Runway S/S18
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RUNWAY CENTRAL SAINT MARTINS<br />
THE ARTISTS<br />
HARRIET STOKES<br />
Not Another Salon, London<br />
<strong>Runway</strong>: How did you get to work at<br />
the White Show?<br />
Harriet Stokes: As a member of the<br />
L’Oréal Professionnel ID Artist team,<br />
I was selected to collaborate on the<br />
White Show. The ID Artist programme<br />
is aimed at developing the skills of the<br />
Artists over a two-year period, and<br />
gives us the chance to raise our profiles<br />
through their opportunities.<br />
R: What was the experience like?<br />
HS: This was my first time working<br />
backstage on a show of this calibre.<br />
I didn’t really know what to expect,<br />
even though styling is an aspect of the<br />
everyday salon experience, there is a<br />
dramatic difference between the two.<br />
It was amazing to see how everyday<br />
styling techniques can be adapted to<br />
achieve different results.<br />
R: What was the biggest lesson you<br />
learned?<br />
HS: The manner in which hair styling<br />
as a discipline is adapted, even ‘rules’<br />
are broken to achieve a stylist’s vision.<br />
L O R A<br />
GRIFFIN<br />
Simon Webster Hair, Brighton<br />
<strong>Runway</strong>: What was the experience<br />
like backstage?<br />
Lora Griffin: The White Show was<br />
like nothing I have ever experienced<br />
before! Being surrounded by so many<br />
passionate new, young designers at<br />
once created a feeling of being a part of<br />
something really extraordinary, fresh<br />
and impactful.<br />
R: What was your highlight from<br />
the event?<br />
LG: It has to be the final line-up! Being<br />
able to see each look, down to the last<br />
detail, and the complete ensemble<br />
ready to go! The creativity was off the<br />
radar and I was constantly impressed<br />
by the students’ innovative ideas<br />
and designs.<br />
R: Any interesting moments?<br />
LG: I noticed that one of the outfits<br />
was accessorised with two dead fish!<br />
It was fabulous, but unfortunately<br />
made the model less than popular<br />
with the others, who seemed to keep<br />
their distance!<br />
SARAH BLACK<br />
(2017 L’Oréal Colour Trophy winner)<br />
NATHALIE MURRAY<br />
Linton & Mac, Aberdeen<br />
<strong>Runway</strong>: What was the experience like?<br />
Sarah Black: It was great to work alongside some fellow<br />
ID Artists – and overall it was a really chilled day, which<br />
was surprising as there were 160 models!<br />
R: What was your highlight from the event?<br />
Nathalie Murray: Seeing the whole look come together.<br />
The students’ work was out of this world; their ability<br />
to create some of the outfits in just a few weeks is<br />
crazy talent.<br />
R: Any interesting moments?<br />
SB: The majority of the models were students and the<br />
theme was that they all looked like they had cut and<br />
coloured their own hair; there were bits of hair hacked off<br />
and hair so over-processed. It would normally have been a<br />
stylist/colourist’s worst nightmare, but for this particular<br />
show it actually worked.<br />
R: What was the biggest lesson you learned?<br />
SB: Sometimes it’s about putting down your tools and just<br />
working with your hands… and lots and lots of product.<br />
R: What kept you going?<br />
NM: Naked Banana Loaf bar is my go-to behind-thescenes<br />
snack!<br />
Images courtesy of L’Oréal Professionnel<br />
Nathalie Murray<br />
Sarah Black<br />
Spring/Summer 2018 RUNWAY 47