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I<br />
.J)anziger<br />
Opinions on Current Productions; Exploitips «<br />
f ? flTUll ? \] ? VJ PMJ^J<br />
'FOR STORY SYNOPSIS ON lACH PICTURI, SII RIVIRSI SIOI<br />
i<br />
SK,.<br />
Stop, You're Killing Me F .ZTcL,<br />
Warnor Broi. (210) 88 Minutos Ral. Ian. 17. 'S3<br />
Tiio lovable guys and dolls who wore Iho lilorn:y alock<br />
in trade ol tho late, groat Damon Runyon havo :.uppli«d<br />
;ho springboard lor much past and current entortairmenl.<br />
Herein Ihoir raucous, rowdy rebellion against convonlions<br />
(- ipiured with uncanny accuracy as concerns era, atmoscharacterizations<br />
and dialog. While the story has its<br />
led quotas and mayhem, larceny and assorted chicanery,<br />
it is played strictly and broadly lor laughs, ol which<br />
there is a bumper crop. Add to this background ol humor<br />
J thread ol romance, WarnerColor photography and impres-<br />
.ive production accoutrements, and a linancial hit is the<br />
only possible conclusion. Further, all ol the above-mentioned<br />
issels are highly exploitable, to accord additional assurance<br />
of capacity business. Brodericlc Crawlord is ideally cast as<br />
!he bootleg beer baron trying to go straight. Roy Del Ruth<br />
Jireclcd for Producer Louis F. Edelman.<br />
Brodericlc Crawford, Claire Trevor. Virginia Gibson. Bill<br />
Hayos. Charlie Cantor. Sheldon Leonard, Joe Vitalo.<br />
'lOO<br />
Meet Me at the Fair F "TJli'^<br />
Univ.-Ini'l 307) 85 MinulM R*L Ian. '53<br />
lis lurnol-iho-L
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