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november-2011

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“I’M GOING TO ASK YOU A QUESTION,” says Ferran<br />

Adrià, in prickly response to a question that I’ve just<br />

asked. “Can you explain to me the difference between<br />

molecular cuisine and molecular gastronomy?”<br />

After a lengthy silence, the chef-cum-philosopher,<br />

who is widely regarded as the fi nest cook of his<br />

generation, fi nally puts me out of my misery: “The<br />

problem is, one exists, the other doesn’t. The other is<br />

just a name people have given. This revolution, which<br />

you call molecular cuisine, was born in 1994. It’s a very<br />

local movement. It started in el Bulli.”<br />

The question I’d asked had felt innocent enough to<br />

me – “What is your reaction to the word ‘molecular’?”<br />

– but to Adrià it was like a red rag to a bull. It’s<br />

probably because he’s been hearing it – or a variation<br />

thereof – for quite some time.<br />

El Bulli was Adrià’s triple-Michelin-starred<br />

restaurant located near the sleepy resort of Roses<br />

on the Costa Brava, a couple of hours’ drive north<br />

of Barcelona. The winner of the S Pelligrino World’s<br />

Best Restaurant Award in 2002, and four more times<br />

from 2006 to 2009, the restaurant was famed for its<br />

highly experimental cuisine – referred to as molecular<br />

gastronomy by the media (though not Adrià).<br />

THE BUZZ | TASTE BUDS<br />

Portrait<br />

of an<br />

Artist<br />

EL BULLI RESTAURANT MAY BE NO MORE, BUT ITS GUIDING GENIUS,<br />

FERRAN ADRIÀ, REMAINS A BUSY MAN. AS HIS FIRST COOKBOOK<br />

LAUNCHES, WE WENT TO MEET THE WORLD’S GREATEST CHEF<br />

DUNCAN RHODES<br />

LORENA ROS<br />

And what an experience it was... At least for<br />

the 8,000 people who managed to get a table (out<br />

of the two million who applied each season). For<br />

these lucky few, el Bulli’s 75 staff would conduct<br />

a gastronomic symphony over 40 courses in what<br />

Adrià refers to as “performances” or “concerts”, rather<br />

than meals. Diners would be presented with such<br />

improbable dishes as tender almond turnover with<br />

Szechuan button and cucumber balls in liquorice<br />

and yuzu; lychee soup with spherical capsules and a<br />

spoonful of frozen tarragon powder with, perhaps,<br />

eucalyptus water-ice for dessert. In a restaurant that<br />

knew no creative limits, ordinary foodstuffs were<br />

transmogrifi ed into new shapes and textures, and<br />

bullied into balls, foams, airs and capsules, with some<br />

dishes evaporating before diners’ eyes or disappearing<br />

into their mouths, only to reappear as clouds of<br />

nitrogen through their nostrils.<br />

The restaurant closed its doors for the last time<br />

earlier this year, but it’s there that we’re sitting – in<br />

the nerve centre of the very operation. It’s a place that<br />

few, barring Adrià’s own staff, have seen: the kitchen<br />

of el Bulli. Is it some kind of space-age lab manned by<br />

silver-suited technicians wielding hand-me-down<br />

TRAVELLER | 49

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