NOVEMBER
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iHeHrCMd SfJ^CftU'<br />
•By JAMES M. JERAULD<br />
Movie Exhibit<br />
H BUYER'S market is developing, says the<br />
Wall Street Journal in reporting on the<br />
National Ass'n of Purchasing Agents gathering.<br />
Then it lists two columns of exploitation<br />
stunts being used by manufacturing<br />
concerns.<br />
Some of these originated in the picture<br />
business which has never waited for the<br />
customers to come in, but, instead, has<br />
gone out to find them.<br />
Of particular interest to this business are<br />
two traveling exhibits by General Electric<br />
and Reynolds Metal Co., either of which<br />
could be adapted to the nebulous proposal<br />
that a film-making exhibit be put on next<br />
year in state fairs across the country after<br />
the first one has been assembled in Grand<br />
Central Palace, New York.<br />
Ohio and Indiana exhibitors agree that<br />
the state fair shows put on in those states<br />
last fall were huge successes, even though<br />
unexpected problems were encountered in<br />
staging them and transporting them from<br />
one place to another and finally getting the<br />
exhibit material back to the studios.<br />
General Electric now has a traveling exhibit<br />
which uses baggage cars converted<br />
into display rooms. These cars are routed<br />
over 21 railroads and are already scheduled<br />
for 16 cities coast-to-coast.<br />
The Reynolds exhibit, which is designed<br />
to demonstrate aluminum packaging, is<br />
moving in a 30-foot aluminum trailer. Its<br />
demonstration places are industrial plants.<br />
It has been discovered that state fairs<br />
are dated in many places so that an exhibit<br />
can be routed through a large number of<br />
them. A little research by an exhibitordistributor<br />
committee could work up an<br />
estimate of the cost, either by trailer or<br />
baggage car.<br />
Tube makers, automobile manufacturers,<br />
television manufacturers — even farm<br />
equipment builders—are going in more and<br />
more for these exhibits. They must be<br />
satisfied that they pay off.<br />
a new era, with showmanship stunts<br />
It's<br />
sprouting like dandelions in the spring.<br />
Goldwyn's Statement<br />
gAM GOLDWYN'S favorite method of<br />
grabbing a headline is to make a few<br />
cogent remarks on some controversial subject<br />
and then sit back to await the echoes.<br />
There was no surprise, therefore, when<br />
he was quoted as predicting that half the<br />
film theatres will be closed and the film<br />
market will be shared equally with payas-you-see<br />
television within the next five<br />
years.<br />
The surprise developed a few days later<br />
when he withdrew the remarks and said he<br />
had been misquoted. Both the "misquoted"<br />
statement and the subsequent explanation<br />
received plenty of newspaper attention.<br />
Goldwyn doesn't usually withdraw anything.<br />
He likes controversy.<br />
In this case he was definitely diplomatic,<br />
because the statement was published just<br />
before the opening of "Hans Christian Andersen."<br />
As it stood originally, it was certain<br />
to stir bitter reactions among exhibitors<br />
and might have nullified the exhibitors<br />
relations value of the premiere benefit for<br />
the Will Rogers Memorial hospital.<br />
UA Financing<br />
THE announcement that Chemical Bank<br />
and Trust Co. will not only help finance<br />
ten pictures to be produced independently<br />
for United Artists release, but will also rely<br />
upon advice from United Artists executives,<br />
when independents seek financing, is a<br />
definite tribute to the record rolled up by<br />
Arthur Krim and his associates since taking<br />
over management of the company.<br />
UA will be able to exercise a measure of<br />
control over its producers, if it can help in<br />
the financing and give advice on boxoffice<br />
values of story material and casts before<br />
work is started.<br />
This ought to open a new era for the<br />
company—something very much to be desired<br />
by independent producers as well as<br />
exhibitors, who don't want to see product<br />
outlets cut down in the face of a sellers'<br />
market.<br />
Still Trusteed<br />
^^ALL STREET groups were very much<br />
interested in the report that the Department<br />
of Justice had authorized Howard<br />
Hughes to take his RKO Theatres stock<br />
out of the hands of Irving Trust Co. trustees<br />
in case he does not guarantee a bank loan<br />
to RKO Pictures or take back the stock he<br />
sold to the Stolkin group, if they default on<br />
payments.<br />
The first interest wore off quickly, however,<br />
when it was indicated that the trusteeship<br />
may continue for some time. It is<br />
understood that Hughes has already guaranteed<br />
the loan as part of his agreement<br />
with Stolkin. This continues the status<br />
quo until Stolkin and his associates either<br />
sell their stock or default on further payments.<br />
They are expected to try to sell.<br />
Election Crowd Gone<br />
^HAT radio and television have done to<br />
the election night crowd tradition in<br />
Times Square and the downtown sections<br />
of some other large cities was strikingly<br />
demonstrated Tuesday night. Theatres<br />
were hard hit. People simply stayed home<br />
except in Denver, where free admissions<br />
and returns by large-screen television made<br />
it worth while to go out.<br />
A few years ago, turnouts of 250,000 in<br />
Times Square, with police reserves out and<br />
aU traffic diverted, and with store windows<br />
protected from crowd pressure by boards,<br />
were common. This year 200 rookie cops<br />
and 150 in uniform stood around idly and<br />
watched an estimated 25,000 persons walking<br />
up and down sidewalks.<br />
Practically all theatres had some form of<br />
election bulletin service, or had radios and<br />
TV sets in lobbies, but business was away<br />
off.<br />
WHOIZIT?—Yep, you're right. He's the (<br />
big hotel owner from Ogunquit, Me., who I<br />
practically raised the MGM lion from a<br />
j<br />
Former head of MGM's exploitation i<br />
cub.<br />
department. Bill Ferguson is now in business<br />
for himself. He is taking a short<br />
vacation at his Palm Island hacienda I<br />
before leaving for Europe. What you see<br />
|<br />
surrounding him was fixed up as a welcome<br />
by Ed Schreiber, retired theatre<br />
|<br />
owner from Detroit, who lives across the<br />
street.<br />
By the way. Palm Island is in the middle<br />
of Biscayne Bay between Miami and<br />
Miami Beach and not in the South Seas.<br />
Benjamin Made Chairman<br />
Of United Artists Board<br />
NEW YORK—Robert S. Benjamin has beeil<br />
elected chairman of the board of Unite!<br />
Artists Corp. He will continue simultaneous! I<br />
as president and director of the J. Arthul<br />
Rank Organization, Inc., and as senior memi<br />
ber of the law firms of Phillips, Nizer, Ben|<br />
jamin and Krim.<br />
Benjamin has resigned as a director ol<br />
Universal Pictures Co. Since September 1951<br />
a petition of the Department of Justice tl<br />
prevent Benjamin, Arthur Krim and other!<br />
from acting as officers in more than onl<br />
of the companies who were defendants ii|<br />
the antitrust suit has been pending.<br />
Benjamin has been with United Artistl<br />
since February, 1951, when Krim becam|<br />
president. In the past he has served<br />
general counsel and director of Eagle-LioiJ<br />
Films, as general counsel and a director<br />
Pathe Film Corp., and as vice-president anj<br />
general counsel of United World Films.<br />
Ask Paul Short to Direct<br />
150 Southwest Drive-Ins<br />
DALLAS—As a result of several rece<br />
meetings in Houston and Dallas, 22 drivetheatre<br />
owners, operating more than 15|<br />
drive-ins in the southwest, and headed b|<br />
E. L. Pack, president and general managel<br />
of Lone Star Drive-In Theatres, have aske