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Monolingualism and Plurilingualism of Literary Systems<br />

MARKO JUVAN<br />

In the eighteenth and nineteenth centuries, national and world literatures<br />

emerged as literary systems because of their interdependent<br />

relations. Whereas world literature evolved as a purportedly autonomous<br />

system that was believed to transcend national literary systems<br />

(these were considered building blocks of the world-system) thanks to<br />

its universal aesthetic and humanist values, particular national literatures<br />

could fashion their presumed individuality only in the international<br />

space and with regard to the aesthetic transcendence of world literature.<br />

In Europe, national literary systems normally show the transition from<br />

the nonstandard multilingualism of vernaculars to the standardized<br />

monolingualism of the standard language, which ideologically constituted<br />

a unified public sphere of the otherwise socially, differentiated,<br />

and dispersed community imagined as the modern nation. On the other<br />

hand, the literary world-system was originally plurilingual and, promoting<br />

the role of translation, required cosmopolitanism and polyglottism<br />

from its actors. However, due to the asymmetric distribution<br />

of cultural capital, the literary world-system tends towards monolingualism;<br />

that is, the global hegemony of world languages. Contrary to<br />

the cores of literary systems, national and global alike, which lean<br />

towards monolingualism, the systemic margins reproduce and even<br />

stimulate plurilingualism. Based on these premises, this presentation<br />

addresses the role of multilingual zones of literary systems that were<br />

foregrounded by recent literary transnationalism (e.g., minority,<br />

regional, or mobile literary practices). In addition, it calls attention to<br />

the fetishization of multilingualism in current ideologies of<br />

multiculturalism.<br />

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