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Teaching Subjectivity. Travelling Selves for Feminist ... - MailChimp

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Resorting to unarticulated cries, to moaning and sighing, to touch, is<br />

another way of saying what cannot be said in words, and of involving the body<br />

in a quest <strong>for</strong> that other way of expression. The mystical love poem of Sister<br />

Maria do Céu “A esposa dos Cantares” [The Spouse of the Chants], which<br />

echoes the Canticle of Canticles, fully expresses that rhetoric of the sighs, the<br />

moans, the clamours:<br />

Ternissimo suspiro<br />

Rompe pelas prisões do silêncio<br />

Diz-lhe que, amante, clamo<br />

Si em este fino empenho<br />

Não alcanço uma palavra<br />

Quando, ai amor, suspiro por um verbo.<br />

Diz-lhe que a seus aromas<br />

Arrojo meus alentos<br />

E ao buscar as fragrâncias<br />

Bebo os ares, as cores perco. 28<br />

Resorting to the rhetoric of the sighs and of the cry, experiencing a<br />

syntax of fire, inscribing the body in the writing, these texts search <strong>for</strong> another<br />

language, another articulation of speech.<br />

With their powerful and joyful writing, their erotic dreams and visions,<br />

the Sisters’ texts introduce fissures in the hegemonic speech on women.<br />

With their openness to alterity, they configure a receptive, interrelational<br />

subject that grows apart from the autonomous subject of the western tradition.<br />

With their aesthetics of pleasure and suffering they point out to another way<br />

of understanding the relationship between body and spirit, reason and the senses.<br />

These are texts that search <strong>for</strong> another way to say the unspeakable, the<br />

excess, the love, the desire. They configure a quest <strong>for</strong> another kind of word,<br />

different from the institutionalised word; a word that disarticulates knowledge<br />

and love. In that sense, these texts travel to the present time and still have<br />

something to say.<br />

With the Sisters’ writing I have learnt to look far.<br />

I have also learnt to look afar, which allowed me, in turn, to understand<br />

how transient and ephemeral things are and, there<strong>for</strong>e, to treasure the moment.<br />

28<br />

[Oh tenderest of sighs/break the chains of silence/tell Him his lover is calling/since in this loving commitment/I<br />

remain speechless//when, /when, my love, I sigh <strong>for</strong> just one word./Tell him that to his scents/I owe my breaths/and searching<br />

<strong>for</strong> such perfumes/I drink the air, I loose my colours.] Soror Maria do Céu, Enganos do Bosque , Desenganos do<br />

Rio, 273.<br />

136

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