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Rich People Problems-Kwan 2017 (WWT)

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faut.”<br />

“Ollie, we’re going to comme-il-faut the hell out of her! Kitty, dry your tears. We need<br />

to give your face one of my emergency hyaluronic acid boosters right now, before it gets<br />

too puffy,” Charlotte commanded.<br />

“And then we’re going to add the subtlest sun-kissed highlights to your hair. You’ll look<br />

like you just came back from a summer in the Seychelles!” Jo proclaimed.<br />

Two hours later, Kitty was posed on a Regency settee in front of The Palace of Eighteen<br />

Perfections, the magnificent Chinese scroll painting she had purchased two years ago for<br />

a record-breaking $195 million. She was dressed in a pale pink Oscar de la Renta off-theshoulder<br />

ball gown, the billowing duchesse satin skirt pooling gloriously around her, and<br />

on her head was a delicate Edwardian pearl headband.<br />

Gisele, in an adorable Mischka Aoki cornflower blue dress with feathers and cascading<br />

ruffles was positioned lying on the settee, one leg dangling and her head resting on her<br />

mother’s lap. Harvard stood on the other side of his mother with his arms around her<br />

neck, looking precious in a white sailor suit with navy blue piping from Bonpoint and<br />

white socks that went up to his knees. At the foot of the settee lay a gleaming pair of Irish<br />

setters.<br />

Nigel had imagined Kitty’s cover shot as a sort of modern-day re-creation of a Watteau<br />

portrait, and to achieve this he had brought all the way from New York the enormous<br />

Polaroid 20 x 24 camera. There were only six of these unique handmade cameras in the<br />

entire world, and so precious were the prints that every frame Nigel shot would cost<br />

$500. But the camera was somehow able to achieve an indescribable alchemy, creating<br />

images that were remarkably crisp and yet otherworldly. To go along with this concept,<br />

Nigel had confected an extraordinary blend of natural light fused with massive studio<br />

lights to create the sort of dappled, late-afternoon northern light straight out of an<br />

eighteenth-century atelier.<br />

“Gisele, you have the prettiest smile,” Nigel remarked as he stared into his viewfinder.<br />

Harvard was distracted by the dogs and kept reaching down to try to pet them. “Harvard,<br />

give your mommy a kiss!” Nigel encouraged, and then at the precise moment, just as<br />

Gisele was relaxing into her smile, Harvard was planting kisses on his mother’s cheek,<br />

and the sunlight was hitting the painting at just the right angle, Nigel asked, “Kitty, what<br />

are you thinking?” Her expression suddenly took on a faraway look, and Nigel clicked the<br />

shutter, knowing he had just captured the defining shot.<br />

Minutes later, the giant Polaroid was ready, and Toby, the first assistant, carefully<br />

placed the print on a special easel at the back of the room for all to see.<br />

“Oh that’s the shot! It looks like a Sir Joshua Reynolds come to life! Isn’t this the most<br />

perfect tableau you’ve ever seen?” Oliver said to Patric.<br />

“If only Nigel could join them in the photo. And take his shirt off. Then it would be<br />

perfect,” Patric whispered back.<br />

“I’m speechless! It’s sooooo gorgeous I can hardly believe it. Nigel, this is going to be<br />

our best cover ever!” gushed Violet Poon, the editor in chief of Singapore Tattle. “Oliver,

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