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Spyros Skouras Visits in Australia;<br />
Says TV Will Hurt Theatres There<br />
By WILLIAM BEECHAM<br />
BOXOFFICE Australian Bureau<br />
PERTH, W. A.—Spyros Skouras,<br />
president<br />
of 20tli Century-Fox. after visiting New Zealand<br />
and returning to Sydney, recently left<br />
for Darwin and Singapore, continuing his<br />
world tour. In welcoming Skouras to New<br />
Zealand, governing Director M. J. Moodave<br />
of Amalgamated Theatres said: "Spyros P.<br />
Skouras is the greatest movie mogul ever<br />
to yisit New Zealand. In the history of the<br />
motion picture industry in New Zealand<br />
and I am considered the father of that industry—never<br />
have we had the privilege of<br />
welcoming a world film executive of the cali-<br />
Der of Skouras." At a reception given by<br />
20th-Fox and Amalgamated Theatres, guests<br />
included leaders of all sections of the community.<br />
"Television, which still is making progress.<br />
will come to Australia and its effect here,<br />
as in America, will be extremely serious,"<br />
Skouras said at a luncheon given in his honor<br />
at the Sydney Trocadero. Speaking of the<br />
film industry in general, he said: "Tlie studios<br />
of America, which are constantly striving<br />
to produce top-quality pictures, are in<br />
fact making the best product in the world.<br />
Hollywood recognizes that the main ingredient<br />
in any picture must be its subject matter.<br />
The story is of even more importance than<br />
the star values."<br />
Managing Director Ernest TurnbuU of<br />
Hoyts Theatres told his executives recently<br />
that there must be no relaxation of effort<br />
. . .<br />
if business was to be maintained at a satisfactory<br />
level.<br />
"Trade is so sensitive to outside influences<br />
and so dependent on a continued flow of<br />
high quality product," he said, "that pa;_t<br />
results cannot be accepted complacently."<br />
Turnbull was holding a conference to mark<br />
the occasion of the visit of Spyros Skouras<br />
to Australia.<br />
"Radical changes have taken place in the<br />
economic scene during the past year," he said,<br />
"and this has resulted in buyer resistance.<br />
While prices of con.sumer goods remain high,<br />
and dearer, food, clothing and transport have<br />
to be met out of a reduced pur.se, we must<br />
expect keener shopping for entertainment<br />
Except for the trend in wages, which<br />
is still upward, the suddenness of the downward<br />
trend in Australia's economy is the<br />
mo t outstanding feature. It is sufficient<br />
joy CET<br />
pAsreR S€Rvw£!<br />
WHEN YOU ORDER<br />
sPEcm<br />
TRHILERS<br />
FROM<br />
125 HYDE ST. SAN FRANCISCO (2), CALIF.<br />
Gerold L Karski...; President<br />
to shock us into some very hard thinking<br />
. . . We cannot tread the easy path we<br />
have followed in recent years if we are to<br />
take our place in the world, either as a<br />
nation or an industry. We must show that<br />
we have the necessary self-discipline and<br />
strength to deserve the rewards which are<br />
there. They are there to be taken—but they<br />
will not just come to us."<br />
* * *<br />
When Norman B. Rydge of Greater Union<br />
recently distributed prizes and bonuses to<br />
theatre managers who had been successful<br />
as "champion salesmen" on city and suburban<br />
circuits, he announced that each member<br />
of the staffs of winning cinemas would receive<br />
an extra week's wages.<br />
"This is a recognition th^t every theatre,<br />
while being a separate unit, operated by a<br />
team headed by its manager, is dependent<br />
upon full teamwork from projectionist down<br />
to the lowliest member," he said. "Everybody<br />
in the theatre can be a salesman in the<br />
way he or she cooperates in winning new<br />
patrons. Greater Union aims to weld its<br />
2,138 employes into a strong, skilful fighting<br />
sales force to sell more empty seats."<br />
* * *<br />
Joseph A. MoConville, president of Columbia<br />
International, will arrive in Sydney this<br />
month to attend the Australian Columbia<br />
sales conference. More and more top U.S.<br />
executives are visiting Australia of late, and<br />
it is apparent that they see in this country<br />
some immense possibilities.<br />
* * *<br />
A New Zealand newspaper is asking:<br />
"What penalty is provided against under-age<br />
persons who attend a cinema to see a film<br />
from which the censor's certificate has excluded<br />
them?"<br />
Actually the newspaper is pointing out the<br />
unfairness of a law which makes the theatre<br />
exhibitor or manager responsible for keeping<br />
restricted persons out, with the liability of<br />
a fine of £50. Many managers feel that the<br />
