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LT Mag<strong>not</strong>to<br />
My name is LT Mag<strong>not</strong>to, I am 26 years old and have been making color separations<br />
for apparel screen printing full time for the past 6 years. Like most designers,<br />
I had no idea how involved the screen printing process was. I was 20 years<br />
old, working part time at the YMCA doing before and after school childcare in<br />
order to pay for college. I was enrolled in the “Multimedia” program at the time<br />
which was teaching me everything from photo restoration to flash animation.<br />
Derek Hess and Jakprints<br />
I picked up some hours working with local artist Derek Hess to design what<br />
was to be a new clothing line that features his art. We now all know it today as<br />
Strhess Clothing. I realized a few sessions in that I really didn’t know anything<br />
about screen printing, and that if I were designing for it, that I should probably<br />
educate myself on the process. I figured that by knowing and understanding it<br />
better, that it would help me design better. Luckily, Derek’s studio was directly<br />
above a small (at the time) screen printing company called Jakprints.<br />
The owner Jacob at the time was doing all of the color separations himself. He<br />
had a real backwards approach to Photoshop to say the least. I was really intrigued<br />
by the way that he used the program and his wild methods of extracting<br />
colors. Jacob had no formal training in the program and had figured out how to<br />
use it in his own way. Jakprints was growing fast and Jacob was no longer able<br />
to juggle separating for two shifts of production and all of the travel involved in<br />
owning a growing business and he offered me the job.<br />
Sink or Swim!<br />
It was a terrifying time in my life. I feel like it was one of those moments where<br />
I was thrown into a pool for the first time and just told to start swimming.<br />
That being said, I was able to really learn the process through trial and error<br />
and develop my own methods. I wasn’t really the most popular dude in the<br />
shop at that point.<br />
You have to remember is that separations are step one in a long process. When<br />
I screw up, there are a whole line of people who now have to redo everything!<br />
New films need to be made, screens need to be coated, then exposed, blown<br />
out, dried, taped up, lined up on the press, ink loaded, and then printed.<br />
THREAD’S NOT DEAD • Jeff Finley<br />
Repeat this process 10 times a day because there is a noob behind the wheel<br />
and I bet you will get the idea of the vibe in the shop. Sink or swim!<br />
When you get into wild color separations and simulated process printing, you<br />
are essentially painting on the t-shirt. There is no true way to view in Photoshop<br />
how the colors are going to simulate with each other or how Pantone 102 C isn’t<br />
going to simulate the way you wanted it to with Pantone 185 C. Six years and<br />
thousands of dollars in destroyed t-shirts later, I’m doing full color simulated<br />
process separations for t-shirts that hang in stores at the mall.<br />
LT Mag<strong>not</strong>to has earned a reputation for being one of the best color separators in the biz<br />
Case Studies & Interviews 94