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Contents - ResearchSpace@Auckland - The University of Auckland

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he had felt the powerOf nature, and already was preparedBy his intense conceptions to receiveDeeply the lesson deep <strong>of</strong> love, which heWhom Nature, by whatever means, has taughtTo feel intensely, cannot but receive. (113-118)<strong>The</strong> Pedlar’s development is following clear stages here. Nature has impressed his mind withphantasiae that he has assented to, but only with her help. And by referring new impressions to thosepreviously received, he has built up ‘intense conceptions’ – true representations <strong>of</strong> things, notions(ennoia) that will prepare him for the next stage, which is also under the tutelage <strong>of</strong> Nature. ‘Ere hisninth summer’ the young Pedlar is sent out into the hills as a shepherd, where he is then touched bythe ‘unutterable love’ he feels for the beauty <strong>of</strong> Nature, and in his ‘gladness and deep joy’– emotionalstates that are appetitive and excessive – he loses himself in nature:his spirit drank<strong>The</strong> spectacle. Sensation, soul and formAll melted into him. <strong>The</strong>y swallowed upHis animal being; in them did he liveAnd by them did he live. <strong>The</strong>y were his life. (129-133, my emphasis)This ecstatic state is considered to be evidence <strong>of</strong> election, <strong>of</strong>:a visitation from the living God,He did not feel the God; he felt his works;Thought was not. In enjoyment it expired.Such hour by prayer and praise was unpr<strong>of</strong>anedHe neither prayed, nor <strong>of</strong>fered thanks <strong>of</strong> praiseHis mind was a thanksgiving to the powerThat made him. It was blessedness and love. (135-141 my emphasis)It would be customary for such experiences, such ‘transports <strong>of</strong> delight’ to be seen ascelebrations <strong>of</strong> great gladness and joy: gaudio exultare or effusa laetitia. But in the understanding <strong>of</strong>the Stoic teachings, these excessive states are disturbances <strong>of</strong> the mind, and Wordsworth writes <strong>of</strong>them here, quite deliberately, as appetites <strong>of</strong> the youthful mind. <strong>The</strong>y are sublime and wonderfulstates <strong>of</strong> being, and they affirm the power <strong>of</strong> Nature. <strong>The</strong> Pedlar feels his faith in the divinity withoutneed for any sight <strong>of</strong> an actual entity. Nor does he conceive <strong>of</strong> ‘God’ as some being who requires tobe praised. Even though he had, early on, reverenced the teachings <strong>of</strong> the Bible and acknowledged its‘written promise’, he feels no need for such scriptural authority, since the inscriptions in the book <strong>of</strong>nature appeared more real than the records <strong>of</strong> revealed religion: ‘But in the mountains did he feel hisfaith / <strong>The</strong>re did he see the writing’ (149-50).Although these enthusiastic emotional experiences are contrary to Stoic conceptions <strong>of</strong>wisdom, Wordsworth does not judge them; the Pedlar’s experience is ‘age appropriate’. And it isexactly the same sequence <strong>of</strong> events that is later set out in the description <strong>of</strong> his own youth in <strong>The</strong>Prelude, where he is also <strong>of</strong>fering an impartial, phenomenological description <strong>of</strong> the growth <strong>of</strong> his266

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