Ebooks evolve in a complex and challenging context inFrance. At €2771 million worth of net sales for publishers,France is home to the second largest domestic book marketin Europe, second only to Germany, yet the overall bookmarket has been declining slowly for several years (-1.2%against 2011 and -0.3% in the first half of 2013). Books areby far the most popular cultural format among Frenchconsumers, with a value of 4,130 million in 2012, or 52.7%,compared to video (movies, at 16.8%), music (9.4%), andgames (21.1%), with books declining less than the overallcultural sector (-3% 2012, against 2011), (SNE, Les ChiffresClefs de l'édition 2012, and Livres Hebdo, 27 August 2013).Relatively upbeat statements by publishers about the solidresistance of books in difficult economic times are a clearcontrast to the continuous turbulences that is notablyshaking several of the largest actors in retail. The leadingoperator of chain stores for books and other media andcontent, Fnac, is undergoing deep structural change, andan IPO on the Paris stock exchange in June 2013 was lukewarmat best, and the half-year results echoed a decline of5.8% in revenues for the group, and 3.9% for its Frenchholdings. The Virgin Mega Store, which had highflyingplans for digital media, before filing for bankruptcy in2012, had to be shut down altogether in 2013, as no buyercould be found. (Livres Hebdo, 11 June 2013]), and Chapitre,the second largest book chain, had to announce significantclosures of outlets, and major restructuring (LivresHebdo, April 9, 2013). Overall, French publishers have beensufficiently concerned about the challenges of book retailersto offer an unseen initiative to support independentbookshops notably with a one-off payment of €7 million(Livres Hebdo, 3 June 2013).Against the backdrop of such harsh economic conditions,there seems to be little room for digital experiments, whileanecdotally, the general media not only paint a picturehighlighting the “resistance” of the French public to readingon small screens but discuss this in the more fundamentalterms of a French “cultural exception”, or a specificnational preference for cultural traditions over the (USAmerican) notion of culture and entertainment as an industryand a business.For 2012, the French Syndicat National de l'édition (SNE, theFrench publishers’ association) attributed to ebooks 3.1%of all of French book revenues (up from 2% in 2011), worth€81.76 million (SNE, “Edition numérique 2012”, and LivresHebdo, 27 June 2013]; a much lower estimate for ebooksto account for just 2.1% of all trade sales by GfK is due to amuch narrower definition of which revenues are included- for a detailed discussion see the blog of Aldus2006).Much of the resulting media coverage was in line withcoverage from a year earlier, when, in early summer 2012,the “French exception” hit the headlines of the culturalpages in New York and London. “The French Still Flock toBookstores”, stated The New York Times (June 20, 2012), andthey are “shunning the ebook,” according to The Guardian(June 4, 2012). Voices from within the Paris establishmentof the French book industry joined the skeptical choir byemphasizing that sales of ebooks were still limited in theircountry, with a market share estimated for mid-2012 atperhaps 2%.However, in summer 2013, some observers started to cautiontheir readers by adding questions to their headlines:“Paper Resists: Why Ebooks Are Not Landing (Yet)” (L’Express,3 July 2013).The reason to see France as being more and more in linewith the digital developments in other markets acrosscontinental Europe derives from various surveys who, intheir majority, are consistent with findings in other Europeancountries, when it comes to analyzing the disseminationof devices, or reading habits and the overall consumptionof online content. In addition, both the traditionallyleading organizations of the French book industry,as well as a growing number of startup ventures, proposean ever expanding infrastructure and offer reading materialsas well as points to access this content conveniently.By the end of 2013, French consumers are expected to ownsome 6 million tablet computers and half a million e-reading devices. One French in five has already read anebook (Livres Hebdo, 25 February 2013), and a consumerpanel showed that many consumers who already own adevice expect to expand its usage. For fall 2013, several ofthe largest general retail chains are expected to launchtheir own series of devices, which will further broaden thepenetration among consumers.The most popular sector for digital reading is literature (ata share of 60% of all sold ebooks), with genre fiction (notablyerotic, fantasy and science fiction) being particularlypopular. Leaders of the segment include the independentFrench houses Bragelonne and Le Bélial, as well as CanadianHarlequin in a joint venture with Hachette. Surveysindicate that half of the consumers reading genre ebookshave not read similar books on paper (“La littérature degenre en numérique”, SNE, Assises du livres numérique,March 2013).37 The Global eBook Report
