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Join My Cult - Original Falcon Press

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An aspect at a higher frequency, the last remnants of the squareworld,<br />

shoots an image of a beaming Arnold, his echoing voice drifting<br />

across the distance, “learning, really learning…” but the reaction is a<br />

belly laugh. He feels the laugh run up into his throat like bile, burning<br />

acid aftertaste. At the same time, there is the feeling of a heavy object in<br />

his hand. A silver, new .357 is solid in his left hand, a physical anchor<br />

point for the experience.<br />

Now he is totally on that street, surrounded by buildings, heading<br />

towards the middle of the circle with small but determined steps. His<br />

strides are strong and quick, he looks from side to side slyly, eyes dilating,<br />

pulse raising, muscles tensing. The gun is heavy and comforting.<br />

Internal monologue overpowering, traveling back to the visions of the<br />

city, of the spacecraft of our past and future.<br />

thousands of eyes<br />

thousands of where’s<br />

thousands of how’s and who’s and what’s?<br />

I thought<br />

of them at first as aliens—<br />

thousands of people<br />

thousands of worries<br />

time to sleep.<br />

I mean,<br />

we the square,<br />

caught in the web of time and space,<br />

live by its mandates so long as we believe,<br />

really believe<br />

in the weaver<br />

that the sun will rise tomorrow,<br />

molder of chaos<br />

that there is such a thing as “gravity,”<br />

creator and creation of our “logic”<br />

we have faith in God<br />

dreamer and dreaming of our cities<br />

Vishnu asleep in the cosmic ocean<br />

because we have faith in grammar.<br />

Along with this monologue ran images, shifting framerate faster and<br />

slower, in a jittery, too-blue instructional montage. Over the city of<br />

metal, I can see a tremendous ebony spider, shiny like polished onyx,<br />

with long, slender legs, weaving its web over and over, dancing where<br />

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