Art Criticism - The State University of New York
Art Criticism - The State University of New York
Art Criticism - The State University of New York
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2 Elaine Showalter, <strong>The</strong> Female Malady: Women, Madness, and English Culture,<br />
1830-1980, (<strong>New</strong> <strong>York</strong>: Penguin Books, 1985), 145.<br />
3 Indet;d, hysteria as an aspect <strong>of</strong> the decadent personality is a parallel that has been<br />
discussed in connection with literary figures such as the Brothers Goncourt,<br />
Walter Pater, Huysmans, and Baudelaire.<br />
4 Max Simon Nordau, Degeneration (Omaha: <strong>University</strong> <strong>of</strong> Nebraska Press, 1993),<br />
536. Although Nordau's contagion theory was developed in 1895, the idea still<br />
seems to resonate in and pertain to contemporary society, and as noted, will be<br />
discussed later.<br />
5 Nordau, 27.<br />
6 Ibid, 27.<br />
7 For more on this subject see Nordau's Degeneration especially the section<br />
"Decadents and Aesthetes" (book III section III).<br />
8 Ilza Veith Hysteria and the History <strong>of</strong> a Disease (Chicago: <strong>University</strong> <strong>of</strong> Chicago<br />
Press, 1965),.229.<br />
9 Veith 230.<br />
10 Charcot, I.M., Le,onsdu mardi' la Salpetriere, policlinique du 19 mars, 1889<br />
(Paris: Felix Alcan, 1889),424 ..<br />
II <strong>The</strong>se body positions were <strong>of</strong>ten mimicked epileptic fits and were rarely seen in<br />
hysteria outside <strong>of</strong> SalpAtriAre.<br />
12 Veith 232.<br />
13 At the time <strong>of</strong> Charcot's practice, hypnotism was viewed as a form <strong>of</strong> "quack<br />
science" akin to mesmerism. Hypnotism as a means <strong>of</strong> freatment was not seen<br />
by many as a viable, reliable, or real form <strong>of</strong><br />
medical treatment. Most opposition was given by the'''Nancy School," a group <strong>of</strong><br />
investigators who <strong>of</strong>ten challenged Charcot's practice at SalpAtriAre.<br />
14 Charcot devised two main methods for the treatment <strong>of</strong> hysteria. <strong>The</strong> first<br />
addressed the psychic trauma itself (by removing the patient from its source)<br />
~hile assuring the patients that their hysteria was curable. <strong>The</strong> second method<br />
involved makeing the patients exercise their affected body parts,<br />
and making them more mobile, with the hope <strong>of</strong> restoring their vitality. <strong>The</strong>se<br />
treatments are paralleled by what we now call physical therapy and psychological<br />
intervention.<br />
15This was a condition that appeared primarily after World War I and was<br />
characterized in males as post-traumatic neurosis. This form <strong>of</strong> "male hysteria"<br />
was regarded as developing out <strong>of</strong> a specific event (unlike its female counterpart)<br />
and as a curable neurosis.<br />
16 Mark S. Micale Approaching Hysteria: Disease and its<br />
1nterpreiations,(Princeton: Princeton <strong>University</strong> Press, 1995),96.<br />
17 Micale 97.<br />
18 Charcot also worked on four issues <strong>of</strong> Iconographies de la SalpAtriAre bet\Veen<br />
1876 and 1888. See Paul Verhaeghe's Does the Woman Exist? From Freud's<br />
Hysteric to Lacan's Feminine (<strong>New</strong> <strong>York</strong>: Other Press, 1999),8.<br />
19 I.M. Charcot and Paul Richer, Les D%moniques das l'art, Amsterdam, 1972,<br />
reprinted Paris in 1887, p. v. (quoted in spec. bodies, 176).<br />
20 Elaine Showalter <strong>The</strong> Female Malady, Women, Madness, and English Culture,<br />
100<br />
<strong>Art</strong> <strong>Criticism</strong>