FranceKey Indicators Values Sources, commentsBook market size (p+e, at consumer prices) €4,121 million 2012, excl. exports; Syndicat National de l’Edition(French Publishers’ Association, SNE)Titles published per year (new and successive editions) 86,295 SNE (figure for 2012)New titles per 1 million inhabitants 1,321 French National Statistics InstituteeBook titles (available from publishers) ca. 126,000 From publishersPublisher revenue share of ebooks ca. 2.7% of trade (GfK), 3% (SNE) Estimates GfK, SNEKey market parametersFixed book price; VAT of 7% for print, audiobooks, and ebooksSeveral major French publishers, notably Editis, Gallimard-Flammarion, La Martinière, Actes Sud - yet not Hachette -have launched a pilot to directly cater their ebooks to libraries.Another experiment concerned the bundling ofheavily discounted ebook editions with the purchase of aprinted book. The offer will be introduced to the market ata large scale in 2014 by the ebook distributor Eden, whoalso will add audiobooks for download. (Information providedby Gallimard for this report, one of the consortiummembers of Eden.)Throughout 2013 in France, the political debate continuedon how to sustain or even defend its domestic culture inthe context of globalization and the impact of global playerson its heritage and specifics. In a report for the government,a number of measures have been proposed, notablyto introduce specifically targeted taxation on smartphone and other digital devices, as well as to secure thecollection of local taxes from global conglomerates to fosterthe creation of original French content. (For a summaryof the “Rapport Lescure” see Le Monde, 13 May 2013; thecomplete report is available online from the French government).In response to debate on how to act against piratedebooks, the French publishers´ association has signed anagreement with their British homologues to adapt theirCopyright Infringement Portal in a French version (see alsoActuaLitté, 5 August 2013).In 2012, some 3.6 million tablet computers plus another300,000 dedicated ereaders were sold in France (comparedto 145,000 in 2011). This should trigger growth inebooks by some 80% at least (Livres Hebdo, 3 May 2012,and Livres Hebdo, January 11, 2013, print edition, page 17).Perhaps even more conclusive is research commissionedby the French publishers’ association SNE in March, and thenupdated in September of 2012. In spring, a mere 5% of theFrench population over 18 admitted to having read anebook. Another 5% considered doing so. A staggering 90%said flatly “Non,” as they could not see themselves exchangingpaper for a screen. Only half a year later, 14% ofthe adults had in fact read an ebook at least in part, plusanother 8% would give it a thought at least. As in mostcountries, the strongest segment of the reading populationhas started to embrace digital first.The political and cultural context forebooks in FranceThe ebook (or livre numérique) faces an environment inFrance that is characterized by various factors from politics,culture, and trade.France —through its National Library and its national digitallibrary, Gallica (which currently has 1.5 million digitaldocuments on display)— has gotten an early start on thedigitization of its book culture. France also has a strongtradition of national politics spearheading the digital disseminationof its legacy and of creating institutionalframeworks for such ambitions, including the Europeandigital library project Europeana.French publishers, while setting up the infrastructure foran emerging ebook market, started to confronted Googleregarding its library digitization efforts, citing infringementof works under French copyright.The industry trade association SNE, together with theFrench government, regularly stands up to defend Frenchculture and its national book industry against what areseen as challenges from global market forces and players.This controversy — which was fostered from the very beginningby Hachette Livres, among others — did not hinderwhat is by far the largest publishing group in France fromThe Global eBook Report 38
