2008 - Communication Across the Curriculum (CAC)
2008 - Communication Across the Curriculum (CAC)
2008 - Communication Across the Curriculum (CAC)
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ENGL 2322: Survey of British Literature I (Honors Contract<br />
Project). In this research paper, Kayleigh Overman explores<br />
<strong>the</strong> role of free will in Milton’s, Paradise Lost in an attempt<br />
to arrive at <strong>the</strong> answer to <strong>the</strong> question, “Who is <strong>the</strong> real<br />
hero in Milton’s Paradise Lost” In her introduction, she<br />
summarizes <strong>the</strong> different positions of literary critics engaged<br />
in <strong>the</strong> current debate about who <strong>the</strong> real hero of Paradise<br />
Lost is and announces that <strong>the</strong> answer to <strong>the</strong> question can<br />
only truly be found by determining whom <strong>the</strong> antagonist or<br />
‘villain’ is. Her unexpected conclusion, which she presents<br />
at <strong>the</strong>n end of her Introduction in her <strong>the</strong>sis, is that Free<br />
will is both hero and villain in <strong>the</strong> piece, thus <strong>the</strong> ‘paradox’<br />
mentioned in her paper’s title. In <strong>the</strong> rest of <strong>the</strong> paper,<br />
Kayleigh provides coherent and well-organized evidence<br />
from <strong>the</strong> work to support her <strong>the</strong>sis as she presents one<br />
major character after ano<strong>the</strong>r and shows how each one<br />
exercises “free will” in his or her actions, <strong>the</strong> consequences<br />
of which form <strong>the</strong> bulk of <strong>the</strong> ‘action’ described in <strong>the</strong> poem.<br />
Kayleigh’s writing is clear and concise, and her argument<br />
is coherent and well supported with textual examples<br />
and details. Fur<strong>the</strong>rmore, she smoothly and ‘seamlessly’<br />
integrates her literary sources and quotations with her own<br />
ideas and language so that <strong>the</strong> ideas flow naturally and<br />
coherently from one to <strong>the</strong> next. This is <strong>the</strong> greatest strength<br />
of her paper, coupled with her ra<strong>the</strong>r insightful and articulate<br />
analysis of her subject.<br />
Kayleigh won First Place for her presentation of this paper at<br />
<strong>the</strong> Spring <strong>2008</strong> Honors Day Conference.<br />
Martina Kusi-Mensah<br />
V o l u m e I V : F a l l 2 0 0 8<br />
R e s e a r c h P a p e r<br />
The Glorious<br />
Paradox: The Role<br />
of Free Will in<br />
Milton’s Paradise<br />
Lost<br />
by Kayleigh<br />
Overman<br />
There has been much controversy, fierce debate, and literary<br />
<strong>the</strong>orizing about who is <strong>the</strong> real hero of Paradise Lost. However, one<br />
cannot fully answer this question without first determining, who is <strong>the</strong><br />
villain. Is it Satan who defies <strong>the</strong> good Creator of <strong>the</strong> universe and<br />
tempts <strong>the</strong> first happy couple Is it Eve whose weakness causes her<br />
to sin and subsequently uses her feminine wiles to cause her adoring<br />
husband to do <strong>the</strong> same Could it be God, <strong>the</strong> One who placed <strong>the</strong><br />
tree in <strong>the</strong> middle of Paradise The literary critic is tempted to point<br />
fingers as <strong>the</strong> fallen pair did when confronted with <strong>the</strong>ir newfound<br />
guilt; however, if one looks at <strong>the</strong> driving force behind all of <strong>the</strong><br />
events that led to mankind’s Fall, one can see that free will is <strong>the</strong><br />
guilty agent. Now, one might ask, is <strong>the</strong>re any hope for mankind<br />
With Paradise Lost, Milton intended to “Justify <strong>the</strong> ways of God<br />
to man,” not pin <strong>the</strong> damaged state of man on his Creator. On <strong>the</strong><br />
contrary, Milton presents free will as a paradox, at once <strong>the</strong> cause of<br />
man’s fall and <strong>the</strong> avenue of his redemption. The characters in this<br />
work each exert free will, some with beneficial consequences, some<br />
with detrimental. Satan, Adam, Eve, God, and Christ, <strong>the</strong> Son, are all<br />
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