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Landscape Architecture: Landscape Architecture: - School of ...

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West 8 and du Toit Allsopp Hillier (DTAH), Toronto Central Waterfront,<br />

Toronto, Canada, 2005<br />

Reconditioning the waterfront. The Toronto scheme transforms the old industrial<br />

harbour front into an elegant, tree-lined boulevard with bicycle lanes while<br />

preserving its streetcars and extending park platforms on piers into the lake.<br />

It also successfully breaks apart the highway that separates the downtown<br />

from the waterfront, creating new parklands, streets, blocks and building sites<br />

that connect back inland. The inset shows the section <strong>of</strong> the planned methane<br />

plant that will process gas from the brownfield waterfront sites.<br />

new landscaped streets in Battery Park City (1978) drew on the<br />

New York tradition <strong>of</strong> Olmsted and Vaux’s picturesque Central<br />

Park and Brooklyn’s Esplanade. In Battery Park, landscape<br />

architect Lawrence Olin created a new, Retro-Modern street<br />

hybrid: his pedestrianised esplanade was a huge commercial<br />

success and set in motion the recoding <strong>of</strong> the New York<br />

industrial waterfront.<br />

Historic America downtowns now represent tiny patches<br />

within a much larger regional landscape, with many, such as<br />

Detroit, struggling to survive as a result <strong>of</strong> disinvestment in<br />

their centres and vast, automobile-based, peripheral expansion<br />

beyond their city limits. But there have been some spectacular<br />

landscaped comebacks, as in downtown Los Angeles, given up<br />

for dead by Reyner Banham in 1971. Here, the Pei, Cobb, Fried<br />

Library Tower (1990) looms over Halprin’s cascading Bunker<br />

Hill (Spanish) Steps (1990) that follow a curving waterfall<br />

descending from the reconditioned LA public library gardens.<br />

The steps lead down to the South Hope Street armature <strong>of</strong> the<br />

‘New Downtown’ (originally to be landscaped by Halprin).<br />

Nearby, on Bunker Hill, at the Civic Center, where the<br />

surrounding empty <strong>of</strong>fice towers have been converted to<br />

residential use, Melinda Taylor and Lawrence Reed Moline will<br />

design both the widened sidewalks <strong>of</strong> the tree-lined Grand<br />

Avenue in front <strong>of</strong> Frank Gehry’s Disney Hall (2003) and also<br />

the western garden terraces behind, overlooking the Pacific.<br />

On the East Coast in downtown Providence, Rhode Island, a<br />

similar landscaped transformation is taking place. The city<br />

uncovered the previously buried Woonasquatucket River to<br />

create an attractive canyon <strong>of</strong> landscaped terraces going down<br />

to the riverside, WaterPlace (1994), which hosts the WaterFire<br />

festival (a free public arts event with torches and riverboats<br />

held several times a month between May and October). This<br />

public re-imaging <strong>of</strong> the activities <strong>of</strong> the city centre as a<br />

‘festival place’ led to further investment, as industrial l<strong>of</strong>ts<br />

and <strong>of</strong>fice blocks changed to artists’ and then residential uses,<br />

making the downtown area appear safe and attractive for the<br />

enormous Providence Place Mall (1999) beside the river, the<br />

AmTrak station and the I-90 East Coast highway.<br />

Recombinant <strong>Landscape</strong>s in the Postindustrial Machine City<br />

Many American cities are reconstructing their historic<br />

business-district enclaves to cater for new residential uses,<br />

adding new paths through complex three-dimensional<br />

patches <strong>of</strong> landscaped amenities as commuters rebel against<br />

long commutes and high oil prices. In the 1990s, inner-city<br />

armatures <strong>of</strong> secondary centres, like North Michigan Avenue,<br />

26

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