CLP-170 CLP-150 - Yamaha

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Preset Voice List Voice group Voice name GUITAR CHURCH ORGAN JAZZORGAN STRINGS CHOIR SYNTH.PAD WOOD BASS E.BASS * ( ) are provided only on the CLP-170. 110 CLP-170/150 Stereo sampling Touch Sense Dynamic sampling Key-off samples String resonance NylonGuitar ( ) ( ) × × SteelGuitar × × × × PipeOrgan Principal PipeOrgan Tutti PipeOrgan Flute1 PipeOrgan Flute2 × × × × × × × × × × × × × × × × JazzOrgan × × × × × Voice description A warm and natural nylon-string guitar sound. Enjoy the atmosphere it adds to a quiet song. (On the CLP-170, stereo sampling is used for realism. Strongly-played notes will sound a harmonic, producing an even more guitar-like impression.) A bright steel guitar sound. Ideal for popular music. This voice features the combination of pipes (8'+4'+2') of a principal (brass instrument) organ. It is suitable for Baroque church music. This voice features a full coupler of a pipe organ, famous for the sound used in Toccatta and Fugue by Bach. A pipe organ sound that combines flute-type (woodwind type) stops of different pitches (8' + 4'). This is a gentle sound that is ideal for accompanying hymns. A pipe organ sound that combines flute-type (woodwind type) stops of different pitches (8' + 4' + 1-1/3'). This is brighter than PipeOrganFlute1, and is suitable for solos. The sound of a “tonewheel” type electric organ. Often heard in jazz and rock idioms. RotaryOrgan × × × × × A bright electric organ sound. MellowOrgan × × × × × Strings × × × SynthStrings × × × × SlowStrings × × × Choir × × × × SlowChoir × × × × Scat × × × SynthPad1 × × × × SynthPad2 × × × × WoodBass × × × × Bass&Cymbal × × × × ElectricBass × × × × FretlessBass × × × × A mellow electric organ sound. Ideal for calmer songs. Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the Dual mode. A bright and spacious strings sound. Suitable for sustained parts in the background of an ensemble. The sound of a string ensemble, with a slow attack. Suitable for use in Dual mode with GRAND PIANO or E.PIANO. A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. The sound of a choir with a slow attack. Suitable for use in Dual mode with GRAND PIANO or E.PIANO. You can enjoy jazz “scatting” with this voice. Depending on how hard and what note range you play, different sounds will be produced. A warm, mellow, and spacious synth sound. Ideal for sustained parts in the background of an ensemble. A clear and spacious synth sound. Ideal for sustained parts in the background of an ensemble. The sound of a finger-plucked upright bass. Frequently used in jazz and Latin music. The sound of a cymbal has been layered onto the bass. Effective when used for jazz walking-bass lines. The sound of an electric bass. Frequently used in jazz, rock, and popular music. The sound of a fretless bass. Suitable for styles such as jazz and fusion.