- Page 2: ContentsAbout the Global eBook Repo
- Page 5 and 6: • The Bookseller (United Kingdom)
- Page 7 and 8: Executive SummaryThis report provid
- Page 9 and 10: The ambitions, and thelimitations o
- Page 11 and 12: ending requests by email and face t
- Page 13 and 14: Chris Kenneally, Copyright Clearanc
- Page 15: A Global Industry, and Many Local P
- Page 18 and 19: transformation longer than other se
- Page 20 and 21: The Bookish Elites: Market size & n
- Page 22 and 23: Book markets evolution in selected
- Page 24 and 25: Market share of ebooks (in various
- Page 26 and 27: English Language eBookMarketsThe fo
- Page 28 and 29: United States (2010-2011 Book Marke
- Page 30 and 31: Ebooks accounted in 2013 for one in
- Page 32 and 33: stores, and 700 Argo stores, as wel
- Page 34 and 35: Metadata is the key to online sales
- Page 36 and 37: EuropeGermanyUpdate spring 2014Afte
- Page 38 and 39: GermanyKey Indicators Values Source
- Page 42 and 43: actively seeking Google’s coopera
- Page 44 and 45: SpainKey Indicators Values Sources,
- Page 46 and 47: early days there. Yet according to
- Page 48 and 49: According to the Danish book trade
- Page 50 and 51: and Amazon is as well. Barnes & Nob
- Page 52 and 53: PolandKey Indicators Values Sources
- Page 54 and 55: The emerging role of ebooks in Cent
- Page 56 and 57: Nemokamospdfknygos (Aida Dubkeviči
- Page 58 and 59: play a role for starting to change
- Page 60 and 61: 57 The Global eBook Report
- Page 62 and 63: RussiaKey Indicators Values Sources
- Page 64 and 65: OzonOzon is a general retailer sell
- Page 66 and 67: tribute the PDFs they had received
- Page 68 and 69: a company wants—and it should—t
- Page 70 and 71: also has the fourth largest install
- Page 72 and 73: ChinaKey Indicators Values Sources,
- Page 74 and 75: lion in 2008 to ¥60 million in 201
- Page 76 and 77: The National Book Trust (NBT), the
- Page 78 and 79: tion. Of these, 73% youth are liter
- Page 80 and 81: Wiley were among the first. Much of
- Page 82 and 83: launched with 47 titles, available
- Page 84 and 85: Ebook publishers are faced with the
- Page 86 and 87: Arabia, the situation improves dram
- Page 88 and 89: Contributed articleCopyright Cleara
- Page 90 and 91:
Forces Shaping the eBook MarketsA c
- Page 92 and 93:
In the current battle over emerging
- Page 94 and 95:
Paradoxically, the global expansion
- Page 96 and 97:
The Expansion of GlobalPlatformsPub
- Page 98 and 99:
Interestingly, all Amazon figures b
- Page 100 and 101:
$1.8 billion”, equalling some 8%
- Page 102 and 103:
leader in the digital industry thro
- Page 104 and 105:
By January 2013, Kobo claimed to ow
- Page 106 and 107:
aggressively at €0.99 or €2.99,
- Page 108 and 109:
edition of the same titles is still
- Page 110 and 111:
Self-publishingUpdate spring 2014In
- Page 112 and 113:
continental Europe have launched th
- Page 114 and 115:
Goodreads, launched by Otis Chandle
- Page 116 and 117:
Regulatory frameworksThe litigation
- Page 118 and 119:
Receptiveness for foreign(English)
- Page 120 and 121:
suffers not in spite of but because
- Page 122 and 123:
entific and professional publishing
- Page 124 and 125:
utors. Börsenverein’s own Librek
- Page 126 and 127:
sources and blogs promoting and poi
- Page 128 and 129:
In France, the independent literary
- Page 130 and 131:
eBook Yellow PagesThe eBook Yellow
- Page 132 and 133:
dotbooksEdiciones B, founded in Bar
- Page 134 and 135:
Neowood Éditions is a French digit
- Page 136 and 137:
those who would like to create thei
- Page 138 and 139:
about 60,000 ebooks. In November 20
- Page 140 and 141:
making the ebook creation and publi
- Page 142 and 143:
extended ranges of books and audio
- Page 144 and 145:
MyiLibrary is an econtent aggregati
- Page 146 and 147:
that publishes RNTS branded digital
- Page 148 and 149:
lishers and over 30 sales channels,
- Page 150 and 151:
Professional organizationsProfessio
- Page 152 and 153:
Advertising in the eBookYellow Page
- Page 155 and 156:
The acceleratedtransformation of th
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IndexSymbols100knygu, 13224Symbols,
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INscribe, 139Integral, 139iStoryTim