24.04.2013 Views

thread's not dead - doITlab

thread's not dead - doITlab

thread's not dead - doITlab

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

LT Mag<strong>not</strong>to<br />

My name is LT Mag<strong>not</strong>to, I am 26 years old and have been making color separations<br />

for apparel screen printing full time for the past 6 years. Like most designers,<br />

I had no idea how involved the screen printing process was. I was 20 years<br />

old, working part time at the YMCA doing before and after school childcare in<br />

order to pay for college. I was enrolled in the “Multimedia” program at the time<br />

which was teaching me everything from photo restoration to flash animation.<br />

Derek Hess and Jakprints<br />

I picked up some hours working with local artist Derek Hess to design what<br />

was to be a new clothing line that features his art. We now all know it today as<br />

Strhess Clothing. I realized a few sessions in that I really didn’t know anything<br />

about screen printing, and that if I were designing for it, that I should probably<br />

educate myself on the process. I figured that by knowing and understanding it<br />

better, that it would help me design better. Luckily, Derek’s studio was directly<br />

above a small (at the time) screen printing company called Jakprints.<br />

The owner Jacob at the time was doing all of the color separations himself. He<br />

had a real backwards approach to Photoshop to say the least. I was really intrigued<br />

by the way that he used the program and his wild methods of extracting<br />

colors. Jacob had no formal training in the program and had figured out how to<br />

use it in his own way. Jakprints was growing fast and Jacob was no longer able<br />

to juggle separating for two shifts of production and all of the travel involved in<br />

owning a growing business and he offered me the job.<br />

Sink or Swim!<br />

It was a terrifying time in my life. I feel like it was one of those moments where<br />

I was thrown into a pool for the first time and just told to start swimming.<br />

That being said, I was able to really learn the process through trial and error<br />

and develop my own methods. I wasn’t really the most popular dude in the<br />

shop at that point.<br />

You have to remember is that separations are step one in a long process. When<br />

I screw up, there are a whole line of people who now have to redo everything!<br />

New films need to be made, screens need to be coated, then exposed, blown<br />

out, dried, taped up, lined up on the press, ink loaded, and then printed.<br />

THREAD’S NOT DEAD • Jeff Finley<br />

Repeat this process 10 times a day because there is a noob behind the wheel<br />

and I bet you will get the idea of the vibe in the shop. Sink or swim!<br />

When you get into wild color separations and simulated process printing, you<br />

are essentially painting on the t-shirt. There is no true way to view in Photoshop<br />

how the colors are going to simulate with each other or how Pantone 102 C isn’t<br />

going to simulate the way you wanted it to with Pantone 185 C. Six years and<br />

thousands of dollars in destroyed t-shirts later, I’m doing full color simulated<br />

process separations for t-shirts that hang in stores at the mall.<br />

LT Mag<strong>not</strong>to has earned a reputation for being one of the best color separators in the biz<br />

Case Studies & Interviews 94

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!