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But his ready sympathy and evident<br />
vulnerability laid him wide open to exploitation.<br />
He was notorious for being a s<strong>of</strong>t touch. As a<br />
result, his friends tried to protect him from his<br />
own generosity. He <strong>of</strong>ten seemed like an innocent,<br />
unaware that he was being exploited or even, very<br />
occasionally, well and truly conned. There is one<br />
sense in which he was indeed an innocent. He<br />
always inclined to believe the best <strong>of</strong> someone,<br />
unless and until events proved the contrary. And<br />
because <strong>of</strong> his own loyalty and integrity, few people<br />
let him down. When one or two did, he was upset<br />
and mostly (though not always) forgave them for<br />
their (to use Winnie’s phrase from Happy Days)<br />
‘human weakness...natural weakness’. 40<br />
Sometimes he knew perfectly well that he was<br />
being manipulated or even duped. His attitude was<br />
complicated by the fact that he rather liked rogues.<br />
One <strong>of</strong> the reasons for this was that he found their<br />
company a lot more fun than that <strong>of</strong> dour,<br />
respectable citizens, who quickly bored him.<br />
He had, after all, run away from respectable,<br />
middle-class, Protestant Foxrock, first to the less<br />
genteel, but more relaxed, convivial atmosphere<br />
<strong>of</strong> the Dublin bars, then to Paris, where the cult<br />
<strong>of</strong> laissez-aller prevailed, in artistic milieux at least,<br />
where your sexual preferences and conduct were<br />
a matter <strong>of</strong> more or less total indifference, and<br />
where no one worried if you drank too heavily. So<br />
a number <strong>of</strong> likeable rogues figured with the needy<br />
and the indigent among his acquaintances. And he<br />
Barry McGovern in Happy Days, 1999<br />
A PORTRAIT OF BECKETT 29