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<strong>Index</strong><br />
Act Without Words I, 122<br />
photographs, 24, 107<br />
Act Without Words II, 122<br />
photographs, 77, 111<br />
Adler, Jankel, 87<br />
Albright, Daniel, 89<br />
Alekhin, Alexander, 13<br />
Altdorfer, Albrecht, 80<br />
Antoine-Dunne, Jeanne, 120–121<br />
Antonello da Messina, 61, 66<br />
Virgin <strong>of</strong> the Annunciation, 74, 83<br />
Arikha, Avigdor, 14, 28, 43, 57, 58, 69, 88, 128<br />
Arnheim, Rudolf, 119–120, 122, 123–124, 143<br />
art<br />
B’s passion for paintings, 58–61<br />
criticism, 57–58<br />
and directing, 72–75<br />
Dutch paintings, 67–71<br />
expressionism, 88–91<br />
gestures, 75–77<br />
Artaud, Antonin, 107<br />
Ashcr<strong>of</strong>t, Peggy, 111–113<br />
Asmus, Walter, 101, 130, 137<br />
Asse, Geneviève, 43<br />
Atik, Anne, 14, 128<br />
Audiberti, Jacques, 105<br />
Avercamp, Hendrick, 62<br />
Bablet, Denis, 108<br />
Bacon, Francis, 83<br />
Ballmer, Karl, 88, 92<br />
Bargheer, Eduard, 87<br />
Bartók, Béla, 128<br />
Bassano, Jacopo da, 80<br />
<strong>Beckett</strong>, Frank, 52, 118, 119<br />
<strong>Beckett</strong>, Howard, 118<br />
<strong>Beckett</strong>, Samuel<br />
allusions to paintings, 61–63<br />
approach to directing, 114–118, 126–137<br />
arrogance, 23–27<br />
art and directing, 72–75<br />
art criticism, 57–58<br />
chess player, 13<br />
Christian imagery, 63–67<br />
dedication to writing, 36<br />
determination, 19<br />
directing problems, 110–114<br />
and expressionism, 88–91<br />
generosity, 23, 27, 28, 30<br />
gestures in paintings and plays, 75–77<br />
gnosticism, 142–145<br />
hermit, 1–7<br />
imaginative blending, 71–72<br />
imprisonment theme, 139–140<br />
interest in films, 118<br />
interest in sport, 12–13<br />
lighting in paintings and plays, 77–83<br />
literary tastes, 14–15<br />
love <strong>of</strong> Dutch paintings, 67–71<br />
and mime, 122–126<br />
modernity, 83–88<br />
modesty, 30<br />
music and directing, 128, 135<br />
mystery, 1<br />
and naturalism, 108–110<br />
passion for paintings, 58–61<br />
pessimism, 18–23<br />
photographs, xiv, 2, 4, 7, 10, 13, 21, 39, 40,<br />
96, 98, 146<br />
poetry and the theatre, 104–108<br />
politics, 33–36<br />
reasons for directing, 97–101<br />
rehearsals, 101–104, 114–118<br />
Resistance, 26–27, 33, 36, 52, 88<br />
‘Revelation,’ 37–38<br />
silence in music, 145–147<br />
INDEX 155
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