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Contents - ResearchSpace@Auckland - The University of Auckland

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ideal <strong>of</strong> effectively arguing both sides <strong>of</strong> the question, and he was to prove influential in restoring thefortunes <strong>of</strong> rhetoric as he helped initiate the study <strong>of</strong> the philosophy <strong>of</strong> language. 49At the time that Wordsworth’s ‘rhetorical’ manner <strong>of</strong> thinking was no longer being used, orunderstood, Coleridge’s approach was being developed by I. A. Richards in his Practical Criticism.This Coleridgean bias has been taken for granted in most twentieth-century approaches to literatureand, as a result, Wordsworth’s differing form <strong>of</strong> thinking was judged as old-fashioned, illogical andconfused. It was not until the late 1950s that the form <strong>of</strong> argumentation Wordsworth utilised in hisown theorising was again recognised and acknowledged to be a valid method <strong>of</strong> practical reasoning;though not in literary studies. Chaïm Perelman and Lucie Olbrechts-Tyteca re-discovered thesignificance <strong>of</strong> Aristotle’s rhetorical dialectic as they were searching for ‘a logic <strong>of</strong> value judgements’in their research into forms <strong>of</strong> argumentation. <strong>The</strong>ir studies engaged them in a complex study <strong>of</strong> legalarguments, and the forms <strong>of</strong> logic or dialectic appropriate to them, and led to their rediscovery <strong>of</strong>Aristotle’s method <strong>of</strong> ethical argumentation. In their findings, published in <strong>The</strong> New Rhetoric: ATreatise on Argumentation, they concluded that Aristotle’s method was actually the mostsophisticated form <strong>of</strong> argument for the discussion <strong>of</strong> human issues, and was in fact the only reallyvalid method <strong>of</strong> practical argumentation.In <strong>The</strong> New Rhetoric Perelman argued that ‘philosophical’ arguments that follow the rules <strong>of</strong>formal logic, and which address a ‘universal audience’ cannot actually address the realities <strong>of</strong> livinghuman situations. <strong>The</strong>y therefore remain metaphysical speculations with no actual relevance topractical reality. Perelman’s mid-twentieth century enquiry into the nature <strong>of</strong> value judgements can beseen to replicate Wordsworth’s earlier search for ‘political justice’ and answers to his ‘moralquestions’ in 1795. His enquiry, like theirs, led him to Aristotle and to a form <strong>of</strong> argument that takesplace within the context <strong>of</strong> actual human experience and addresses the affairs <strong>of</strong> ‘the human heart’ thatWordsworth made so central to his poetics. Perelman’s work was foundational to modern studies <strong>of</strong>applied rhetoric, and the significance <strong>of</strong> his approach is described in a series <strong>of</strong> essays he published in<strong>The</strong> New Rhetoric and the Humanities: Essays in Rhetoric and its Applications (1979). <strong>The</strong>introductory essay ‘<strong>The</strong> New Rhetoric: A <strong>The</strong>ory <strong>of</strong> Practical Reasoning’ describes ‘<strong>The</strong> loss <strong>of</strong> aHumanist Tradition’, and traces the gradual demise <strong>of</strong> the use <strong>of</strong> the classical forms <strong>of</strong> argumentestablished by Cicero and Quintilian, that were based on Aristotelian method. 50 In contrast toAristotle’s method, which recognised the relativity <strong>of</strong> all judgements made about human topics,Coleridge was committed to a ‘critical philosophy’ that aimed to arrive at absolute judgements that49For a reading <strong>of</strong> the Preface to Lyrical Ballads that invokes Wittgenstein, see Charles Altieri’s early essay,‘Wordsworth’s “Preface” as Literary <strong>The</strong>ory’ Criticism, 18. 2 (1976): 122-146. Altieri is another scholarwho has recognised Wordsworth’s debt to the rhetorical tradition and has argued the case for appreciating his‘eloquence’ in, ‘Wordsworth’s Poetics <strong>of</strong> Eloquence: A Challenge to Contemporary <strong>The</strong>ory’, RomanticRevolutions: Criticism and <strong>The</strong>ory. Ed. Ken Johnston, et al, pp. 371-407. See also Altieri’s broaderargument as expressed in Canons and Consequences: Reflections on the Ethical Force <strong>of</strong> Imaginative Ideals,which connects ethos and ethics.50 Other essays in the collection are also important to an understanding <strong>of</strong> distinctions that Wordsworth wouldhave appreciated, but which many contemporary readers may be unaware <strong>of</strong>. See also Baumlin, J. S. &Baumlin, T. F. Ethos: New Essays in Rhetorical and Critical <strong>The</strong>ory.43

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