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2008 - Communication Across the Curriculum (CAC)

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R e s e a r c h P a p e r<br />

<strong>the</strong>mselves, and God. As Nicholson writes, this man and wife were<br />

“prototypes of what Man might have been” (239). However, this state<br />

of perfection is not maintained. In <strong>the</strong> scene of Eve’s temptation, <strong>the</strong><br />

reader is given a painful example of free will gone terribly wrong.<br />

Satan, in his continued rebellion against God, chooses to tempt Eve.<br />

Eve, exercising her own free will, chooses to disobey <strong>the</strong> only rule of<br />

Eden, and Adam, her husband and protector, decides to follow Eve<br />

in her sin. By eating <strong>the</strong> fruit, man sins against God and moves from<br />

<strong>the</strong> ideal to <strong>the</strong> ignoble.<br />

One of <strong>the</strong> points of poignant contrast between pre- and post<br />

lapsarian conditions is <strong>the</strong> changed relationship between Adam<br />

and Eve. On <strong>the</strong> eve of <strong>the</strong> fall, Adam and Eve enjoyed a blissful,<br />

romantic night toge<strong>the</strong>r. Now, on <strong>the</strong> day of <strong>the</strong> fall, Adam and Eve<br />

find each o<strong>the</strong>r drawn to one ano<strong>the</strong>r with a lustful desire. Nicholson<br />

comments, “The scene that follows is at <strong>the</strong> opposite pole from <strong>the</strong><br />

earlier nuptial bower and <strong>the</strong> hymn to wedded love” (289). After<br />

committing this lust-driven sexual act, <strong>the</strong>y feel ashamed and seek to<br />

conceal <strong>the</strong>ir nakedness. Then follows man and woman’s first quarrel<br />

(289). The former happiness of Eden has been marred by a result of<br />

man’s use of free will. Now <strong>the</strong> reader may despair along with <strong>the</strong><br />

fallen couple, are <strong>the</strong> lives of man and wife marred irreparably<br />

Even before <strong>the</strong> hour of mankind’s greatest need, Christ, <strong>the</strong><br />

Son of God, had already exercised His own free will in deciding to<br />

become mankind’s redeemer. In book III, God foretells man’s fall,<br />

and Christ, <strong>the</strong>, Son willingly decides to die for mankind. He tells His<br />

Fa<strong>the</strong>r, “Behold me <strong>the</strong>n, me for him [fallen man], life for life / I offer,<br />

on me let thine anger fall” (Milton, III. 236-237). Now that man has<br />

been ruined by his own abuse of free will, it falls to Christ to redeem<br />

what has been destroyed. The critic, Stanley Fish, writes that Christ<br />

is “<strong>the</strong> embodiment of everything that is truly valuable,” and Christ’s<br />

very existence influences every aspect of <strong>the</strong> poem (430-431).<br />

Therefore, following Fish’s line of reason, one can assume that<br />

Christ’s offer of redemption is <strong>the</strong> climax of <strong>the</strong> free will paradox.<br />

Here, Christ, <strong>the</strong> good Creator, is told of <strong>the</strong> ravages that will be<br />

wrought by mankind’s ill use of free will, and yet He gladly exercises<br />

His own free will in order to rescue <strong>the</strong> condemned creatures.<br />

According to Scott Elledge, <strong>the</strong> importance of Christ’s choice<br />

cannot be underestimated. He writes that Christ’s sacrifice is “<strong>the</strong><br />

final justification” of God’s ways. Man, through <strong>the</strong> use of his own<br />

free will, has been expelled from Paradise; however, man will not<br />

V o l u m e I V : F a l l 2 0 0 8<br />

3 2

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