Teaching Subjectivity. Travelling Selves for Feminist ... - MailChimp
Teaching Subjectivity. Travelling Selves for Feminist ... - MailChimp
Teaching Subjectivity. Travelling Selves for Feminist ... - MailChimp
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ownership of their own selves, words and lives. Many of them, who anchored<br />
themselves in the feminist arena in sweeping strokes from this particular region,<br />
namely the region of <strong>for</strong>mer Yugoslavia, passed away during the last two<br />
decades. They were remarkable, well-known, courageous, ‘wild’, persistent and<br />
creative women – sometimes mentioned within key feminist narratives but<br />
more often placed within the footnotes or additional sources of knowledge of<br />
local feminism(s).<br />
The more I tried to draw attention to a critical analysis of feminist positioning<br />
and feminist actions in particular periods of time, the more I was<br />
overwhelmed by my own personal motifs, that is, the relationship between my<br />
fragile Self and my close friends whom I carried with me and occupied with<br />
deep and silent mourning, with the ideas, images, gestures or moments that<br />
crystallised the meanings around/of loss. A few in memoriam pieces appearing<br />
in feminist and alternative journals and magazines comprised my written response,<br />
which at the same time preserved and sparked emotions witnessing<br />
anger and pain. Žarana and Nirman strengthened my intent to undertake this<br />
harsh and uncertain exploration; these two feminists whose existence remains<br />
irreducible to knowledge but probably to the very paths of human epistemology.<br />
The thought expressed by Irit Rogoff in her book Terra Infirma. Geography’s<br />
Visual Culture that “(t)he moment in which loss is clearly marked and articulated<br />
is also the moment in which something else, as yet unnamed, has come into<br />
being” 1 came to me as a possibility to handle this inquiry with particular care.<br />
1<br />
Irit Rogoff, Terra Infirma. Geography’s visual culture (London and New York: Routledge, 2000) 3.<br />
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