ToneLab SE Owner's manual - Vox
ToneLab SE Owner's manual - Vox
ToneLab SE Owner's manual - Vox
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[1] “<strong>SE</strong>NS” 1.0...10.0 Adjusts the sensitivity of the compressor (i.e. when its<br />
“smoothing” effect kicks in). The amount of compression/<br />
sustain will increase the more you turn this control up.<br />
[2] “LEVEL” 0.0...10.0 Adjusts the output level.<br />
[3] “ATTACK” 1.0...10.0 Adjusts the strength of the attack.<br />
2. ACOUSTIC<br />
Wanna go “unplugged” without the hassle of switching guitars and amps? Enter the<br />
acoustic guitar simulator - a clever effect that magically converts an electric guitar’s<br />
sound into that of an acoustic. It works best with a single coil (read: low output)<br />
pickup in the neck position, especially when paired with the BLACK 2x12 amp model.<br />
[1] “BODY” 1.0...10.0 Adjusts the body resonance. You’ll need to adjust the<br />
BASS along with this parameter to keep a balance.<br />
[2] “BASS” 0.0...10.0 Adjusts the bass.<br />
[3] “TREBLE” 0.0...10.0 Adjusts the treble.<br />
3. VOX WAH<br />
This effect is modeled on two legendary VOX wah pedals; the V847 and the V848<br />
Clyde McCoy model. Thanks to their unique “throaty” tone, these are the only wah<br />
pedals many professionals will consider stepping on. When used wisely, this pedal<br />
can either make your guitar cry like a baby or howl like a man possessed!<br />
[2] “CLO<strong>SE</strong>” 1.0...10.0 Adjusts the tone when the wah pedal is closed.<br />
[3] “OPEN” 1.0...10.0 Adjusts the tone when the wah pedal is open.<br />
[4] “MANUAL” 1.0...10.0 * Adjusts the openness (position) of the wah.<br />
[5] “TYPE” 847, 848 Selects either V847 or V848 Clyde McCoy model as the<br />
wah type<br />
[6] “ORDER” PrE(PRE), Selects the connection order. PRE/POST connects the<br />
PoS(POST) wah before/after the Amp Model.<br />
U<strong>SE</strong>FUL TONE HINT: A great tonal trick that’s employed by many guitarists,<br />
including some who are household names, is to find a “sweet spot” within the range<br />
of their Wah pedal and then leave it there. This is often called stuck-Wah (imagine<br />
that!) and, when used tastefully, can be very effective as it produces a very distinctive<br />
sound that will cut through any mix. You can dial in a stuck-Wah “sweet spot”<br />
with your TONE control in a heartbeat. Try it, it’s cool...<br />
4. AUTO WAH<br />
The lazy man’s Wah pedal! Only kidding...this quirky but useful effect allows you to<br />
create an automatic “Wah” effect that varies with your picking dynamics (i.e. how<br />
hard or soft you hit the strings). As in VOX WAH, you can select either V847 or<br />
V848 as the wah type.<br />
[1] “<strong>SE</strong>N<strong>SE</strong>” 0.0...10.0 * Adjusts the sensitivity with which the wah<br />
responds to the volume of the guitar.<br />
[2] “POLARITY” uP(UP), Sets the direction in which the auto wah will operate.<br />
dn(DOWN)<br />
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