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Gross. Max, Garden for a Plant Collector at the House for an Art Lover, Glasgow, Scotland, 2005– View of the Garden for a Plant Collector at dusk. are commanding the strongest, yet most aggravated, force there is – bar the markets – to play a leading role in contemporary society. Added to this, recent climate change in Europe (the green open spaces of London’s parks were reduced to scorched earth as the city went Mediterranean in the summer of 2006, and world-standard UK wine-growing became a hot prospect for the future) has not only prompted future opportunities for radical changes in the ways buildings are constituted, as ecosystems. It has also led to urban environmental novelties such as urban (Paris) and tropical indoor (Berlin) beaches, and year-round indoor ski slopes with ‘real snow’ (Scotland). For the Edinburgh-based landscape architecture practice Gross.Max, narrative is a vital component of contemporary landscapes. ‘We like extremes, otherwise the whole world becomes lookalike,’ says Eelco Hooftman, who founded the practice with Bridget Baines in the Scottish capital in 1995. The firm first attracted public attention for its informal landscaping of the Bullring, Birmingham’s central shopping area, in 2003, and has since completed schemes for Zaha Hadid’s BMW plant in Leipzig, Germany, and the public spaces at the refurbished Royal Festival Hall in London. Though as yet still relatively unknown even within the architectural world, Gross.Max has injected an optimistic breeze of fresh air and exuberance into UK urban design. For the architects’ proposed environment for the House for an Art Lover, Glasgow, an unbuilt MacKintosh project that a Glaswegian group recently determined to make real for the first time, they presented the client with a book of computer-generated imagery focused on Des Esseintes, the fictional protagonist of JK Huysmans’ 79
Zaha Hadid Architects and Gross.Max, BMW Leipzig, Germany, 2005 Courtyard with a grove of apple trees. The dynamically geometric car-park layout was created to give the impression of ‘accelerating’ rows of poplar trees, with water-retention pools.
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ISBN-13 9780470034798 ISBN-10 04700
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Alison and Peter Smithson, Upper La
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Introduction Site/Non-Site Extendin
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The most dramatic case of the expan
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Dixon and Jones Architects, Exhibit
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From Mound to Sponge How Peter Cook
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The Oslo Patch investigates a new w
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The Frenzy of Theorising In our tim
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Giovanni Bellini, The Madonna of th
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landscape architects, not only one
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Recombinant Landscapes in the Ameri
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West 8 and du Toit Allsopp Hillier
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Page 35 and 36: Brian McGrath and Victoria Marshall
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Page 41 and 42: Patricia Johanson, Fair Park Lagoon
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Site Lines Night Pilgrimage Chapel
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4 Architectural Design Landscape Ar
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