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Social-Physiological Evolution: Thumbs Up, Sit<br />
Down and Shut Up<br />
Self-styled cyber-feminist and technological futurologist Dr<br />
Sadie Plant first identified the Oya Yubi Sedai (the thumb<br />
generation) while researching the impact <strong>of</strong> hand-held<br />
technologies such as mobile phones and computers on the<br />
young. A report in the Observer newspaper (24 March 2002)<br />
stated that a ‘physical mutation’ had taken place in the<br />
under 25s, with the thumb replacing the index finger as<br />
the pre-eminent control digit. Meanwhile, in a less<br />
evolutionary body/mind development, the Police Authority<br />
in Lancashire, in partnership with the local Primary Care<br />
Trust, has been exploring a no-standing policy in Preston’s<br />
pubs. The police are concerned that standing, ‘vertical<br />
drinking’ and its related physical interaction causes<br />
violence to flare up. Reported in the New York Times (28<br />
August 2006), Jack Turner questioned whether this new<br />
social control initiative could sober us up, citing several<br />
other failed experiments in design puritanism. One<br />
wonders how this legislated posture proposal might<br />
develop, with overexuberant gesticulation discouraged and<br />
the ‘elbows up’ pint-downing <strong>of</strong> the seasoned drinker<br />
outlawed due to health and safety concerns. Sadly, I must<br />
also report the slow demise <strong>of</strong> social whistling. Judith<br />
Eagle, writing in the Guardian (11 October 2006) asks: ‘Why<br />
don’t people whistle now?’ Dr Stephen Juan, an<br />
anthropologist at the University <strong>of</strong> Sydney, cites two<br />
possible reasons: one, that popular music is less<br />
‘whistleable’, and/or two (more plausibly) that the<br />
proliferation <strong>of</strong> portable music devices has (temporarily)<br />
curtailed our own mobile tune-making capabilities.<br />
Robot Care: Robots Care<br />
Writing in the Guardian newspaper (11 October 2006),<br />
Christopher Manthorp (operations manager for older<br />
people’s services at Kent County Council) describes his<br />
disappointment with the future. In this fledgling 21st<br />
century he does not think that technology has serviced<br />
society with the kind <strong>of</strong> transformative potential that so<br />
much science fiction predicted. This, however, may be<br />
changing, especially with the increasing use <strong>of</strong> assistive<br />
technology (AT) in the care <strong>of</strong> the elderly. Presently<br />
consisting <strong>of</strong> clunky remote alarm systems indicating the<br />
patient’s well-being, Manthorp speculates on a future<br />
where robots ‘will stalk the Earth, gossipping gently to<br />
isolated older people while cleaning the carpets and<br />
making the tea’. This sentiment certainly resonates with<br />
Paul Judge’s assertion that ‘good technological design can<br />
make us all happier’, given during the Royal Society <strong>of</strong> Arts<br />
250th anniversary conference in 2004. ‘Design must play a<br />
central role in ensuring that people will not be isolated or<br />
reduced by the technology revolution.’ Richard Greenhill <strong>of</strong><br />
the Shadow Robot Company (http://www.shadowrobot.com)<br />
has long believed in the social use <strong>of</strong> the robot and its<br />
associated technologies, arguing that the<br />
anthropomorphism <strong>of</strong> the Shadow Biped research project<br />
(no longer operational) is clearly justified by staircases and<br />
their mechanical negotiation. Likewise with their current<br />
research project, the Shadow Hand, which controls 24<br />
degrees <strong>of</strong> freedom with 40 air muscles. It could certainly<br />
handle a cup <strong>of</strong> tea. 4<br />
‘McLean’s Nuggets’ is an ongoing technical series inspired by Will McLean<br />
and Samantha Hardingham’s enthusiasm for back issues <strong>of</strong> AD, as<br />
explicitly explored in Hardingham’s AD issue The 1970s is Here and Now<br />
(March/April 2005).<br />
Will McLean is joint coordinator <strong>of</strong> technical studies (with Peter Silver) in<br />
the Department <strong>of</strong> <strong>Architecture</strong> at the University <strong>of</strong> Westminster.<br />
The Shadow Robot Company, Shadow Hand air-muscle-actuated robot<br />
hand with 24 degrees <strong>of</strong> freedom, 2006.<br />
Text © 2007 John Wiley & Sons Ltd. Images: p 140 © John-Paul Frazer;<br />
p 141 © Richard Greenhill<br />
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