NOVEMBER
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FCC EXAMINER RECOMMENDS *<br />
APPROVAL OF UPT-ABC MERGER F^<br />
Favorable Commission<br />
Ruling Seen Leading<br />
To Films-TV 'Marriage'<br />
WASHINGTON—The merger of<br />
United<br />
Paramount Theatres and American Broadcasting<br />
Co. was approved by Leo Resnick,<br />
Federal Communications Commission hearing<br />
examiner, on Thursday (13) in an initial<br />
decision granting all applications involved<br />
in the sweeping catch-all case.<br />
Resnick declared that DuMont was not controlled<br />
by Paramount in the sense of FCC's<br />
five-station maximum ownership rule, and<br />
granted licenses to Paramount for its Los<br />
Angeles TV station, KTLA, and to DuMont<br />
for its existing three stations, as well as<br />
opening the way for DuMont to apply for<br />
two additional TV outlets.<br />
STATION TRANSFERS GRANTED<br />
Resnick swept away the arguments to the<br />
effect that Paramount should have applied<br />
for permission to transfer its 50 per cent<br />
interest in radio station WSMB and its<br />
ownership of WBKB-TV from the corporation<br />
dissolved under the consent decree to the<br />
new theatre company, United Paramount<br />
Theatres. He granted consent to these transfers<br />
and then proceeded to authorize sale of<br />
WBKB-TV, Balaban & Katz Chicago station,<br />
from United Paramount Theatres to CBS.<br />
WBKB had been sold by UPT to CBS for<br />
$6,000,000, contingent upon FCC approval of<br />
the UPT-ABC merger.<br />
ABC's four exisiting television stations in<br />
Los Angeles, San Francisco, Chicago and<br />
New York under the initial decision can be<br />
transferred from ABC to the new American<br />
Broadcasting-Paramount Theatres and Chicago<br />
and New York radio stations now operated<br />
by ABC as well as UPT's WSMB and<br />
WXYZ, and ABC wholly owned subsidiary<br />
radio and TV station in Detroit.<br />
On the merger issue, Resnick found that<br />
although ABC has been "aggressive" in obtaining<br />
affiliations and in pioneering "certain<br />
practices," it<br />
has been unable to compete effectively<br />
with NBC and CBS in either radio or<br />
television. ABC has neither the working<br />
capital nor the "diversity of revenue-producing<br />
activities," he found. The merger would<br />
provide capital for strengthening of ABC<br />
programming, and hence would create competition<br />
in<br />
the network field.<br />
DENIES ANY MONOPOLY<br />
Re.snick denied that the merged company<br />
could dominate the field by virtue of its<br />
size, and said radio corporation would still<br />
"dwarf" the merged company. He found no<br />
merit in the fear that UPT seeks the merger<br />
to suppress television development because<br />
"pursuing such a course would have only a<br />
relatively minor adverse affect on television,<br />
would cripple UPT financially, and would<br />
produce only a minute increase in attendance<br />
at UPT's own theatres."<br />
External competition will compel the<br />
merged company to promote vigorously its<br />
activities, particularly in radio and television,<br />
Theatre TV Hearings<br />
Delayed to Jan. 26<br />
WASHINGTON — The Federal Communications<br />
Commission on Thursday<br />
(13) postponed the main body of the<br />
hearings on theatre television licenses for<br />
the motion picture industry from January<br />
12 to January 26.<br />
The FCC explained that witnesses have<br />
been unable to obtain hotel reservations<br />
because of the January 20 inauguration of<br />
General Eisenhower as President.<br />
The commission also announced that<br />
the proposed spectrum locations for theaare<br />
TV channels as outlined by the film<br />
industry witnesses in the recently concluded<br />
engineering phase of the hearings,<br />
have been made part of the issues<br />
to be argued in the principal hearings in<br />
January.<br />
During the hearings the industry put<br />
forth several alternative frequencies as<br />
feasible for theatre television, including<br />
some now allocated to common carriers,<br />
such as American Telephone and Telegraph.<br />
Resnick argued. Failure to follow this course<br />
would mean lack of audience for the radio<br />
and television stations and more patrons in<br />
the theatres.<br />
As to competition for produce, Resnick said<br />
that in his opinion theatres and television<br />
will not be competing for the same films.<br />
The producers will not sell films to television<br />
until sponsors can pay as much as theatres,<br />
and in any case the trend is away from use<br />
of theatre films on TV. Even in the field<br />
of films specially made for TV the "majors"<br />
