In France, the independent literary publisher Editions MichelLafon started to release some of its top bestsellingtitles without DRM, opting instead for a digital watermark.This move includes the novel Métronome by LoràntDeutsch, which sold over 800,000 copies in print (“Liebermit Waserzeichen”, buchreport, 3 July 2012).A similar policy has been introduced by Fleurus Editions,which is part of the French group Média Participations.With a catalog of some 1,200 ebook titles, the publishersstarted to conduct various experiments with its digitalportfolio, from competitive pricing to selling by chapter tooffering packages including both print and digital versionsof a title. But the real catchphrase for the company’s digitalstrategy clearly is “No DRM” (interview with Anne Delilliacet Julien Gracia of Fleurus, Idboox, 3 July 2012).Numeriklire, a digital-only publisher specializing in adventure,erotica, literary fiction, crime, and young adult books,also provides its entire catalog without DRM, making thisapproach key to its company strategy and brand.In Spain, the renowned Barcelona-based literary publisherEdiciones launched a digital-only subcompany, B deBooks, in November 2011, which is supposed to releasesome 250 new titles per year, all without DRM. This policyis, again, part of several experiments, including pricing(“Libros digitales desde 1,99 euros y sin protección anticopia”,El Pais, 15 November 2011).In the Netherlands, the largest Dutch trade publisher, DeArbeiderspers/A W Bruna, declared in January 2013 that itwould abandon DRM for all ebooks in its catalog of about1,200 titles (see this blogpost by publisher Timo Boezeman).Also in January 2013, the self-publishing portal Lulu gaveup on DRM (statement on DRM policy).By May 2013, Bill McCoy, the executive director of the InternationalDigital Publishing Forum, IDPF, even listedamong what are in his view Seven Deadly Myths of DigitalPublishing as Myth 5: “DRM Is About Reducing Piracy”, arguingthat there was a “growing realization that DRM hasnothing to do with reducing piracy is that lighter-weightforms of DRM—including watermarking and other socialapproaches that don’t technologically bar sharing—aremore attractive than a quixotic arms race to deploy moreand more sophisticated technologies that will only frustrateconsumers and lead to them being locked in to proprietaryplatforms.” (Quoted in Publishers Weekly, 29 May2013) But of course, the debate is still on, and notably thelargest publishing groups attach hard DRM to the majorityof their ebook titles so far.Preliminary conclusions onebook piracyThere is broad agreement about the publishing industry’sarrival at the “Napster moment” for ebooks. But these briefcase studies on piracy research in France and Germanyclearly illustrate the limited consensus —aside from theproblem’s scope and threatening forces— on how to understandthe driving forces and, as a consequence, whatactions will be effective at reducing the loss from piracy tolegal rights owners.Identifying and mapping the offerings seems to be key,and the obvious first step —not only to persecute infringement,but before such action— is to become aware(especially for publishers) of the intricacies and dynamicsof the problem.This step requires tough strategic decisions for the industry:an assessment of the experiences, practices, and lobbyingstrategies from other content industries —notablymovies and music— and whether they should be followed,and the extent to which different approaches should bedeveloped.eBooks are primarily downloaded from DDL sources,where uploaders are next to impossible to identify. Therefore,publishers must get involved individually to checksuch sources for their respective catalogs of titles and toforce concrete links promoting illegal download sourcesfor their titles to be taken down by the offenders. So far,only a few such specialized service providers exist.Several of the leading international groups have takensuch action, such as John Wiley & Sons in the textbookmarket (Publishers Weekly, 1 November 2011) and theHachette group for general trade (Livres Hebdo, 15 December2011]) as just two examples. But the offer can alsobe adapted to be more compelling for readers who wouldprefer a legal offer if it were available in convenient ways.A group of 39 Japanese manga publishers explored suchpossibilities with a subscription site targeted at US consumerswith English-language editions of their graphicbooks (www.jmanga.com). The JManga offer, at this point,is available only to users in the US and Canada. For details,see Livres Hebdo, 22 August 2011.125 The Global eBook Report
