />
that innovation doesn’t mean new; it means<br />
renewal. And it means that you have to create<br />
strategies that allow you to build on each<br />
<br />
but different – as time goes by. To do this it<br />
is sometimes worth thinking out of the box.<br />
Thinking out of the box means that creativity<br />
doesn’t always stem from the people in your<br />
own area. Creativity can come from people<br />
who have nothing to do with tourism, but<br />
might come up with an idea that might be<br />
worthwhile. Therefore you have to be able to<br />
listen to this and you have to be able to discuss<br />
it and try out different strategies. With time, it<br />
all falls into place.<br />
I would say this is the golden rule as far as innovation<br />
is concerned; I have broken it down<br />
to three ‘I’s.<br />
<br />
free.<br />
The second ‘I’ is to make sure what you imagine<br />
is likely to Inspire the wish to come and<br />
discover.<br />
And the third thing, which to my mind is extremely<br />
important, the third ‘I’ is to Involve<br />
people. And it doesn’t mean just involving the<br />
locals or the people around you; it also means<br />
that the tourist has to have the feeling that he’s<br />
going to be involved in the local life. I don’t<br />
know about you, but when I travel – and I<br />
travel an awful lot as you’ve seen from the beginning<br />
– when I go somewhere I don’t want<br />
to be seen as a tourist. I want to experience<br />
authenticity. And I don’t go to places where all<br />
the tourists go. Now I don’t think it’s particular<br />
to me. I think it’s something most people<br />
like to do. They like to feel they are a person.<br />
I’m going to show you three examples by rai-<br />
<br />
such a thing as place? This is what I’ve been<br />
trying to show you; that you can’t think in<br />
terms of place. You have to think in terms of<br />
‘places’. And the second is: How do we build a<br />
bridge toward the future? That is to say when<br />
we market a destination, we have to think<br />
ahead and not just ‘now’. The last point is that<br />
you also have to ‘move across borders’.<br />
Now I’m going to show you three examples.<br />
This is Chambord, a very famous castle in the<br />
Loire Valley. I have put the caption “Ready for<br />
a second home?” because one of the strategies<br />
that has just been created in Chambord<br />
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