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a new framework <strong>for</strong> understanding and articulating the issue of loss, respecting<br />

the experience-based way of thinking, acting and sharing that interweaves<br />

personal and cultural biographies with story-telling, memoirs, counter-narratives,<br />

art exhibitions, reflections on various events and delicacy within more<br />

contextual and distinctive places (spatial, material, historical). Second, one<br />

should enable feminist situatedness that relies on recognising and re-examining<br />

relational ties among human beings and women in particular and on calling <strong>for</strong><br />

an ethical responsibility that from a woman’s perspective evolves “the capacity<br />

<strong>for</strong> responsibility and care” 29 or careful interdependency. That which, <strong>for</strong> instance,<br />

thanks to women’s love and friendship, enables one person facing loss<br />

to become “(…) another person’s radical interlocutor” 30 or one “who could<br />

get past her face to her embodied voice ”31, or one who, as Gloria Anzaldúa’s<br />

friends 32 did, in honoring her willingness “to risk the personal”, keeps opening<br />

potential identifications with her spiritual activism or new mestiza theory.<br />

Dedication to the feminists who passed away, and a refusal to enact<br />

closure, enables an engagement with loss that is active and imaginative as well<br />

as creative and hopeful, and this seems to be both an opportunity and a distinctive<br />

act of responsive relationality. Third, one should open up spaces in order to<br />

properly evaluate women’s heritages 33 by creating access and new links to them<br />

and by installing new entries in the corpus of women’s auto-biographies. The<br />

genuine voicing of women’s stories and their interrelatedness by women who<br />

regard this task as their own ethical vocation while respecting those whose loss<br />

they live with as well as carefully enouncing the layerings of past and present<br />

within their mutual narratives, can be a threshold leading to a new horizon of<br />

teaching and sharing knowledge.<br />

29<br />

Carol Gilligan, In a Different Voice. Psychological Theory and Women’s Development (Cambridge and London:<br />

Harvard University Press, 1996), 127<br />

30<br />

Mary Cappello, “Autobiography of a Friendship,” Rev. of Truth and Beauty: A Friendship, by Ann Patchett<br />

(October 2004), http://www.wellesley.edu/WomensReview/archive/2004/10/highlt.html (accessed 15 February<br />

2009).<br />

31<br />

Ibid., 5-6.<br />

32<br />

AnaLouise Keating, “Remembering Gloria Anzaldúa (1942-2004).” (October 2004). http://www.wellesley.edu/<br />

WomensReview/archive/2004/10/highlt.html (accessed 25 February 2009).<br />

33<br />

Francisca de Haan et al, ed. A Biographical Dictionary of Women’s Movements and Feminisms, Central, Eastern, and<br />

South Eastern Europe, 19th and 20th Centuries (Budapest& New York: Central European University Press, 2006).<br />

Saskia E. Wieringa, ed. Traveling Heritages. New Perspectives on Collecting, Preserving and Sharing Women’s History<br />

(Amsterdam: Aksant Academic Publishers, 2008).<br />

82

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