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MostContagious2012.pdf - Contagious Magazine

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38<br />

screen grabs /<br />

creating, sharing,<br />

watching<br />

Amateur Dramatics /<br />

Phones and tablets are also a platform on which videos<br />

can be created too, and brands are empowering people<br />

with the tools to become directors and distributors.<br />

Ever the smart marketer, Red Bull tapped into the long<br />

standing extreme sports tradition of videoing tricks with<br />

its Flow app, which let fans shoot, edit and share content<br />

direct from their mobile. LEGO’s Superheroes Movie<br />

Maker app, through Pereira & O’Dell, San Francisco, lets<br />

children direct stop motion shorts using their phone and<br />

favourite brick-based creations. <strong>Contagious</strong> 31.<br />

redbullflow.com<br />

dcuniversesuperheroes.lego.com<br />

Ones to Watch / Social Video<br />

Just as Instagram threatened the dominance of Facebook<br />

with a superior mobile interface and social sharing function<br />

for images, so YouTube is watching with interest the<br />

explosive rise of a new breed of video sites that do the<br />

same. GIFs had a brief flicker of popularity among brands<br />

early in the year, with VW, GE and even Burberry launching<br />

campaigns in the format, but it was ‘Instagram for video’<br />

apps including SocialCam, Viddy, Klip and Threadlife<br />

that really came to prominence in 2012, through building<br />

in seamless social sharing.<br />

User numbers are difficult to pin down, but SocialCam<br />

claimed 16 million downloads in July (from a massive 54<br />

million peak), and Viddy 26 million users in May, according<br />

to The Wall Street Journal. At last count Red Bull,<br />

GE, Sierra Mist were among the brands experimenting on<br />

the platforms. However, YouTube needn’t worry just yet: no<br />

one truly cracked social video this year.<br />

socialcam.com / www.viddy.com<br />

www.klip.com / www.threadlife.com<br />

And Finally… /<br />

What round up of this year’s content couldn’t name-check<br />

South Korean rapper PSY’s Gangnam Style (c’mon, you<br />

know the one…) with its monstrous 830 million plus views?<br />

Born of the country’s industrialised pop music-making<br />

machine – K-Pop’s notorious ‘cultural technology’ programme<br />

– PSY deeply subverts its picture perfect boy and<br />

girl band output with his age (too old), look (too fat) and<br />

off-brand message (Gangnam residents are vapid and vulgar).<br />

But WHY the views, you ask? Perhaps it’s the global<br />

zeitgeist of lampooning the rich in a time of austerity. Or<br />

the cultural jolt of seeing a wry Asian piss-take of bombastic<br />

American music video clichés. Or maybe just the sheer<br />

bloody ridiculousness of it. More likely, like most virals, it’s a<br />

confluence of factors so mind-bogglingly complicated we’ll<br />

never properly fathom it.<br />

www.youtube.com/user/officialpsy<br />

MOVEMENTs purpose sErVicE data technology design social biz sharing amplified screens augmented retail personalise new loyalty payment sbpf<br />

38

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