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Art Criticism - The State University of New York

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2 Elaine Showalter, <strong>The</strong> Female Malady: Women, Madness, and English Culture,<br />

1830-1980, (<strong>New</strong> <strong>York</strong>: Penguin Books, 1985), 145.<br />

3 Indet;d, hysteria as an aspect <strong>of</strong> the decadent personality is a parallel that has been<br />

discussed in connection with literary figures such as the Brothers Goncourt,<br />

Walter Pater, Huysmans, and Baudelaire.<br />

4 Max Simon Nordau, Degeneration (Omaha: <strong>University</strong> <strong>of</strong> Nebraska Press, 1993),<br />

536. Although Nordau's contagion theory was developed in 1895, the idea still<br />

seems to resonate in and pertain to contemporary society, and as noted, will be<br />

discussed later.<br />

5 Nordau, 27.<br />

6 Ibid, 27.<br />

7 For more on this subject see Nordau's Degeneration especially the section<br />

"Decadents and Aesthetes" (book III section III).<br />

8 Ilza Veith Hysteria and the History <strong>of</strong> a Disease (Chicago: <strong>University</strong> <strong>of</strong> Chicago<br />

Press, 1965),.229.<br />

9 Veith 230.<br />

10 Charcot, I.M., Le,onsdu mardi' la Salpetriere, policlinique du 19 mars, 1889<br />

(Paris: Felix Alcan, 1889),424 ..<br />

II <strong>The</strong>se body positions were <strong>of</strong>ten mimicked epileptic fits and were rarely seen in<br />

hysteria outside <strong>of</strong> SalpAtriAre.<br />

12 Veith 232.<br />

13 At the time <strong>of</strong> Charcot's practice, hypnotism was viewed as a form <strong>of</strong> "quack<br />

science" akin to mesmerism. Hypnotism as a means <strong>of</strong> freatment was not seen<br />

by many as a viable, reliable, or real form <strong>of</strong><br />

medical treatment. Most opposition was given by the'''Nancy School," a group <strong>of</strong><br />

investigators who <strong>of</strong>ten challenged Charcot's practice at SalpAtriAre.<br />

14 Charcot devised two main methods for the treatment <strong>of</strong> hysteria. <strong>The</strong> first<br />

addressed the psychic trauma itself (by removing the patient from its source)<br />

~hile assuring the patients that their hysteria was curable. <strong>The</strong> second method<br />

involved makeing the patients exercise their affected body parts,<br />

and making them more mobile, with the hope <strong>of</strong> restoring their vitality. <strong>The</strong>se<br />

treatments are paralleled by what we now call physical therapy and psychological<br />

intervention.<br />

15This was a condition that appeared primarily after World War I and was<br />

characterized in males as post-traumatic neurosis. This form <strong>of</strong> "male hysteria"<br />

was regarded as developing out <strong>of</strong> a specific event (unlike its female counterpart)<br />

and as a curable neurosis.<br />

16 Mark S. Micale Approaching Hysteria: Disease and its<br />

1nterpreiations,(Princeton: Princeton <strong>University</strong> Press, 1995),96.<br />

17 Micale 97.<br />

18 Charcot also worked on four issues <strong>of</strong> Iconographies de la SalpAtriAre bet\Veen<br />

1876 and 1888. See Paul Verhaeghe's Does the Woman Exist? From Freud's<br />

Hysteric to Lacan's Feminine (<strong>New</strong> <strong>York</strong>: Other Press, 1999),8.<br />

19 I.M. Charcot and Paul Richer, Les D%moniques das l'art, Amsterdam, 1972,<br />

reprinted Paris in 1887, p. v. (quoted in spec. bodies, 176).<br />

20 Elaine Showalter <strong>The</strong> Female Malady, Women, Madness, and English Culture,<br />

100<br />

<strong>Art</strong> <strong>Criticism</strong>

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