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S90 XS/S70 XS Reference Manual - zZounds.com

S90 XS/S70 XS Reference Manual - zZounds.com

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Basic Structure<br />

Compressor<br />

Compressor is an effect <strong>com</strong>monly used to limit and <strong>com</strong>press the dynamics (softness/loudness) of an<br />

audio signal. When used with gain to boost the overall level, this creates a more powerful, more<br />

consistently high-level sound. Compression can be used to increase sustain for electric guitar, smooth<br />

out the volume of a vocal, or bring a drum kit or rhythm pattern further up-front in the mix.<br />

Effect Type Ins Mas Description<br />

VCM COMPRESSOR 376 Compressor with VCM technology.<br />

CLASSIC COMPRESSOR — Conventional type of <strong>com</strong>pressor.<br />

MULTI BAND COMP 3-band type <strong>com</strong>pressor.<br />

Wah<br />

This effect cyclically modulates the tone brightness (cutoff frequency of a filter). Auto Wah modulates<br />

the tone via LFO, Touch Wah modulates the tone via volume (note on velocity) and Pedal Wah<br />

modulates the tone the pedal control.<br />

Effect Type Ins Description<br />

VCM AUTO WAH Modulates the tone via the LFO.<br />

VCM TOUCH WAH Modulates the tone via the volume (note on velocity).<br />

VCM PEDAL WAH<br />

<br />

Modulates the tone via the pedal control. For best results, assign the Pedal Control<br />

parameter of this Effect type to the Foot Controller in the Controller Set display, then use<br />

the Foot Controller to control this effect in real time.<br />

Lo-Fi<br />

This effect intentionally degrades the audio quality of the input signal via several methods, including<br />

lowering of the sampling frequency.<br />

Effect Type Ins Mas Description<br />

LO-FI Degrades the audio quality of the input signal to get a lo-fi sound.<br />

NOISY — Adds the noise to the current sound.<br />

DIGITAL TURNTABLE — Simulates the noise of an analog record.<br />

Tech<br />

This effect radically changes the tonal characteristics by using a filter and modulation.<br />

Effect Type Ins Mas Description<br />

RING MODULATOR <br />

An effect that modifies the pitch by applying amplitude modulation to the<br />

frequency of the input.<br />

DYNAMIC RING MODULATOR — Dynamically controlled Ring Modulator<br />

DYNAMIC FILTER Dynamically controlled filter<br />

AUTO SYNTH — Processes the input signal into a synthesizer-type sound.<br />

ISOLATOR Controls the level of a specified frequency band of the input signal.<br />

SLICE Slices the AEG of the Voice sound.<br />

TECH MODULATION — Adds a unique feeling of modulation similar to ring modulation.<br />

Basic Structure<br />

Functional Blocks<br />

Tone Generator<br />

A/D Input<br />

Arpeggio<br />

Sequencer<br />

Audio Record/Play<br />

Controller<br />

Effect<br />

Internal Memory<br />

<strong>Reference</strong><br />

Voice<br />

Performance<br />

Multi<br />

SEQ Play<br />

Master<br />

Remote<br />

File<br />

Audio Rec/Play<br />

Utility<br />

Appendix<br />

About MIDI<br />

Display Messages<br />

Troubleshooting<br />

Vocoder<br />

The Vocoder effect does not belong to any category.<br />

VOCODER<br />

Effect Type Ins Description<br />

<br />

This effect extracts characteristics from the microphone sound and applies it to the<br />

Voice played from the keyboard. This creates a distinctive, “robot voice” effect which is<br />

generated when you play the keyboard and sing or speak into the microphone at the<br />

same time.<br />

Misc<br />

This category includes effect types not included in the other categories.<br />

Effect Type Cho Ins Description<br />

VCM EQ 501 — Vintage 5-band parametric EQ with VCM technology.<br />

HARMONIC ENHANCER — Adds new harmonics to the input signal to make the sound stand out.<br />

TALKING MODULATOR — Adds a vowel sound to the input signal.<br />

DAMPER RESONANCE — <br />

Simulates the resonance produced when the damper pedal of the piano is<br />

pressed.<br />

PITCH CHANGE — Changes the pitch of the input signal.<br />

EARLY REFLECTION This effect isolates only the early reflection <strong>com</strong>ponents of the reverb.<br />

NOISE GATE+COMP+EQ — <br />

This effect <strong>com</strong>bines Noise Gate, Compressor and 3-Band EQ, to provide<br />

optimum processing of the microphone input, especially vocals.<br />

<strong>Reference</strong> <strong>Manual</strong><br />

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