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Contents - ResearchSpace@Auckland - The University of Auckland

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Jarvis, Robin. Wordsworth, Milton and the <strong>The</strong>ory <strong>of</strong> Poetic Relations. Houndmills: Macmillan, 1991.Jarvis, Simon. Wordsworth’s Philosophic Song. Cambridge: Cambridge UP, 2007Jay, Paul. Being in the Text: Self-Representation from Wordsworth to Roland Barthes. Ithaca: CornellUP, 1984.Jaye, Michael C. ‘William Wordsworth’s Alfoxden Notebook: 1798.’ in <strong>The</strong> Evidence <strong>of</strong> theImagination, Studies <strong>of</strong> Interactions Between Life and Art in English Romantic Literature. EdD.H. Reiman, M.C. Jaye, B.T. Bennet. New York: New York UP, 1978.Johnston, Kenneth R. Wordsworth and ‘<strong>The</strong> Recluse.’ New Haven: Yale UP, 1984._______<strong>The</strong> Hidden Wordsworth. London: Pimlico, 2000.Jones, John. <strong>The</strong> Egotistical Sublime: A History <strong>of</strong> Wordsworth’s Imagination. London: Chatto &Windus, 1954.Jordan, Frank. Ed. <strong>The</strong> English Romantic Poets: A Review <strong>of</strong> Research and Criticism. New York:Modern Language Association <strong>of</strong> America, 1985.Jordan, John. Why the Lyrical Ballads?: <strong>The</strong> Background Writing and Character <strong>of</strong> Wordsworth’s1798 Lyrical Ballads. Berkeley: U <strong>of</strong> California P, 1976.Kant, Emmanuel. Critique <strong>of</strong> Judgement. Trans. J. H. Barnard. New York: Harper, 1951._______Critique <strong>of</strong> Pure Reason. Trans. N. Smith. London: Macmillan, 1929.Kearney, Richard. <strong>The</strong> Wake <strong>of</strong> Imagination: Toward a Postmodern Culture. Minneapolis: U <strong>of</strong>Minnesota P, 1988._______<strong>The</strong> Poetics <strong>of</strong> Imagining: Modern and Postmodern. Edinburgh: Edinburgh UP, 1998.Keats, John. Letters <strong>of</strong> John Keats. 2 vols. Ed. H.E. Rollins. Cambridge MA: Harvard UP, 1958.Keble, John. Keble’s Lectures on Poetry. Trans E. K. Francis. 2 vols. Oxford: Clarendon, 1912.Kelley, <strong>The</strong>resa M. ‘Wordsworth, ‘Kant, and the Romantic Sublime.’ Philological Quarterly 63.1(1984): 130-40._______ Wordsworth’s Revisionary Aesthetics. Cambridge: Cambridge U P, 1988._______‘Fantastic Shapes: From Classical Rhetoric to Romantic Allegory.’ Texas Studies in Literatureand Language 33. 2 (1991): 225-60._______ Reinventing Allegory. Cambridge: Cambridge UP, 1997.Kennedy. George A. Ed. Cambridge History <strong>of</strong> Literary Criticism Vol 1. Classical Criticism.Cambridge: Cambridge UP, 1989._______ A New History <strong>of</strong> Classical Rhetoric. Princeton: Princeton UP, 1994._______ Quintilian. Twayne World Authors Series. New York: Twayne, 1969.Kermode, Frank. Introduction to <strong>The</strong> Tempest. <strong>The</strong> Arden Shakespeare. London: Methuen, 1972.Kerrane Kevin. ‘Nineteenth Century Backgrounds <strong>of</strong> Modern Aesthetic Criticism’. In <strong>The</strong> Quest forImagination. Ed. O. B Hardison. Cleveland: Case Western Reserve UP, 1971.Kimball, Bruce. Orators and Philosophers: <strong>The</strong> History <strong>of</strong> the Idea <strong>of</strong> a Liberal Education. NewYork: College Entrance Examination Board, 1995.King, Everard ‘James Beattie’s <strong>The</strong> Minstrel (1771, 1774): Its Influence on Wordsworth.’ Studies inScottish Literature 8 (1970): 3-29.304

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