Voice Combination Examples (Dual and Split) Dual MAIN + MAIN GrandPiano1 + E.Piano1 GrandPiano1 + E.Piano2 This combination is often used in popular music. MAIN + MAIN GrandPiano1 + SynthPiano This produces a fantasy, spacious piano sound. MAIN + MAIN GrandPiano2 + GrandPiano2 This combination sounds as if you are playing two notes that are one octave apart. It is suitable for the accompaniment of Salsa music. MAIN + MAIN E.Piano1 + SlowChoir This is suitable for romantic ballads. MAIN + MAIN E.Piano2 + E.Clavichord MAIN + MAIN Harpsichord8' + Strings MAIN + MAIN Celesta + SynthStirngs Split MAIN / LEFT Dual + Split GrandPiano1 / WoodBass or Bass&Cymbal MAIN / LEFT Celesta / Choir MAIN / LEFT Choir / GrandPiano1 MAIN / LEFT Scat / WoodBass MAIN / LEFT E.Piano2 / Scat MAIN + MAIN / LEFT MAIN + MAIN / LEFT MAIN + MAIN / LEFT + LEFT GrandPiano1 + SynthString / GrandPiano1 GrandPiano2 + E.Piano1 / ElectricBass Harpsichord8' + 4' + Strings / Harpsichord8' + Strings This is suitable for funk, rhythm & blues, and soul music. This combination is very suitable for Baroque music. This combination adds strings and bell sound. A delay effect is automatically applied. This is recommended for light Jazz music. The damper pedal is effective on the voice assigned to the right-hand range. This is suitable for a peaceful, somewhat cute song. Play these voices elegantly along with piano arpeggio. Playing the Choir voice in chords would be more effective. This combination features a cool (stylish) jazz chorus. The Scat voice is touch sensitive, adding a variety of expressions. Playing the Scat voice for a bass part may create an interesting sound. This combination creates the thick sound of a layered piano and strings. This sound is suitable for fusion. Deeper reverb and chorus (page 79) will improve the groove. The damper pedal is effective on the voice assigned to the right-hand range. This combination makes a very brilliant sound. CLP-170/150 111
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CLP-170/CLP-150 CLP-170 CLP-150 Own
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WARNING PRECAUTIONS PLEASE READ CAR
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Table of contents Changing a voice
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Table of contents Pitch bend range
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Settings Application Index Making d
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• To protect your data (Write-pro
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The Clavinova includes 50 preset so
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Basic Operation CLP-170/150 19
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Listening to the Demonstration Tune
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Listening to 50 Piano Preset Songs
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Listening to 50 Piano Preset Songs
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Selecting and Playing Voices 28 CLP
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Selecting and Playing Voices 30 CLP
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Combining two voices (Dual mode) Se
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Selecting and Playing Voices Splitt
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Using the metronome Selecting and P
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2. Select a voice. Select a voice (
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Recording Your Performance 42 CLP-1
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Recording Your Performance Adjustin
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Basic file operation Saving Recorde
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Saving Recorded Songs and Handling
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Renaming a song...[RenameSong] Savi
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Saving Recorded Songs and Handling
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Playing Back Recorded Songs and Com
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5. Return to the main screen. Press
Page 60: Connections 60 CLP-170/150 6 AUX IN
Page 65 and 66: Connections 3. Connecting the USB p
Page 67 and 68: Detailed Settings CLP-170/150 67
Page 69 and 70: Voices [VOICE SETTING] In Dual mode
Page 71 and 72: Making detailed settings MIN MAX NE
Page 73 and 74: Detailed settings for recording and
Page 75 and 76: TIP Use the following buttons to sp
Page 77 and 78: Detailed settings for the voices [V
Page 79 and 80: Selecting the reverb type [ReverbTy
Page 81 and 82: Turning the vibraphone vibrato effe
Page 83 and 84: Setting the touch sensitivity [Touc
Page 85 and 86: Detailed settings for iAFC [iAFC SE
Page 87 and 88: MIDI [MIDI SETTING] You can make de
Page 89 and 90: Setting Local control on/off [Local
Page 91 and 92: Other settings You can make detaile
Page 93 and 94: Setting range: -12 (-1 octave)-0 (n
Page 95 and 96: Switch the speaker on/off [Speaker]
Page 97 and 98: (CLP-170) Message Meaning Message L
Page 103 and 104: ■ I cannot change the key signatu
Page 105 and 106: Appendix CLP-170/150 105
Page 107: Data Compatibility This section cov
Page 112 and 113: CLP-150: Keyboard Stand Assembly CA
Page 114 and 115: CLP-150: Keyboard Stand Assembly 7.
Page 116 and 117: CLP-170: Keyboard Stand Assembly 2.
Page 119 and 120: N New Song 38 Normal setting* 30 O
Page 121 and 122: IMPORTANT SAFETY INSTRUCTIONS INFOR
Page 123 and 124: For details of products, please con
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CLP-170 CLP-150 - Yamaha

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