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Owner's Manual SSP-600 Surround Processor - Classé Audio

Owner's Manual SSP-600 Surround Processor - Classé Audio

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Understanding <strong>Surround</strong> Sound<br />

Today’s sophisticated surround sound systems seem to spawn a bewildering array<br />

of technologies and acronyms. In this section, we will attempt to give you a<br />

basic understanding of what all that jargon means. As a result, you will be better<br />

equipped to take advantage of the best that home entertainment has to offer.<br />

how many channels?<br />

Today’s surround systems are called upon to reproduce soundtracks that<br />

were designed to include anything from one to seven separate channels of<br />

information. Some examples might include:<br />

• watching Casablanca or The Wizard of Oz (both mono movies, having only<br />

a single channel of audio information in the soundtrack)<br />

• listening to a CD in stereo (only two channels of audio)<br />

• watching the original Star Wars in the original Dolby <strong>Surround</strong> Pro Logic<br />

(four channels of information derived from two channels)<br />

• watching a modern movie, with a “5.1” soundtrack (meaning five different<br />

full-range signals for the front and surround speakers, plus a special “.1”<br />

signal of special Low Frequency Effects; for this reason, the “.1” channel is<br />

sometimes called the “LFE channel.”)<br />

Your new processor handles all these tasks with ease, switching to an appropriate<br />

processing mode automatically upon sensing the nature of the incoming signal.<br />

However, sometimes it may be up to you to select from among the various<br />

signals available. For example, DVDs often contain multiple soundtracks, with<br />

varying numbers of channels or even different languages. You must choose the<br />

one you would like to hear, using the menu of the DVD itself. For that reason,<br />

it helps to have a better understanding of the jargon that is likely to be presented<br />

to you in those menus.<br />

We’ll cover the most common possibilities for you.<br />

matrix or discrete?<br />

When movie makers first wanted to expand beyond simple stereo (left and right<br />

audio channels only), they had a problem: the entire infrastructure on which<br />

they depended was stereo.<br />

A company named Dolby Laboratories saved the day by creating a system<br />

called Dolby <strong>Surround</strong> that embedded two extra channels of sound in the<br />

existing stereo pair, in such a way that specialized circuitry could retrieve the<br />

extra information with reasonable accuracy. This technique, whereby channels<br />

are mixed together with the intention of separating them later, is called matrix<br />

decoding.<br />

The disadvantage of matrix decoding is what you might expect – it is tough to<br />

completely and perfectly separate two things that have been mixed together.<br />

Once you have baked a cake, it is difficult to get back to the eggs and flour.<br />

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