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CLP-170 CLP-150 - Yamaha

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Other settings<br />

92 <strong>CLP</strong>-<strong>170</strong>/<strong>150</strong><br />

Selecting a scale [Scale]<br />

You can select various scales.<br />

Equal Temperament is the most common contemporary<br />

piano tuning scale. However, history has<br />

known numerous other scales, many of which<br />

serve as the basis for certain genres of music. You<br />

can experience the tunings of these genres.<br />

See the procedure on page 71.<br />

A<br />

C<br />

Setting range:<br />

Equal<br />

One octave is divided into twelve equal<br />

intervals. Currently most popular piano<br />

tuning scale.<br />

PureMajor/PureMinor<br />

Based on natural overtones, three major<br />

chords using these scales produce a beautiful,<br />

pure sound. They are sometimes used<br />

for chorus parts.<br />

Pythagorean<br />

This scale, designed by Pythagoras, a Greek<br />

philosopher, is based on the interval of a<br />

perfect 5th. The 3rd produces swells, but<br />

the 4th and 5th are beautiful and suitable<br />

for some leads.<br />

MeanTone<br />

This scale is an improvement of the<br />

Pythagorean in that the swell of the 3rd has<br />

been eliminated. It spread during the late<br />

16th century through the late 18th century.<br />

Handel used this scale.<br />

WerckMeister/KirnBerger<br />

These scales combine Mean Tone and<br />

Pythagorean in different ways. With these<br />

scales, modulation changes the impression<br />

and feel of the songs. They were often used<br />

in the era of Bach and Beethoven. They are<br />

also often used now to reproduce the music<br />

of that era on harpsichords.<br />

Normal setting:<br />

Equal<br />

If you select a scale other than Equal, you need to<br />

specify the root note using the B [–]/[+] buttons.<br />

B<br />

NO YES<br />

D<br />

Setting range:<br />

C, C � , D, E ♭ , E, F, F � , G, A ♭ , A, B ♭ , B<br />

Specifying the Split Point<br />

[Split Point]<br />

You can specify the split point (the boundary between<br />

the right-hand and left-hand keyboard areas).<br />

See the procedure on page 71.<br />

A<br />

C<br />

Setting range:<br />

A-1–C7<br />

A<br />

C<br />

NOTE<br />

You can also use [SPLIT] to set the split point. (page 36)<br />

Changing the key [Transpose]<br />

TIP<br />

TRANSPOSE= To change the key<br />

(Changing the key: To raise or lower the overall pitch of<br />

the entire song.)<br />

The Clavinova’s Transpose function makes it possible to<br />

shift the pitch of the entire keyboard up or down in semitone<br />

intervals to facilitate playing in difficult key signatures,<br />

and to let you easily match the pitch of the<br />

keyboard to the range of a singer or other instruments.<br />

For example, if you set the transposition amount to “5,”<br />

playing key C produces pitch F. In this way, you can play<br />

the song as if it were in C major, and the Clavinova will<br />

transpose it to the key of F.<br />

Setting for:<br />

Master The sound of the entire instrument<br />

(the manually-played sound and the<br />

song playback)<br />

Keyboard The manually-played sound<br />

Song The song playback<br />

B<br />

NO YES<br />

D<br />

B<br />

NO YES<br />

D

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