S90 XS/S70 XS Reference Manual - zZounds.com

Reference
Setting examples of the Destination
In this section, we'll show you some useful examples how to set the “Ctrl Set 1 – 6 Dest (Controller Set Destination)”
assignments of the Control display in the Voice Common Edit parameters (page 40).
To control the volume:
Volume (volume)
To apply vibrato to the Voice: Common LFO Depth1 – 3 (C-LFO dpth1 – 3) *1
To change the pitch: Element Pitch (coarse tune) *2
To control the brightness of the Voice: Element Filter Frequency (cutoff) *2
To change the speed of the Rotary Speaker: Insertion A/B Parameter 1 (ins A/B Rotor Slow) *3
To apply wah pedal effect to the Voice: Insertion A/B Parameter 1 (ins A/B Pedal Ctrl ) *4
Basic Structure
Voice
Performance
Multi
SEQ Play
Master
Remote
File
Audio Rec/Play
Utility
Concerning *1 – *4, the following settings are necessary in addition to the above setting.
*1 Select the “LFO” in the Voice Edit Select display | [ENTER] | “Play Mode” = “loop”
Select the “LFO” in the Voice Edit Select display | [ENTER] | “Dest 1 – 3" = “P mod”
*2 Controller Set in the Voice Common Edit on the S90 XS/S70 XS Editor | “SW (Element Switch)” = “on”
*3 Select the “Effect” in the Voice Edit Select display | [ENTER] | select the “Ins A/B” | [ENTER] | “Type” = “Rotary Speaker”
Effect in the Voice Common Edit on the S90 XS/S70 XS Editor | “Element Out” / “Key Out” = ins A/B (assigned to “Rotary Speaker”
type)
*4 Select the “Effect” in the Voice Edit Select display | [ENTER] | select the “Ins A/B” | [ENTER] | “Type” = “VCM Pedal Wah”
Effect in the Voice Common Edit on the S90 XS/S70 XS Editor | “Element Out” / “Key Out” = ins A/B (assigned to “VCM Pedal Wah”
type)
Filter Type List
In the sections that follow, we'll explain the Filter Type specified in the Filter Type display (page 50) of the Voice Element
Edit.
• LPF (Low Pass Filter)
This is a Filter type that only passes signals below the Cutoff Frequency. The sound can be brightened by raising the
cutoff frequency of the filter. On the other hand, the sound can be darkened by lowering the cutoff frequency of the filter.
You can then use Resonance to add further character to the sound. This filter type is most popular and useful for
producing classic synthesizer sounds.
LPF24D
A dynamic 24 dB/oct low-pass filter with a characteristic
digital sound. Compared to the LPF24A type (below), this
filter can produce a more pronounced resonance effect.
LPF24A
A digital dynamic low-pass filter with characteristics similar
to a 4-pole analog synthesizer filter.
LPF18
A 3-pole (-18db/oct) dynamic LPF.
LPF18s
A 3-pole (-18db/oct) dynamic LPF. but with a shallower frequency curve.
• HPF (High Pass Filter)
This is a Filter type that only passes signals above the Cutoff Frequency. You can then use the Resonance to add further
character to the sound.
HPF24D
A dynamic 24 dB/oct high-pass filter with a characteristic
digital sound. This filter can produce a pronounced
resonance effect.
HPF12
12 dB/oct dynamic high-pass filter.
Level
Level
These frequencies are
“passed” by the filter.
Cutoff range
Resonance
Cutoff Frequency
Cutoff Frequency
Resonance
Cutoff range
Frequency
These frequencies are
“passed” by the filter.
Frequency
Voice
Play
Normal Voice Edit
Common Edit
Name
Play Mode
Arpeggio
Arp Edit
Arp 1-5 Type
Controller
LFO
Filter/EG
3 Band EQ
Effect
Element Edit
OSC
Tune
PEG
Filter Type
FEG
Filter Scale
AMP Level/Pan
AEG
AMP Scale
LFO
EQ
Drum Voice Edit
Common Edit
Name
Play Mode
Arpeggio
Controller
Filter/EG
3 Band EQ
Effect
Key Edit
OSC
Tune
Filter Type
AMP Level/Pan
AEG
EQ
Job
Recall
Bulk
Supplementary Info.
Appendix
Reference Manual
65