may find their late start dooming them to a<br />
minor place in the field.<br />
UPT's $30,000,000 annual gross purchases<br />
of films did not impress Resnick when coupled<br />
with the argument that it might be used to<br />
gain discriminatory advantages. In view of<br />
consent judgement's requirement that pictures<br />
be licensed picture by picture and<br />
futhermore, "is to make no package deals<br />
for theatre and television . . . We cannot<br />
credit with reasonable probability any suggestion<br />
that an unfair competitive advantage<br />
might accrue to ABC in the purchase of<br />
films, as a result of being associated with<br />
UPT."<br />
Resnick did not believe that competition<br />
between home and theatre TV and between<br />
free and pay-as-you-see TV could well be<br />
considered since the competitive situations<br />
involved are "too remote and spectulative."<br />
"ABC-UPT is legally, technically, financially<br />
and otherwi.se qualified to be a licensee of<br />
tlie commission. Its officers, and directors<br />
are likewise qualified," Resnick found, and<br />
said, "There is no rea.sonable probability that<br />
the merger will substantially lessen competition<br />
or tend to monopoly in any .section<br />
of the country or in any line of commerce."<br />
Resnick, dealing with the question of<br />
whether Paramount pictures exerts any con<br />
trol over DuMont found that Paramount doe<br />
own all the 560,000 shares of DuMont's clas<br />
B stock and 43,200 shares of 2.4 per cent o<br />
its class A. "However, the extensive investi<br />
gation conducted into the 'actualities' of th(,<br />
Paramount-DuMont relationship, particularh:<br />
in recent years, discloses that under tht'A<br />
leadership of Dr. DuMont, the class A officersjl<br />
and directors dominate the corporate man- '<br />
agement and policy of the DuMont organization<br />
and that the veto power possessed by :<br />
Paramount, as the class B stockholder, hai'tj<br />
not been exercised and is applicable to a<br />
limited class of situations not likely to occur ij<br />
in the foreseeable future."<br />
Resnick said that Paramount and DuMonti<br />
have no joint operations and are, in fact,!<br />
competitive in some fields.<br />
NOT FORCED BY DECREE<br />
As to the failure of Paramount to seek FCC!<br />
-I<br />
permission to transfer of its television and!<br />
radio properties from the old company to the:<br />
new theatre company after the consent de-,<br />
cree, Resnick did not agree with Paramount's<br />
contention that the transfers were forced byj<br />
the consent decree and hence were involuntary,<br />
but did not feel under circumstances<br />
of transfer that "the failure to provide formal!<br />
notices of transfers . . . should operate as a|<br />
bar ..."<br />
'<br />
Resnick felt that the failure might "bci<br />
explained by the preoccupation of the Para-I<br />
mount people with the tremendously com-1<br />
plicated and deadhne-studded problems of.<br />
the reorganization and divestiture ..."<br />
Resnick, in granting Paramount a licensej<br />
operate KTLA-TV. which has been under<br />
to<br />
temporary authority as have the DuMont;<br />
stations pending settlement of the control:<br />
issue, said he was "impressed" with Para-i<br />
mount's compliance with the consent decree.<br />
He said, "We have a reasonable expectation':<br />
which the Para-<br />
that the antitrust activities<br />
mount people are abandoning in the unregulated<br />
field of motion picture distribution<br />
will not be imported into the licensed<br />
field of broadcasting."<br />
MAY SET A PRECEDENT<br />
Paramount has no policy restricting sale of<br />
films for showing on television, nor do they<br />
prohibit their established stars from appearing.<br />
Sponsors can't compete price-wise with<br />
tlieatres and "other things complicating the<br />
question of release of these films are the<br />
restrictive agreements imposed upon the major<br />
producers by the American Federation of<br />
Musicians and the various guilds, and the<br />
uncertain status of television rights to some<br />
of the feature films."<br />
Accordingly, Resnick found Paramount and<br />
its officers fully qualified to be FCC licensees,<br />
a decision which, if not reversed by the full<br />
commission, will open tlie doors to oilier film<br />
companies wliicli have been entangled in<br />
antitrust actions.<br />
FCC's broadcast bureau is regarded as<br />
certain to appeal to tlie full commission for<br />
a reversal of Resnick's initial decision, but<br />
it is believed that the commission will uphold<br />
Resnick.<br />
8 BOXOFFICE November 15, 1953