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asserting herself in the face of someone who expected<br />

submission from any enslaved person. Prince introduces<br />

to the reader the unification of the community of the<br />

enslaved as a coherent group with similar experiences<br />

and goals. By aligning herself with this community and<br />

focusing on not only her life but also the lives of fellow<br />

slaves, Prince becomes the spokeswoman for those<br />

who did not have access to print culture. The History<br />

underlines this unity among the enslaved by emphasizing<br />

intimate, and humanizing, connections between slaves in<br />

familial, romantic, and religious capacities. For instance,<br />

Prince drew strength from the support of her mother and<br />

extended family in early childhood, and while this form<br />

of support was severely limited by her circumstances as a<br />

slave, the love of her family continued to sustain Prince in<br />

later years. Prince also goes to great lengths to ally herself<br />

with local men in both formal and informal relationships,<br />

some of which were explicitly romantic or marital, in<br />

efforts to purchase her freedom or to safeguard herself<br />

against many of the gendered dangers slave women<br />

faced in the West Indies. Religion also plays a key role<br />

in The History as a uniting force that consolidates the<br />

religious communities of the enslaved with the religious<br />

communities of the British public.<br />

to purchase, and who talked about my shape and size in<br />

like words” (Prince 52). By using an apt simile to describe<br />

her situation Prince gives this scene special importance<br />

that explicitly likens the slave trade to butchery and the<br />

trade in chattel husbandry.<br />

In presenting this scene after telling the story of<br />

her childhood, which focused on nurturing humane<br />

development, Prince dispels any impression of the<br />

innocuousness of the slave trade and thereby speaks to<br />

its unforgiving cruelty. This scene becomes the fulcrum<br />

by which Prince turns to tell the horrible truth of slavery<br />

in the West Indies because she enters young adulthood<br />

through the trauma of separation from her family of<br />

origin into the alien world of hard labor and unrelenting<br />

punishment. The forced disintegration of her family<br />

unit is evidence of a common experience for many of<br />

the enslaved in the Atlantic world; as Orlando Patterson<br />

describes in the book Slavery and Social Death: A<br />

Comparative Study, in undermining these relationships<br />

by means of forcing geographical distance between<br />

family members, the slave-owning class subverted these<br />

relationships to further institute social control over the<br />

enslaved. (Patterson 6).<br />

During her years as a slave in the West Indies, Mary<br />

Prince lived through several different circumstances as a<br />

slave, working as a child companion, a maid, a laborer in<br />

salt ponds, and a nurse. Under a litany of slave masters,<br />

Prince endured cruel punishment and grave mistreatment<br />

in addition to the hard labor she was forced to perform.<br />

One of the most brutal realities of her experiences that<br />

stands out in the narrative was the torture of separation<br />

from her family of origin. Prince describes a brutal scene<br />

in the narrative where she, as a child, and other enslaved<br />

people—among them the young, the old, men, women,<br />

and children—were forced to present themselves for sale<br />

at an auction. Prince exercises precise narrative control in<br />

communicating this scene to the audience, emphasizing<br />

for the reader how the traders “handled me in the same<br />

manner that a butcher would a calf or a lamb he was about<br />

At the same time Prince was separated from her family,<br />

she was assigned to the role of nurse for the children of<br />

her masters. The labor of the enslaved in the West Indies<br />

was strategically gendered, and at an early age Prince’s<br />

masters forced her to work as a nurse, fulfilling the<br />

station of caretaker despite being a young girl, herself<br />

still a child in need of care. The inversion of needing<br />

family support to being a supporter of her master’s<br />

family is a significant feature of Prince’s narrative, as it<br />

speaks to the regard slave masters had for their slaves.<br />

However, Prince in turn interprets the gender roles<br />

imposed upon her in a way that is both empowering and<br />

community-oriented; indeed, Sandra Pouchet Paquet<br />

maintains in Caribbean Autobiography: Cultural Identity<br />

and Self-representation that “as a child-nurse, [Prince]<br />

modeled an incipient motherhood and cross-class,<br />

46 CREATING KNOWLEDGE

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