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WORKING AS A COORDINATOR MIDWIFE IN A TERTIARY ...

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space, things, the body and others” which constitute the nature of lived experience (p.32).<br />

Discovery of appearances and the “essence” of experiences took time and required<br />

intimacy with the content of the material. I needed to listen to the tapes, the nuances, the<br />

tones of voice, the humour and the frustrations. Repeatedly, I was listening, reading and<br />

writing. I became inseparably part of the process as I worked towards reliability of my<br />

interpretation. What was said and how I interpreted transcripts was not ‘Dasein’ unless I<br />

followed van Manen’s methodology and discovered what was revealed. This revelation<br />

took a longer period of time than I had anticipated with a number of themes eventually<br />

identified and consistent between stories. I learnt that I could not rush this process and<br />

rather like Heidegger’s notion of time, clocks, watches, calendars and diaries needed to<br />

be discarded before I recognized I felt free enough to really explore the concealed content<br />

of the ‘Dasein’ of the phenomenon I was peeling back.<br />

Interviews were initially transcribed, crafted into stories (Caelli, 2001) and then<br />

participants approved the content which became the canvas from which to work. By<br />

listening to and reading transcripts word by word, sentence by sentence, meaning<br />

revealed itself and writing flowed. Over the course of the interpretive time, thoughtful<br />

reflection required that I wrote and rewrote. It took many months to discover the<br />

elusiveness of the phenomenon. Van Manen (1990) refers to “the art of writing and<br />

rewriting” as an essential component of “bringing to speech”, the phenomenon being<br />

revealed (p.32).<br />

68

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