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DRUM BEATERS AT WORK<br />

f1<br />

Heralding the premiere of "Bailie Zone" at the RKO Grand. Chicago, Manager<br />

Ansel Winston had extensive support Irom marine recruiters. Pictured is lobby<br />

exhibit. Marines also furnished street ballyhoo, A-board posters and planted<br />

newspaper and radio publicity for the picture, all without cost to the theatre.<br />

At right, two men dressed<br />

appropriately to symbolize<br />

the title of "The Savage"<br />

mix with Christmas shoppers<br />

to ballyhoo the playdates<br />

at the Paramount<br />

Theatre in Buffalo. Ed Miller,<br />

manager of the Paramount,<br />

utilized a flash front,<br />

radio and newspaper promotion<br />

and school contacts<br />

to presell the opening.<br />

At left, three youngsters dressed as<br />

ancient Roman cavalrymen tour Amsterdam,<br />

N. Y., to exhibit the rerelease of<br />

"Cleopatra" at the Mohawk Theatre.<br />

Fred Laurens, manager of the Mohawk,<br />

supplied the youngsters with banners.<br />

At right, tourist bureaus gave strong<br />

cooperation via window displays to<br />

opening of "Thief of Venice" at the<br />

Mayfair Theatre in New York. Tieups<br />

of this nature are easy to make, gain<br />

extra publicity for films that suggest<br />

travel.<br />

At left, window displays<br />

were part of comprehensive<br />

campaign to exploit<br />

"Plymouth Adventure" by<br />

Boyd Sparrow, manager<br />

of the Warwick Theatre.<br />

San Francisco. Pictured<br />

is smart window at the<br />

Emporium facing busy<br />

Market street, featuring<br />

original costumes from<br />

the film production.<br />

42<br />

— 294 — BOXOFFICE Showmandiser

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