general public regards the censor's certificate<br />
as a formality, and it is doubtful indeed<br />
if many persons are actually conscious of it<br />
at all. Actually the onus should be, the<br />
industry feels, as it is in Australia—on the<br />
parents. They can read the classifications<br />
and allow or disallow their children to<br />
attend.<br />
* * *<br />
Melbourne cinemas have been up against<br />
some exceptionally .strong counter attractions<br />
of late and business has suffered in consequence.<br />
"South Pacific" is a mighty strong<br />
theatrical attraction, with a Tommy Ti'inder<br />
'how and a leading circus as other magnets.<br />
* *<br />
Western Australian open-air cinema.s are<br />
again bidding for business, but here again<br />
competition from nonfilm shows is keen.<br />
Motor speedway, night trotting and the like<br />
draw very big business, and .showmen in the<br />
film industry need to be on their toes at<br />
all times to combat such attractions.<br />
* * *<br />
Gordon D. Ellis, general manager of British<br />
Dominions Films, has been hospitalized of<br />
late but, we are glad to leai-n, is now on<br />
the mend.<br />
* * «<br />
Only three features have been screened<br />
for more than one week at the Ambassador<br />
Theatre in Perth, latest (the third) being<br />
20th-Fox's "The Desert Fox." A special preview<br />
of this was held, guests being highranking<br />
officers who were prominent in the<br />
western desert campaign.<br />
.<br />
« * «<br />
William Melniker, in charge of theatre operations<br />
of Loew's International Corp., is<br />
visiting Australia. On his arrival at Mascot<br />
airfield, Sydney, he was met by MGM Managing<br />
Director N. B. Freeman, General Sales<br />
Manager D. Lake, Theatre Superviser A. Gillespie<br />
and Publicity Director R. Gurr.<br />
* * *<br />
The South Coast town council at Brisbane<br />
recently had on its agenda a proposal that<br />
all permits for Sunday night entertainments<br />
be canceled. When the motion came before<br />
the chair, one alderman said that it would<br />
be nothing but a retrograde step to close<br />
theatres and other forms of amusement on<br />
Sunday nights in a holiday re-ort. The proposal<br />
was defeated by the vote of the mayor<br />
and an amendment was carried accepting an<br />
offer of £150 a year permit fee from the<br />
Capitol Theatre, Coolangatta, for Sunday<br />
night screenings, pending amendment of the<br />
present bylaw relating to Sunday entertainments.<br />
* * *<br />
Bob Skene, personal representative of Walt<br />
Disney and who recently returned to the<br />
U.S. from an Australian visit, took with him<br />
a Victorian naturalist's 800-foot film covering<br />
the lite of the IjTebird. It is understood<br />
that Skene will recommend that a special<br />
film unit be sent to Australia to make a<br />
nature film for the Disney studio.<br />
* « *<br />
Hoyts Theatres reports a record net profit<br />
of £253.088 for the financial year ending<br />
June 30, 1952, an increase of £2,703 on the<br />
previous year's figure.<br />
* *<br />
It is reported that a leading Sydney dance<br />
studio is issuing invitations to special Sunday<br />
night screenings of 16mm films. More<br />
and more social clubs, business organizations<br />
and what-have-yous are making hay with<br />
16mm these days, and so fai' commercial exhibitors<br />
seem to have been able to do little<br />
about this menace to business.<br />
* • *<br />
"Once Upon a Time" is a heading in a<br />
recent issue of the Australasian Exhibitor,<br />
and it gives us pleasure to quote from the<br />
feature following it. "Once upon a time," this<br />
says, "there lived a virile, dynamic force<br />
called show business. This spartan was imbued<br />
with personality, plenty of ideas. Initiative<br />
and imagination, sure in the knowledge<br />
that publicity, glamor and ballyhoo were<br />
the heartbeat of his business. He earnestly<br />
applied his craft to win and influence countless<br />
millions to his matcliless entertainment<br />
on the screen. It was the nature of show<br />
business that many times did he spend much<br />
money to make a great deal more money.<br />
The crowds kept on coming, and he prospered<br />
greatly.<br />
"But alas! one day along came some crepehangers<br />
in the guise of economy experts.<br />
They proceeded to chloroform and devitalize<br />
the unwilling patient to a degree that the<br />
show part of his business was almost entirely<br />
removed, followed by an alarming<br />
falling-away of the latter."<br />
". . . When show business, as true showmen<br />
knew it, is restored in fact, not in theory,<br />
and recovers again that unchallenged place<br />
T-f<br />
68 BOXOFFICE December 13, 1952