- Page 4: Images of Beckett Images of Beckett
- Page 10: cambridge university press Cambridg
- Page 16: Contents Preface and acknowledgemen
- Page 24: Illustrations PICTURES BY JOHN HAYN
- Page 28: the Barbican, London, 1999. Directo
- Page 32: A portrait of Beckett Samuel Becket
- Page 38: that he added to the foot or on the
- Page 42: 6 IMAGES OF BECKETT
- Page 46: 8 IMAGES OF BECKETT been further fr
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study of Proust. 12 On a later occa
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affairs, first Combat or L’Humani
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feeling over the past few weeks, he
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currently teaching at the universit
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Tom Bishop, he wrote: ‘If pessimi
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22 IMAGES OF BECKETT
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24 IMAGES OF BECKETT
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genuine kindness and love that he f
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money, actively encouraged by Suzan
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30 IMAGES OF BECKETT even derived a
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Resistance (which remained unknown
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Nonetheless, he still signed an app
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introduced yet another myth into th
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student edition of Dante lying on t
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Images of Beckett Writing to a frie
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IMAGES OF BECKETT 45
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characters, plus a boy messenger se
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The cameraman at Süddeutscher Rund
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good?” Beckett replied “It’s
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had a remarkable ability to draw on
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isen moon. Yet Beckett clearly aime
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This claim does not, I think, dimin
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talented painter - mainly of portra
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Dülberg painted in Expressionist m
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Count of Orgaz the debauched eyes o
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eing to the status of icon of impot
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oh so familiar figures seated on a
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70 IMAGES OF BECKETT
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story ‘Draff’ she became Mrs Sh
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74 IMAGES OF BECKETT outstretched,
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ecause they are few in number, are
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connection either.’ 68 He had jus
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the entrance to the white monk-like
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of such a lit den was the natural c
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landscape and state it as material
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with her husband, Willie. The three
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and Blaue Reiter. He cannot himself
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presented ‘as if seen from above
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language. Unlike them, however, I h
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woman. Old and yet old. On unseen k
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98 IMAGES OF BECKETT
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that this was particularly necessar
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102 IMAGES OF BECKETT
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that belongs to the air’, he said
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106 IMAGES OF BECKETT manages to be
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other, just as he would certainly h
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Marionettentheater’, which Craig
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112 IMAGES OF BECKETT
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what worked most successfully in pr
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Billie Whitelaw in Footfalls, 1976
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118 IMAGES OF BECKETT Nonetheless,
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succession of details which succeed
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lack with mingled dirt and tears.
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When Beckett came to write his own
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them, sometimes very radically, to
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expressions and tiny movements of f
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hythm and balance. As a director, h
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132 IMAGES OF BECKETT
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changes to the stage directions but
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Billie Whitelaw in Happy Days, 1979
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he belongs to the stone. Vladimir i
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He escapes from the trap of the oth
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considerably, writing, ‘Conspicuo
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144 IMAGES OF BECKETT consulted by
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silence, death and nothingness regi
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35 SB, letter to Pamela Mitchell, 2
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65 Billie Whitelaw, Billie Whitelaw
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45 Extracts from the interview with
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Index Act Without Words I, 122 phot
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experimentalism, 100 imprisonment,
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Surrealism, 91-92, 119 Synge, J. M.