Erich Von Daniken - The Gold Of The Gods

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3 - Traces Of The Gods In China, TooFig 41 This wooden sculpture shows a god with a tight-fitting helmetand once again a snake, the ancient emblem of the space traveler.
3 - Traces Of The Gods In China, TooFig. 42. Paiwan goddess in a space traveler's mask. She holds a snake,symbol of the universe, in her hands.The Paiwan are still primitive even today. In their masterly carvingsthey represent both real things from their environment and also thestereotypes which come from a kind of collective unconscious goingback to time immemorial Their contemporary woodwork shows thatthe Paiwan carvers are quite up to date. They perpetuate men inJapanese uniforms, with their weapons. They have seen these men.They are not straining their imaginations. They have never done so; inall ages they represented what they had actually seen in artisticallyperfect combination with traditional motifs.An especially remarkable motif is a three-headed being flying in asnake-a motif that recurs in a silk manuscript of the Chou culture(1122-236 B.C.).Mr. Y.C. Wang, Director of the Historical Museum, Taipeh, showed
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Erich Von Daniken - The Gold Of The Gods

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