25.12.2013 Aufrufe

Tagungsort Grand Hotel Heiligendamm

Tagungsort Grand Hotel Heiligendamm

Tagungsort Grand Hotel Heiligendamm

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importance of this is that on the one hand,<br />

it is a visitor-friendly initiative, that is to say<br />

it’s to make the visitor’s experience much more<br />

pleasant. But it is also a way of sustaining,<br />

maintaining local life. Because if you don’t<br />

have income when you don’t have tourists, you<br />

certainly don’t have tourists if you don’t look<br />

after your local population.<br />

The second aspect I would like to stress about<br />

Deauville is: What’s in a name?<br />

How have we heard of Deauville, what has<br />

made it? In French peoples’ minds, it is famous<br />

names that have contributed to the rise<br />

of its renown: famous names like Coco Chanel;<br />

famous names of writers like Flaubert or<br />

painters born in the area and who have come<br />

and visited the place. So it has built up a certain<br />

renown through these names and the city<br />

has also capitalized on what I would call luck.<br />

<br />

in the beginning: “A Man and a Woman”.<br />

Filmmaking is something that has contributed<br />

to the renown of many cities that would<br />

otherwise not have been discovered. But it is<br />

a technique that today can be adapted, used<br />

differently. I won’t have time to talk about<br />

that, but you can ask me questions outside.<br />

We implement storytelling in different ways<br />

nowadays in terms of marketing, but by using<br />

<br />

tity<br />

for a place. And it doesn’t need to be an<br />

identity that is directly linked to your heritage.<br />

It is an identity that will make you think of<br />

the place; that will bring it to mind. And then<br />

you can use that to extend and capitalize on<br />

it. So the idea is look at your history and then<br />

you develop your storytelling, because marketing<br />

a destination is marketing a story for the<br />

destination. And if you develop a story, then<br />

you can also enhance on that and build it into<br />

history.<br />

This is the third point I would like to point to<br />

in Deauville: How do you develop a particular<br />

destination through heritage?<br />

Not only by making your architecture, your<br />

cultural heritage, your traditions known. But<br />

by making sure that from one place you radiate<br />

to the next places all around it. This is<br />

why one of the keys to today’s innovation in<br />

terms of marketing lies in the way of thinking<br />

of how to cooperate between destinations,<br />

to create collaborative products and to work<br />

towards a common future. One of the strategies<br />

that has been used in Deauville stems<br />

from local associations that developed around<br />

what we call the ‘Pays d’Auge’ which itself belongs<br />

to the national network ‘Villes et Pays<br />

d’Art et d’Histoire’ meaning that certain areas<br />

<br />

and history. The initiatives that are born from<br />

these associations that are generally not tourist<br />

associations, but are local associations that<br />

have a particular link to place and therefore<br />

they can collaborate with tourism authorities<br />

to create a joint effort and develop not only<br />

one area, but see how they can reduce the cost.<br />

You don’t need to introduce new things everywhere<br />

and spend your money 50 million times<br />

over, if you can develop a coherent and cohesive<br />

collaboration – think about how every<br />

different place has some sort of asset – and in<br />

that way you can move and promote your traditions,<br />

your know-how, your knowledge. So<br />

the ‘Pays d’Auge’(1:19:51), which is the area<br />

where Deauville is situated, brings to mind<br />

certain names that you are probably familiar<br />

with, like Calvados and Camembert. It also<br />

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