HGKFHNWM as te rs tu d io D es ig n H e rb st / W in te r 0 9 / 1 0 T ...

I II III
Organ<strong>ig</strong>ramm
M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong> D<strong>es</strong><strong>ig</strong>n
93
P<strong>as</strong>cal Bosetti :
Spiels<strong>te</strong>ine
27
Transformat<strong>io</strong>nen im M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong>
Alois M. Müller
3
M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong>
D<strong>es</strong><strong>ig</strong>n
94
Eva Christandl :
Leicht<strong>ig</strong>keit
33
Abb. 1–4 :
P<strong>as</strong>cal Bosetti, Eva Christandl,
Seb<strong>as</strong>tian Dit<strong>tu</strong>s, Sarah Fischer
7
Insti<strong>tu</strong>t D<strong>es</strong><strong>ig</strong>nund
Kunstfo<strong>rs</strong>chung
96
Seb<strong>as</strong>tian Dit<strong>tu</strong>s :
In<strong>te</strong>rcul<strong>tu</strong>ral D<strong>es</strong><strong>ig</strong>n
39
Insti<strong>tu</strong>t
HyperWerk
98
Sarah Fischer :
Diszipliniert undiszipliniert
45
«D<strong>as</strong> M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong> D<strong>es</strong><strong>ig</strong>n soll nat<strong>io</strong>nal
und in<strong>te</strong>rnat<strong>io</strong>nal wahrgenommen werden»
In<strong>te</strong>rview mit Heinz Wagner
11
Insti<strong>tu</strong>t
Industrial D<strong>es</strong><strong>ig</strong>n
100
Benedikt Haid :
D<strong>as</strong> Antikommunikat<strong>io</strong>nsd<strong>es</strong><strong>ig</strong>n
51
Abb. 5–8 :
Benedikt Haid, Sarah Heiss,
S<strong>te</strong>fanie Jutkeit, Thom<strong>as</strong> Müller
15
Insti<strong>tu</strong>t Innenarchi<strong>te</strong>k<strong>tu</strong>r
und Szenografie
102
Sarah Heiss :
Hacking Priva<strong>te</strong> Territori<strong>es</strong>
57
Drei Sem<strong>es</strong><strong>te</strong>r M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong> –
von der Theorie zur Praxis
Sarah Fischer
19
Insti<strong>tu</strong>t
Mode-D<strong>es</strong><strong>ig</strong>n
104
S<strong>te</strong>fanie Jutkeit :
Von vier Plätzen
63
Insti<strong>tu</strong>t Visuelle
Kommunikat<strong>io</strong>n
106
Thom<strong>as</strong> Müller :
Kid's In<strong>te</strong>rface
69
Abb. 9–11 :
Reto Schmid, Jeka<strong>te</strong>rina Vetrova,
Noëmi Wüst
23
Impr<strong>es</strong>sum
108
Reto Schmid :
Joulia
75
Jeka<strong>te</strong>rina Vetrova :
Looking Through
81
Noëmi Wüst :
Liebevolle Grausamkei<strong>te</strong>n
87
HGK
FHNW
M<strong>as</strong><strong>te</strong><strong>rs</strong><strong>tu</strong>d<strong>io</strong>
D<strong>es</strong><strong>ig</strong>n
Th<strong>es</strong>is
N 1 :
He<strong>rb</strong>st
/ Win<strong>te</strong>r
09
/ 10