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FEATURE | CINECITTÀ<br />
include Sutherland’s dandy Casanova garb and Anita<br />
Ekberg’s La Dolce Vita dress. Nino Rota’s emotive<br />
soundtracks, which captured Fellini-esque magic<br />
and nostalgia, chime around every corner. Fellini’s<br />
reconstructed offi ce from Teatro 5 – the legendary<br />
2,787m 2 soundstage that was most favoured by the<br />
director – has his hat, scarf and coloured pens.<br />
For production director Maurizio Sperandini,<br />
the artisan ingenuity at Cinecittà lives on through<br />
today’s impressive sets. “Life at Cinecittà is always<br />
frenetic,” he says. “There are sometimes four sets<br />
being built simultaneously by a group of 50 fulltimers<br />
plus temps. For the Rome TV set we had 200<br />
workers, including carpenters, painters, scaffolders<br />
and painters.” Building a 19th-century Broadway<br />
for Scorsese’s Gangs of New York was “the most<br />
challenging”, but one of Sperandini’s career highlights<br />
came on the set of The Life Aquatic (2004), when the<br />
director, Wes Anderson, asked him to demolish the<br />
wall of Teatro 5 so his new lens, shipped from LA,<br />
could fi lm the entire cross-section of a 50m-long ship.<br />
“I said it wasn’t possible. Not even Fellini would<br />
have asked such a thing. There was panic. I proposed<br />
that we move the ship back fi ve metres, but it seemed<br />
impossible without dismantling it – lights, fi ttings…”<br />
Then, using a special system of hydraulic pistons<br />
usually employed for raising bridges, Sperandini’s crew<br />
78 | TRAVELLER<br />
shifted the ship 10cm at a time. “In less than 48 hours,<br />
we managed to move it fi ve metres. Wes Anderson and<br />
the American producers were amazed.”<br />
Of course, these days times are tough, even in the<br />
multimillion-dollar fi lm industry. However, Cinecittà<br />
hopes tax breaks will woo more international fi lm<br />
makers back – Woody Allen and Bertolucci have<br />
both just shot fi lms here. In the meantime, the studio<br />
can cherish its position as the birthplace of Italian<br />
cinema and the place where Fellini plied his trade.<br />
“For me, every journey starts and ends at the studios of<br />
Cinecittà,” the director said. “It’s my ideal world. The<br />
cosmic space before the Big Bang.”<br />
Cinecittà Si Mosta tour tickets must be pre-booked.<br />
Visit scinecittasimostra.it<br />
easyJet fl ies to...<br />
Rome from 25 destinations See our insider<br />
guide on page 170. Book online at easyJet.com<br />
Sylvia, played<br />
by Anita Ekberg,<br />
in La Dolce Vita (1960);<br />
below, part of the current<br />
Cinecittà Si Mostra tour<br />
takes in an exhibit of<br />
historical costumes