Runway S/S18
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Daks<br />
Jack Irving<br />
Malan Breton<br />
G L O S S<br />
& GO<br />
THE GLOSSY POSSE were out in force as<br />
high-octane shine took centre stage. Putting the<br />
sparkle emoji through its paces across all four<br />
fashion capitals, the look centered on perfectly<br />
polished cuticles that screamed ‘luxury’ with<br />
healthy hair as the starting point throughout.<br />
The secret behind shiny, happy hair? Hair care<br />
as the new styling tool. At both Ralph Lauren<br />
and Tory Burch for example, Guido prepped<br />
the models’ locks with Redken’s Diamond Oil<br />
Glow Dry Gloss Shampoo and Conditioner to<br />
infuse the hair with goodness, adding amla and<br />
coriander oils for a high-shine finish. “The hair<br />
this season is a super-chic blow-out,” said Guido<br />
at Ralph Lauren. “I’m prepping with a glossing<br />
shampoo and conditioner before using a boarbristled<br />
brush to blow the hair out to keep it<br />
super healthy, shiny and clean.” Meanwhile, Daks<br />
was delivering high-wattage wonderment thanks<br />
to Stephen Low for L’Oréal Professionnel. Over at<br />
Jack Irving’s On|Off show, The Boutique Atelier’s<br />
Richard Phillipart for L’Oréal Professionnel was<br />
lending stratospheric shine to his super-slick,<br />
Marcel wave up-do. Slightly more down to earth<br />
but equally stellar were the luxe waves at Malan<br />
Breton, where Toni&Guy international artistic<br />
director, Philip Haus, spritzed shine mist onto a<br />
grooming brush for extra lustre. And to ramp up<br />
the pass-me-my-shades mega-watt shine a notch<br />
further? Add a dash of L’Oréal Professionnel<br />
Mythic Oil Colour Glow as a finishing touch to<br />
any glossy ’do.<br />
Daks<br />
GET THE LOOK<br />
HAIZHEN WANG<br />
Versace<br />
Alexander McQueen<br />
Ralph Lauren<br />
HAIR: Jonny Engstrom from<br />
Guy Kremer for L’Oréal Professionnel<br />
THE LOOK: Romantic warriors<br />
HOW: Tecni.ART Pli was used to<br />
prep and blow-dry the hair for<br />
smoothness and control, working with<br />
a low side-parting. Hair was split into<br />
three sections: at the back secured in a<br />
tight low ponytail, with two sections at<br />
the front left loose. More clips were<br />
placed just below the eye, removed<br />
minutes before the show for a subtle<br />
indent. Tecni.ART Density Material<br />
was worked through the hair from<br />
roots to the top of the ear for a glossy,<br />
almost wet-look sheen while<br />
mid-lengths and ends were kept<br />
natural, achieving an effective dual<br />
texture. A light mist of Infinium hair<br />
spray was spritzed for light hold.<br />
18 RUNWAY Spring/Summer 2018