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thread's not dead - doITlab

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Brandon Rike<br />

My name is Brandon Rike, and I have been in official business since 2002. At<br />

this point, I’ve been doing it for nearly nine years. I am 27, and I started doing<br />

t-shirt graphics for bands around the age of 19.<br />

My First Band Logo<br />

I’ve always loved art. I was always a kid who could draw. Drawing was what I<br />

did with most of my time. Around the age of 13, my friends and I started a band<br />

called Dead Poetic. When we made our first tape, I designed the jacket. It was a<br />

humble beginning, but I sketched for weeks on creating the perfect logo for us.<br />

Making all the letters work together, encapsulating it all into one solid shape,<br />

making sure there was good symmetry from side to side. I was using a pencil<br />

and graph paper while I was in math class. At this point, all I knew was that I<br />

was making a logo for our band. Nothing more, <strong>not</strong>hing less.<br />

As time went on, I continued to design fliers for our shows, and jackets for our<br />

demos. As our band kept playing shows, we met other bands who I would design<br />

graphics for as well.<br />

THREAD’S NOT DEAD • Jeff Finley<br />

Skipping High School Art Class<br />

Meanwhile, my high school art class had little to offer that interested me. At<br />

this age, I was over making clay pots and tie-dye, but I was <strong>not</strong> over creating<br />

art and graphics. I enrolled in a post-secondary program, in which I went to college<br />

for my junior and senior year. It was <strong>not</strong> until I got involved in this college’s<br />

design department that I actually learned the term Graphic Design. I realized<br />

that I had been doing Graphic Design for years now, and now I could give it a<br />

name. I learned how to use Photoshop and Illustrator, and learned about what<br />

good typography really was, and how to create good composition. I took about<br />

half of an associates program, and never got a degree. Rock and Roll took over.<br />

Move Over College, Here Comes Rock and Roll<br />

My band did our first tour in 2001, and continued into 2002. In that year, while<br />

on tour, I designed graphics for bands that we had toured with, like Underoath,<br />

Beloved, The Uriah Omen, and Evelynn. While I had designed several<br />

graphics for bands the years before that, these were my first jobs that weren’t<br />

just local friends. I was designing for bands who played a lot of shows, and<br />

sold a lot of merch.<br />

As time went on, and we toured with more bands, it was a lot of, “Hey sweet<br />

shirts! Who designed them?” “I did.” “Oh cool, do you want to do some for us?”<br />

That was the bulk of my business. It wasn’t until we started touring with bigger<br />

bands, who gave my name to the global merchandise companies who they<br />

worked with. Then everything really started taking off. Now the majority of my<br />

business comes through these global merchandising companies.<br />

My Breakthrough Moment<br />

It was when my hobby turned into an income. I designed some shirts for a good<br />

friend’s band. He asked me how much I charged, and I said $40 per approved<br />

graphic. His jaw dropped. He looked at me like I was a stupid child and said,<br />

“You have to charge more, way more!” By this time my graphics were as good as<br />

anything else out there. He explained to me that I wouldn’t be truly taken seriously<br />

until I started charging the industry standard. Very reluctantly, I started<br />

quoting people the “standard,” and the jobs kept coming through. Not only did<br />

they keep coming through, I was getting more work than ever. It was as if a light<br />

bulb had gone off, and <strong>not</strong> only was I being viewed as a top-level designer, but<br />

Case Studies & Interviews 112

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