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Teaching Subjectivity. Travelling Selves for Feminist ... - MailChimp

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meanings of time and space have been radically shifted. The most striking feature<br />

of space and its discernment in the midst of war and destruction was not<br />

a sense of the invention of a new belonging, more precisely, the recognition of<br />

belonging to a new state-space as a result of war-based divided communities,<br />

but rather a sense of the mobility of spaces, their geographical and historical<br />

status and dimensions, their symbolic and real power as well as boundaries.<br />

“Activists crossing borders”, organised by Transeuropéennes, was a<br />

project in which Žarana participated with remarkable political responsibility<br />

in creating new spaces across the divide within the <strong>for</strong>mer Yugoslav region.<br />

Walking together, Žarana and I, transcending the spatial/historical multiplicity<br />

of the Central-Eastern-South social reality, we both kept drawing new<br />

traces of a joined feminist vision and spaces with new feminist friends. We also<br />

witnessed ‘additional’ divides including historical and ideological lags as well<br />

as time-space relations: “East/West”, “South/North”, “Far East/Middle East”,<br />

“not being/being a part of Europe”.<br />

The feminist cartography of resistance itself shifts the meaning of unitary<br />

and hegemonic space in order to make possible a repositioning and a<br />

new positioning, the entry of new perspectives, personal decisions and choices.<br />

Michel Foucault – whom Žarana intensively studied – in calling those ‘other’<br />

spaces “heterotopias” 5 in a socially created spatiality, both concrete and imaginative,<br />

signified several spaces at once and the potential <strong>for</strong> inventing new spaces<br />

and new meanings within them. Warsaw, Budapest, Bratislava, Budapest,<br />

Ljubljana, Dubrovnik, Paris, Tunis, Cape Town, all these places were in a way,<br />

as I later discovered, heterotopias (unreal and real, singular in its setting, calling<br />

on a new set of feminist relations). And then came Sarajevo.<br />

<strong>Feminist</strong> ‘chronotopos’ (koinos topos) 6 possessed the territory of postsocialist/postcommunist<br />

time, signifying the mobile and changeable assemblage<br />

of women’s heterogeny, multinational, cultural, polyglossy identities open to<br />

newly-created ones.<br />

I came to Cluj three years after her, as a promise. Her excitement about<br />

the Anthropological Department at Babeş-Bolyai University and her connection<br />

with Enikő M.-V. was the ultimate imperative to make my arrangement possible.<br />

5<br />

Michel Foucault, “Space, Power and Knowledge,” in The Cultural Studies Reader, ed. Simon During (London and<br />

New York: Routledge, 2006), 140.<br />

6<br />

Chronotopos is literally translated as “time-space” as well as common place. The discourse of temporal and the<br />

discourse of a-temporal in that sense are interwoven in various variations and disorders ensuring a process of rearticulation<br />

of feminist perspectives, positions and networks. (See Kulavkova, 2007).<br />

71

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