The piracy debate also overlaps with that on ebook pricing.As The Economist pointed out in an analysis of ebooks andthe book business titled “Great Digital Expectations,” “piracyis a particular threat because of a second, biggerproblem: the apparently arbitrary nature of e-book pricing”,(The Economist, 10 September 2011).Piracy and ebooks is a complex challenge for the industry’sorganizations, as is crafting the overall story they want totell the reading audience as well as politicians and regulators.So far, in many parts of continental Europe, at least, thepredominant mood is one of angst. “Publishers and retailerstremble from the pirates,” read the headline of an articleabout extraordinary growth of ereader and ebook sales forChristmas 2011 in Germany —and this wasn’t in a tabloid,but in the country’s leading business daily, (Handelsblatt,27 December 2011). What may have been conceived as ameans of self-defense in an industry undergoing changecan result in a severe image problem, as pointed out byRené Strien, a German publisher and president of the associationof German trade publishers (buchreport, 19 January2012). Strien warned of publishers publicly beingblamed as a mere “content exploitation Mafia” at a crucialmoment when the very basics of European and internationalcopyright were coming under review by politiciansand clashing lobbying groups, with growing controversybetween rights holders and consumers.Thus, piracy - together with pricing, copy protection (DRM)and regulation - may be one of the strongest forces shapingthe European ebook markets in their next phase ofdevelopment.The Global eBook Report 126
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ContentsAbout the Global eBook Repo
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• The Bookseller (United Kingdom)
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Executive SummaryThis report provid
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The ambitions, and thelimitations o
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ending requests by email and face t
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Chris Kenneally, Copyright Clearanc
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A Global Industry, and Many Local P
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transformation longer than other se
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The Bookish Elites: Market size & n
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Book markets evolution in selected
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Market share of ebooks (in various
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English Language eBookMarketsThe fo
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United States (2010-2011 Book Marke
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Ebooks accounted in 2013 for one in
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stores, and 700 Argo stores, as wel
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Metadata is the key to online sales
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EuropeGermanyUpdate spring 2014Afte
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GermanyKey Indicators Values Source
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Ebooks evolve in a complex and chal
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actively seeking Google’s coopera
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SpainKey Indicators Values Sources,
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early days there. Yet according to
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According to the Danish book trade
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and Amazon is as well. Barnes & Nob
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PolandKey Indicators Values Sources
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The emerging role of ebooks in Cent
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Nemokamospdfknygos (Aida Dubkeviči
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play a role for starting to change
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57 The Global eBook Report
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RussiaKey Indicators Values Sources
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OzonOzon is a general retailer sell
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tribute the PDFs they had received
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a company wants—and it should—t
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also has the fourth largest install
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ChinaKey Indicators Values Sources,
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lion in 2008 to ¥60 million in 201
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The National Book Trust (NBT), the
- Page 78 and 79: tion. Of these, 73% youth are liter
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- Page 90 and 91: Forces Shaping the eBook MarketsA c
- Page 92 and 93: In the current battle over emerging
- Page 94 and 95: Paradoxically, the global expansion
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- Page 100 and 101: $1.8 billion”, equalling some 8%
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- Page 104 and 105: By January 2013, Kobo claimed to ow
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- Page 108 and 109: edition of the same titles is still
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- Page 114 and 115: Goodreads, launched by Otis Chandle
- Page 116 and 117: Regulatory frameworksThe litigation
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- Page 120 and 121: suffers not in spite of but because
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- Page 130 and 131: eBook Yellow PagesThe eBook Yellow
- Page 132 and 133: dotbooksEdiciones B, founded in Bar
- Page 134 and 135: Neowood Éditions is a French digit
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- Page 159 and 160: INscribe, 139Integral, 139iStoryTim