2008 - Communication Across the Curriculum (CAC)
2008 - Communication Across the Curriculum (CAC)
2008 - Communication Across the Curriculum (CAC)
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D e f i n i t i o n E s s a y<br />
ENGL 1301: Composition and Rhetoric I. Susan<br />
Medeski’s Definition Essay is creatively written to<br />
capture <strong>the</strong> reader’s attention and keep him guessing<br />
as to what she is defining. Her definition offers clear<br />
detail to her key term, offering a vivid visual image.<br />
Medeski’s ability to define a term in such a visual<br />
manner demonstrates her creativity of thought and<br />
thorough understanding of her term. Defining a term<br />
for a reader who is unfamiliar with it is a complicated<br />
task, but Medeski does it with style and grace<br />
through <strong>the</strong> use of a creative piece in second person<br />
that places <strong>the</strong> reader directly in front of <strong>the</strong> term.<br />
Paullett Golden<br />
Theatre Flies<br />
by Susan Medeski<br />
You enter <strong>the</strong> <strong>the</strong>atre and take your seat – row G, center aisle.<br />
You have been looking forward to this show for months. As <strong>the</strong><br />
house lights fade, you hear <strong>the</strong> sound of a lone oboe playing an<br />
eerie but familiar tune. Soon <strong>the</strong> oboe is joined by a full orchestra<br />
as <strong>the</strong> music reaches its crescendo and stops. The blue velvet<br />
main drape parts to reveal <strong>the</strong> stage for <strong>the</strong> production of Aladdin.<br />
You might not realize it, but by now you have already seen at least<br />
five flies in today’s production. If you just imagined yourself with<br />
a set of high-powered binoculars in search of a small flying insect<br />
dressed in an elaborate genie costume with heavy blue make-up,<br />
you are looking for <strong>the</strong> wrong kind of fly.<br />
If, however, you were able to stand on <strong>the</strong> stage in <strong>the</strong> actor’s<br />
place and look directly overhead, you would see a network of<br />
steel pipes suspended by thick aircraft cable. In <strong>the</strong>atre, <strong>the</strong>se are<br />
called flies. These pipes are connected to a pulley system on a grid<br />
fifty-two feet above <strong>the</strong> stage that will eventually run down to <strong>the</strong><br />
backstage floor where <strong>the</strong>y can be operated by a crew member.<br />
The pipes are longer than <strong>the</strong> stage is wide, reaching into <strong>the</strong> wings<br />
on an average of six feet and are approximately two inches in<br />
diameter. They are spaced anywhere from six inches to a foot apart<br />
from one ano<strong>the</strong>r.<br />
Each pipe is capable of holding hundreds of pounds of weight.<br />
You might be asking, “But how it is possible for <strong>the</strong> average man<br />
to pull that kind of weight as quickly as is necessary to make set<br />
changes” (Did you just imagine The Hulk manning <strong>the</strong> flies) Each<br />
fly is counter weighted so that one crew member, even a youth,<br />
can bring a fly in or take it out quickly. Great care is taken by <strong>the</strong><br />
stage manager and crew to maintain a safe environment for actors<br />
and crew alike during rehearsals and performances. Verbal cues<br />
are used during rehearsal and actors must remember <strong>the</strong> sequence<br />
V o l u m e I V : F a l l 2 0 0 8<br />
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