Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
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importance of this is that on the one hand,<br />
it is a visitor-friendly initiative, that is to say<br />
it’s to make the visitor’s experience much more<br />
pleasant. But it is also a way of sustaining,<br />
maintaining local life. Because if you don’t<br />
have income when you don’t have tourists, you<br />
certainly don’t have tourists if you don’t look<br />
after your local population.<br />
The second aspect I would like to stress about<br />
Deauville is: What’s in a name?<br />
How have we heard of Deauville, what has<br />
made it? In French peoples’ minds, it is famous<br />
names that have contributed to the rise<br />
of its renown: famous names like Coco Chanel;<br />
famous names of writers like Flaubert or<br />
painters born in the area and who have come<br />
and visited the place. So it has built up a certain<br />
renown through these names and the city<br />
has also capitalized on what I would call luck.<br />
<br />
in the beginning: “A Man and a Woman”.<br />
Filmmaking is something that has contributed<br />
to the renown of many cities that would<br />
otherwise not have been discovered. But it is<br />
a technique that today can be adapted, used<br />
differently. I won’t have time to talk about<br />
that, but you can ask me questions outside.<br />
We implement storytelling in different ways<br />
nowadays in terms of marketing, but by using<br />
<br />
tity<br />
for a place. And it doesn’t need to be an<br />
identity that is directly linked to your heritage.<br />
It is an identity that will make you think of<br />
the place; that will bring it to mind. And then<br />
you can use that to extend and capitalize on<br />
it. So the idea is look at your history and then<br />
you develop your storytelling, because marketing<br />
a destination is marketing a story for the<br />
destination. And if you develop a story, then<br />
you can also enhance on that and build it into<br />
history.<br />
This is the third point I would like to point to<br />
in Deauville: How do you develop a particular<br />
destination through heritage?<br />
Not only by making your architecture, your<br />
cultural heritage, your traditions known. But<br />
by making sure that from one place you radiate<br />
to the next places all around it. This is<br />
why one of the keys to today’s innovation in<br />
terms of marketing lies in the way of thinking<br />
of how to cooperate between destinations,<br />
to create collaborative products and to work<br />
towards a common future. One of the strategies<br />
that has been used in Deauville stems<br />
from local associations that developed around<br />
what we call the ‘Pays d’Auge’ which itself belongs<br />
to the national network ‘Villes et Pays<br />
d’Art et d’Histoire’ meaning that certain areas<br />
<br />
and history. The initiatives that are born from<br />
these associations that are generally not tourist<br />
associations, but are local associations that<br />
have a particular link to place and therefore<br />
they can collaborate with tourism authorities<br />
to create a joint effort and develop not only<br />
one area, but see how they can reduce the cost.<br />
You don’t need to introduce new things everywhere<br />
and spend your money 50 million times<br />
over, if you can develop a coherent and cohesive<br />
collaboration – think about how every<br />
different place has some sort of asset – and in<br />
that way you can move and promote your traditions,<br />
your know-how, your knowledge. So<br />
the ‘Pays d’Auge’(1:19:51), which is the area<br />
where Deauville is situated, brings to mind<br />
certain names that you are probably familiar<br />
with, like Calvados and Camembert. It also<br />
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