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FEATURE | CINECITTÀ<br />

include Sutherland’s dandy Casanova garb and Anita<br />

Ekberg’s La Dolce Vita dress. Nino Rota’s emotive<br />

soundtracks, which captured Fellini-esque magic<br />

and nostalgia, chime around every corner. Fellini’s<br />

reconstructed offi ce from Teatro 5 – the legendary<br />

2,787m 2 soundstage that was most favoured by the<br />

director – has his hat, scarf and coloured pens.<br />

For production director Maurizio Sperandini,<br />

the artisan ingenuity at Cinecittà lives on through<br />

today’s impressive sets. “Life at Cinecittà is always<br />

frenetic,” he says. “There are sometimes four sets<br />

being built simultaneously by a group of 50 fulltimers<br />

plus temps. For the Rome TV set we had 200<br />

workers, including carpenters, painters, scaffolders<br />

and painters.” Building a 19th-century Broadway<br />

for Scorsese’s Gangs of New York was “the most<br />

challenging”, but one of Sperandini’s career highlights<br />

came on the set of The Life Aquatic (2004), when the<br />

director, Wes Anderson, asked him to demolish the<br />

wall of Teatro 5 so his new lens, shipped from LA,<br />

could fi lm the entire cross-section of a 50m-long ship.<br />

“I said it wasn’t possible. Not even Fellini would<br />

have asked such a thing. There was panic. I proposed<br />

that we move the ship back fi ve metres, but it seemed<br />

impossible without dismantling it – lights, fi ttings…”<br />

Then, using a special system of hydraulic pistons<br />

usually employed for raising bridges, Sperandini’s crew<br />

78 | TRAVELLER<br />

shifted the ship 10cm at a time. “In less than 48 hours,<br />

we managed to move it fi ve metres. Wes Anderson and<br />

the American producers were amazed.”<br />

Of course, these days times are tough, even in the<br />

multimillion-dollar fi lm industry. However, Cinecittà<br />

hopes tax breaks will woo more international fi lm<br />

makers back – Woody Allen and Bertolucci have<br />

both just shot fi lms here. In the meantime, the studio<br />

can cherish its position as the birthplace of Italian<br />

cinema and the place where Fellini plied his trade.<br />

“For me, every journey starts and ends at the studios of<br />

Cinecittà,” the director said. “It’s my ideal world. The<br />

cosmic space before the Big Bang.”<br />

Cinecittà Si Mosta tour tickets must be pre-booked.<br />

Visit scinecittasimostra.it<br />

easyJet fl ies to...<br />

Rome from 25 destinations See our insider<br />

guide on page 170. Book online at easyJet.com<br />

Sylvia, played<br />

by Anita Ekberg,<br />

in La Dolce Vita (1960);<br />

below, part of the current<br />

Cinecittà Si Mostra tour<br />

takes in an exhibit of<br />

historical costumes

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