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FCC EXAMINER RECOMMENDS *<br />

APPROVAL OF UPT-ABC MERGER F^<br />

Favorable Commission<br />

Ruling Seen Leading<br />

To Films-TV 'Marriage'<br />

WASHINGTON—The merger of<br />

United<br />

Paramount Theatres and American Broadcasting<br />

Co. was approved by Leo Resnick,<br />

Federal Communications Commission hearing<br />

examiner, on Thursday (13) in an initial<br />

decision granting all applications involved<br />

in the sweeping catch-all case.<br />

Resnick declared that DuMont was not controlled<br />

by Paramount in the sense of FCC's<br />

five-station maximum ownership rule, and<br />

granted licenses to Paramount for its Los<br />

Angeles TV station, KTLA, and to DuMont<br />

for its existing three stations, as well as<br />

opening the way for DuMont to apply for<br />

two additional TV outlets.<br />

STATION TRANSFERS GRANTED<br />

Resnick swept away the arguments to the<br />

effect that Paramount should have applied<br />

for permission to transfer its 50 per cent<br />

interest in radio station WSMB and its<br />

ownership of WBKB-TV from the corporation<br />

dissolved under the consent decree to the<br />

new theatre company, United Paramount<br />

Theatres. He granted consent to these transfers<br />

and then proceeded to authorize sale of<br />

WBKB-TV, Balaban & Katz Chicago station,<br />

from United Paramount Theatres to CBS.<br />

WBKB had been sold by UPT to CBS for<br />

$6,000,000, contingent upon FCC approval of<br />

the UPT-ABC merger.<br />

ABC's four exisiting television stations in<br />

Los Angeles, San Francisco, Chicago and<br />

New York under the initial decision can be<br />

transferred from ABC to the new American<br />

Broadcasting-Paramount Theatres and Chicago<br />

and New York radio stations now operated<br />

by ABC as well as UPT's WSMB and<br />

WXYZ, and ABC wholly owned subsidiary<br />

radio and TV station in Detroit.<br />

On the merger issue, Resnick found that<br />

although ABC has been "aggressive" in obtaining<br />

affiliations and in pioneering "certain<br />

practices," it<br />

has been unable to compete effectively<br />

with NBC and CBS in either radio or<br />

television. ABC has neither the working<br />

capital nor the "diversity of revenue-producing<br />

activities," he found. The merger would<br />

provide capital for strengthening of ABC<br />

programming, and hence would create competition<br />

in<br />

the network field.<br />

DENIES ANY MONOPOLY<br />

Re.snick denied that the merged company<br />

could dominate the field by virtue of its<br />

size, and said radio corporation would still<br />

"dwarf" the merged company. He found no<br />

merit in the fear that UPT seeks the merger<br />

to suppress television development because<br />

"pursuing such a course would have only a<br />

relatively minor adverse affect on television,<br />

would cripple UPT financially, and would<br />

produce only a minute increase in attendance<br />

at UPT's own theatres."<br />

External competition will compel the<br />

merged company to promote vigorously its<br />

activities, particularly in radio and television,<br />

Theatre TV Hearings<br />

Delayed to Jan. 26<br />

WASHINGTON — The Federal Communications<br />

Commission on Thursday<br />

(13) postponed the main body of the<br />

hearings on theatre television licenses for<br />

the motion picture industry from January<br />

12 to January 26.<br />

The FCC explained that witnesses have<br />

been unable to obtain hotel reservations<br />

because of the January 20 inauguration of<br />

General Eisenhower as President.<br />

The commission also announced that<br />

the proposed spectrum locations for theaare<br />

TV channels as outlined by the film<br />

industry witnesses in the recently concluded<br />

engineering phase of the hearings,<br />

have been made part of the issues<br />

to be argued in the principal hearings in<br />

January.<br />

During the hearings the industry put<br />

forth several alternative frequencies as<br />

feasible for theatre television, including<br />

some now allocated to common carriers,<br />

such as American Telephone and Telegraph.<br />

Resnick argued. Failure to follow this course<br />

would mean lack of audience for the radio<br />

and television stations and more patrons in<br />

the theatres.<br />

As to competition for produce, Resnick said<br />

that in his opinion theatres and television<br />

will not be competing for the same films.<br />

The producers will not sell films to television<br />

until sponsors can pay as much as theatres,<br />

and in any case the trend is away from use<br />

of theatre films on TV. Even in the field<br />

of films specially made for TV the "majors"<br />

