Gustafson Porter, Swiss Cottage Open Space, London, 2006 <strong>Landscape</strong> masterplan clearly showing how Gustafson Porter has woven together trees, park elements and water to create a haven from the nearby traffic nodes that is fully accessible to pedestrians. Their scheme included the overlaying <strong>of</strong> two conceptual approaches: the materiality <strong>of</strong> place (that is, the regional landscape) and a firm engagement and interaction with the past as well as the present. They promptly hired an archaeologist as part <strong>of</strong> the team, so setting a design agenda that fully recognised the ancient remains that had been excavated 5 metres (16 feet) below ground – a process that revealed a richness <strong>of</strong> texture and content, from its medieval foundations up through its Roman street grid and the retaining walls <strong>of</strong> the Hellenistic period that ran along the immovable contours <strong>of</strong> bedrock. As a result, no less than three mosques, three cathedrals, and the Mary (Nourieh) shrine (visited by both Muslim and Christian females in turn) emerged, looming over the deep traces <strong>of</strong> Lebanon’s history. This initial excavation meant that the fragile zones to the southwest could be protected, but in other areas to the north the past was reinterred, preserving the archaeology and allowing for new garden layouts. This is not a memorial garden, yet the initial, motivating concept shared by both the clients and the designers was ‘the idea <strong>of</strong> Lebanon’s journey from a fragile puzzle shattered by war to a country gaining unity and peace under the will <strong>of</strong> its people’. These ideals still hold today, and are more relevant than ever, though badly impaired, not least <strong>of</strong> all in the collective mind <strong>of</strong> the communities that sought to build a new future for Lebanon. The Hadiqat As-Samah garden is thus a source <strong>of</strong> major healing for all. No singular, prioritised view is forced upon visitors – sectional variation is used to manipulate light and shade creating an overwhelming impression <strong>of</strong> serenity and even <strong>of</strong> the sublime. In 2002, Gustafson Porter was commissioned by Solidere to develop a concept design for the landscape <strong>of</strong> Beirut’s Old Shoreline Walk. A year later they were invited to proceed to design development. The underlying principles <strong>of</strong> the concept design were retained. A dynamic, evolving, linear experience runs along the path <strong>of</strong> the Old Shoreline Walk, leading through a series <strong>of</strong> new open spaces (four squares: All Saints Square, Shoreline Gardens, Zeytoune Square and Satiyeh Garden) that evoke memories <strong>of</strong> the old city that have been forgotten or destroyed, yet all set within the framework <strong>of</strong> a modern city space. The old shoreline had become submerged and lost, reducing the urban fabric and its meaning. The new 69
Gustafson Porter, Hadiqat As-Samah (Garden <strong>of</strong> Forgiveness), Beirut, 1999– The proposed 'placement' <strong>of</strong> pools and new plantings. The archaeological layering as expressly revealed and duly incorporated in the planned garden and pool overlays. 70
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ISBN-13 9780470034798 ISBN-10 04700
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Alison and Peter Smithson, Upper La
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Introduction Site/Non-Site Extendin
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The most dramatic case of the expan
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Dixon and Jones Architects, Exhibit
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From Mound to Sponge How Peter Cook
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Building Profile Louise T Blouin In
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Practice Profile The Tailored Home
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Front and back elevations. Bungalow
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Entry detail. 130+
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Loft area. Split-Level to Loft, sou
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Home Run Dosson in Casier, Italy Va
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Site Lines Night Pilgrimage Chapel
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