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Lugones, Maria. “Playfulness, ’World’ Travelling and Loving Perception.” Hypatia. vol.2 (1987): 3-19. Moi, Toril. Simone de Beauvoir, The Making of an Intellectual Woman Oxford: Blackwell, 1994. Nielsen, Harriet Bjerrum and Rudberg, Monica. Moderne Jenter,- Tre generasjoner på vei. Modern Girls, - Three generations. Oslo: Universitetsforlaget, 2006 Møller, Jesper Dehn, and & Aydin Soei. Skyld (Guilt). København: Lindshardt og Ringhof, 2007. Pulcini, Elena, and Luisa Passerini. “European. Feminie Identity and the Idea of Passion in Politics.” In Thinking Differently. A Reader in European Women’s Studies. New York: Zed Books, 2002. Pulcini, Elena. Modernity, Love and Hidden Inequality, In Love and Law in Europe: Complex Interrelations. European University Institute: Italy, 2000. Secomb, Linnel. “Beauvoir’s Minotrian Philosophy.” Hypatia, vol.14. no 4. Skærbæk, Eva. Who Cares – Ethical Interaction and Sexual Difference. Oslo: Unipub, 2001. Trible, Phyllis. God and the Rhetoric of Sexuality. Philadelphia: Fortress Press, 1978. Widerberg, Karin. Kunnskapens kjønn (The Gender of Knowledge). Oslo: Pax, 1993. 66
Part II: Travelling Selves: Voices, Interpolations, Claims ON COUNTER-NARRATIVES, NOSTALGIA AND RISKS Biljana Kašić (Center for Women’s Studies Zagreb and University of Zadar) Reminiscences and feminist multitudes During the conference that the Centre for Women’s Studies organised in September 2008 in honour of Simone de Beauvoir on the 100th anniversary of her birth, and within the session “Simone and I” envisioned as an active container of multiple personal voices on/of Simone’s work, a wondrous moment occurred. Amid various theoretical and personal reflections on Simone de Beauvoir and how she had influenced the lives and thoughts of the participants present there, suddenly a woman’s taped voice rang out. The voice was that of Jelena Zuppa, a woman who spoke passionately of Simone de Beauvoir and her concept of women’s freedom, speaking at the same time of how her own life became a place of various synchronical attempts for (re)taking and enjoying that freedom. Beauvoir’s auto-referential syntagm – “J’accepte la grande aventure d’être moi” – received its own particular staging at this moment. Only her voice, powerful and deep, partially modulated by the recording, indicated the presence of, for that small feminist circle, a renowned feminist proponent of écriture feminine which she had already presented in the early 1980s with her exceptional translations of the works of Luce Irigaray, Marguerite Duras and Chantal Chawaf. This disruptive moment that gave us the illusion that she was with us despite her absence, encouraged me once more in my endeavour to connect certain meanings and distinctive thoughts of some feminists with my personal motives for approaching the issue of loss. The voice of Jelena Zuppa which filled, or better yet, literally cut through the space/air of the European House was like an unexpected gift parallel to the theoretical voice ‘borrowed’ from Judith Butler in my attempt to capture the role of Beauvoir within contemporary feminisms. For a moment I felt both determined and excited. Images of different women passed before my eyes in some puzzled framework, searching to mark the space of their own imprints and signatures, longing for location and 67
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Teaching Subjectivity Travelling Se
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Series editors: Annika Olsson, Andr
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Part II: Travelling Selves: Voices,
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oader educational field, including
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educational and cultural background
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objective conditions for creating v
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only through resonance with them an
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the subjects revealed in the autobi
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The definition of a “third space
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In a diasporic context, it is not u
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Maccaferri Randaccio, Elena. “Ric
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And yet, the will to believe, the w
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This pre-eminence of writer-nuns is
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Saying that they have been excluded
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“call”, which normally comes ea
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Em alguns dos dedos tinha anéis fo
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Radical exposure of the self The na
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A rhetoric of joy Following the enc
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Resorting to unarticulated cries, t
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Furthermore, a reading of the autob
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Mendes, Margarida Vieira. Rimas Vá
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Blanchot, Maurice. The Unavowable C
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Derrida, Jacques. “Jacques Derrid
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I Ibsen, Henrik. A Doll’s House.
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Milheiro, Dalila. “A Fiel e Verda
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S Secomb, Linnel. Beauvoir’s Mino
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LIST OF CONTRIBUTORS Silvia Caporal
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