may find their late start dooming them to a<br />

minor place in the field.<br />

UPT's $30,000,000 annual gross purchases<br />

of films did not impress Resnick when coupled<br />

with the argument that it might be used to<br />

gain discriminatory advantages. In view of<br />

consent judgement's requirement that pictures<br />

be licensed picture by picture and<br />

futhermore, "is to make no package deals<br />

for theatre and television . . . We cannot<br />

credit with reasonable probability any suggestion<br />

that an unfair competitive advantage<br />

might accrue to ABC in the purchase of<br />

films, as a result of being associated with<br />

UPT."<br />

Resnick did not believe that competition<br />

between home and theatre TV and between<br />

free and pay-as-you-see TV could well be<br />

considered since the competitive situations<br />

involved are "too remote and spectulative."<br />

"ABC-UPT is legally, technically, financially<br />

and otherwi.se qualified to be a licensee of<br />

tlie commission. Its officers, and directors<br />

are likewise qualified," Resnick found, and<br />

said, "There is no rea.sonable probability that<br />

the merger will substantially lessen competition<br />

or tend to monopoly in any .section<br />

of the country or in any line of commerce."<br />

Resnick, dealing with the question of<br />

whether Paramount pictures exerts any con<br />

trol over DuMont found that Paramount doe<br />

own all the 560,000 shares of DuMont's clas<br />

B stock and 43,200 shares of 2.4 per cent o<br />

its class A. "However, the extensive investi<br />

gation conducted into the 'actualities' of th(,<br />

Paramount-DuMont relationship, particularh:<br />

in recent years, discloses that under tht'A<br />

leadership of Dr. DuMont, the class A officersjl<br />

and directors dominate the corporate man- '<br />

agement and policy of the DuMont organization<br />

and that the veto power possessed by :<br />

Paramount, as the class B stockholder, hai'tj<br />

not been exercised and is applicable to a<br />

limited class of situations not likely to occur ij<br />

in the foreseeable future."<br />

Resnick said that Paramount and DuMonti<br />

have no joint operations and are, in fact,!<br />

competitive in some fields.<br />

NOT FORCED BY DECREE<br />

As to the failure of Paramount to seek FCC!<br />

-I<br />

permission to transfer of its television and!<br />

radio properties from the old company to the:<br />

new theatre company after the consent de-,<br />

cree, Resnick did not agree with Paramount's<br />

contention that the transfers were forced byj<br />

the consent decree and hence were involuntary,<br />

but did not feel under circumstances<br />

of transfer that "the failure to provide formal!<br />

notices of transfers . . . should operate as a|<br />

bar ..."<br />

'<br />

Resnick felt that the failure might "bci<br />

explained by the preoccupation of the Para-I<br />

mount people with the tremendously com-1<br />

plicated and deadhne-studded problems of.<br />

the reorganization and divestiture ..."<br />

Resnick, in granting Paramount a licensej<br />

operate KTLA-TV. which has been under<br />

to<br />

temporary authority as have the DuMont;<br />

stations pending settlement of the control:<br />

issue, said he was "impressed" with Para-i<br />

mount's compliance with the consent decree.<br />

He said, "We have a reasonable expectation':<br />

which the Para-<br />

that the antitrust activities<br />

mount people are abandoning in the unregulated<br />

field of motion picture distribution<br />

will not be imported into the licensed<br />

field of broadcasting."<br />

MAY SET A PRECEDENT<br />

Paramount has no policy restricting sale of<br />

films for showing on television, nor do they<br />

prohibit their established stars from appearing.<br />

Sponsors can't compete price-wise with<br />

tlieatres and "other things complicating the<br />

question of release of these films are the<br />

restrictive agreements imposed upon the major<br />

producers by the American Federation of<br />

Musicians and the various guilds, and the<br />

uncertain status of television rights to some<br />

of the feature films."<br />

Accordingly, Resnick found Paramount and<br />

its officers fully qualified to be FCC licensees,<br />

a decision which, if not reversed by the full<br />

commission, will open tlie doors to oilier film<br />

companies wliicli have been entangled in<br />

antitrust actions.<br />

FCC's broadcast bureau is regarded as<br />

certain to appeal to tlie full commission for<br />

a reversal of Resnick's initial decision, but<br />

it is believed that the commission will uphold<br />

Resnick.<br />

8 BOXOFFICE November 15, 1953

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