Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
Tagungsort Grand Hotel Heiligendamm
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Prof. Dr. Sophie Elias-Varotsis,<br />
emeritierte Professorin an der Universität<br />
Paris-Est Créteil<br />
Innovative Strategien dür<br />
die Vermarktung des kulturellen<br />
und touristischen<br />
Erbes einer Destination<br />
Distinguished hosts,<br />
Thank you very much for having me here<br />
and giving me the opportunity of discovering<br />
such a wonderful place: a wonderful hotel, but<br />
also a breathtaking view of your seaside that<br />
I didn’t know. I come from a very different<br />
seaside because originally I come from Australia.<br />
It’s not quite the same thing. We don’t have<br />
as much heritage there. We don’t have as much<br />
heritage architecture either. […] I’m not going<br />
to speak about architecture itself and this is<br />
why I entitled my paper “Innovative Marketing<br />
Strategies and Heritage”. Because I think<br />
that architecture, of course, makes up the heritage,<br />
but heritage goes way beyond. It’s a question<br />
of traditions; it’s a question of culture in<br />
general. And we have to take everything into<br />
account. If we really go back and think about<br />
it, the alliance of tourism and heritage is probably<br />
one of the most prominent paradoxes<br />
that tourism planners and marketers have to<br />
handle. It is perhaps the greatest love-hate<br />
relationship on record. Heritage is essential,<br />
since it provides the destination with its uniqueness<br />
and personality. But heritage is also<br />
controversial as it requires protection and capital<br />
investment to endure, to last, and to keep<br />
its attractiveness. And this often leads to painful<br />
choices as well as disagreements. That’s<br />
why it complicates matters for destination<br />
marketers who are increasingly under pressu-<br />
<br />
strategies in keeping with tourists’ quests for<br />
new experiences and experiments.<br />
My presentation therefore aims to open a discussion<br />
on the potential of destinations that<br />
have had great renown, that are still attractive,<br />
but that need to capitalize on this, not only for<br />
themselves, but also to think in terms of re-<br />
<br />
around them. Because tourists today are not<br />
looking for single destinations; they’re not<br />
thinking in terms of one location. They are<br />
thinking of discovering many different things.<br />
One of the most frequently quoted captions<br />
when referring to heritage is “(when or where)<br />
times stands still”. And yet time is always on<br />
the move and so is the tourist. Let’s face it:<br />
the mix of seaside resorts and heritage is far<br />
from being obvious in the tourist’s mind. I’ve<br />
been kindly invited to speak about one of your<br />
sister resorts, ‘Deauville’, in France. Not the<br />
in the USA, although there is one in the USA<br />
too. But before doing so, I would like to show<br />
you a sample of other seaside resorts and their<br />
architecture.<br />
This is Deauville and, of course, and if I had<br />
some music, I could put on the music from<br />
“A Man and a Woman” and you would proba-<br />
<br />
in Australia, a different type of architecture.<br />
Some of you probably think that it’s dreadful,<br />
but who knows, tastes keep moving on. There<br />
is a certain familiarity between what happened<br />
on the Gold Coast and what’s been done in<br />
<br />
traces of it with the new resorts that are developing<br />
in China. Now zeitgeist – sorry for<br />
the pronunciation, I don’t speak German – I<br />
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